"Go on. Admit it. He's IRRESISTIBLE (Even if you hate the Bee Gees). Sharp and soppy by turn, it's the sort of album that makes you dance around on your own and feel better about the world."
"This one grows and grows - or should that be spreads and spreads? Like wandering around in a deliriously happy musical daze, with the occasional car crash thrown in."
"Sounds like the Beach Boys on... well, something even the great Brian Wilson didn't ingest. A fabulously layered wall of sound. Best Album by Man in Bear Suit."
"The Linda Thompson comeback marches triumphantly on. How did we manage without her? Rufus Wainwright writes her another great song ('Beauty'), while 'Day After Tomorrow' is the year's Best Cover."
"Starting with a sort of reggae number, this is the Cassadys' most accessible album yet. 'Japan' is positively Sing-along-a-CocoRosie. Still bonkers, of course. Thank God."
"The most beautiful album artwork of the year, and another excellent set of songs from Mr Bird. 'Yawny at the Apocalypse' is the year's Best (and Best-Titled) Instrumental Number."
"Intelligent, touching and beautifully performed. 'Do You Remember' is a heartbreaking 'if only' song, a match for the wonderful 'This Modern Love' on Silent Alarm."
"Debut of the Year. Some artists really do arrive fully formed: just listen to 'Bat's Mouth' . Marvellously varied songs. Admired by Bjork, and no wonder."
"A lovely new hair colour and a lovely new set of songs from Master Wolf. He's a true original - and just listen to him duet with Marianne Faithfull on 'Magpie'."
"In the absence of anything from The Fiery Furnaces, The Knife get this year's Best Brother & Sister Act. And Best Use of Steel Band ('Pass This On'). Probably Swedish Album of the Year too."
"KC Rules OK? He does indeed if this new offering is anything to go by. A wondeful voice (that Fife accent), great tunes. Try first and last tracks, but then listen to everything in between."
"Unquestionably the year's Best Lesbian Rap Album. Funny, filthy, absolutely and appallingly incorrect in every conceivable way ('Dolphins', anyone?) Enormous fun for grown-ups."
"The year's Best German Electronica Album. They even sing now - in their minimalist way: 'When Love Was the Law in Los Angeles' is almost as get-up-and-dance as Mika's 'Grace Kelly'."
"Another of those wonky-voiced boys, but these are beautiful songs beautifully arranged. 'Not Nice' is what we've always wanted to say to those we love. Great album cover, too."
"If your heart sinks at the term 'Brit Pop', listen to, say, 'Kingdom of Doom' or 'Nature Springs'. It's like The Kinks all over again, which is high praise indeed."
"They really are as good as everyone says. Annoying, isn't it? But listen to 'Keep the Car Running', 'No Cars Go'... well, almost any track on the album, and give in."
"A reissue, admittedly, but long unavailable and the sort of album that makes you seek out everything else she has done. Try the anthemic 'Us' or the quirky 'Ghost of a Corporate Future'. The goods."