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killer and meet their fate. By the time Mitchell advances on his final victim of the evening with a drill theres barely enough room to move for all the dead bodies. After this shocking opening precariously little else really happens, Mitchell ranting insanities kidnaps a girl who he believes to be his daughter, splitting the rest of the narrative between the not so interesting attempts by the girl's brother to find her, and the girl's own attempts to escape. Toolbox has its moments such as Mitchell's legendary rendition of "Sometimes I feel like a Motherless Child" but the film rarely peaks after its opening bloodbath. This DVD version does a good job in preserving perhaps the films finest feature, its camerawork by Orson Welles collaborator Gary Graver, but censor cuts of over 2 minutes rob the film of the reasons for all the hype. Sad to say that remove the opening half hour of the film and the Toolbox Murders could easily play on afternoon TV, hardly a fitting eulogy for a formally red-blooded video nasty.
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