- Audio CD (22 Jan. 2007)
- Number of Discs: 1
- Format: CD
- Label: Memphis Industries
- ASIN: B000JFXTVI
- Other Editions: Audio CD | Vinyl | MP3 Download
- Average Customer Review: 4.2 out of 5 stars See all reviews (13 customer reviews)
- Amazon Bestsellers Rank: 3,641 in Music (See Top 100 in Music)
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Tones Of Town CD
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Top Customer Reviews
Lyrically the album is a rejection of prevailing metropolitan "values". Latest single A House Is Not A Home counters the urban chic mindset by reminding listeners that living on your own will never make a home. While the outstanding Working To Work blasts a personal pet hate: people who ask you what you do, as if your work defined your personality.
The album's been damned by faint praise. I've not seen a bad review, but neither have I seen it praised from the mountain-tops. And I suspect this boils down to the usual class prejudices that simmer in the subtext of British rock journalism. Most rock journalists (and I should know, it's a business I find myself in from time to time) are middle class white boys (like me). From the south of England (unlike me). And they define music by opposition: they love music made either by their polar opposites (working class northerners like Oasis making derivative but jubilant rock) or by people just like themselves (public school southerners like Radiohead making ambitious progressive rock). Field Music don't fit at either end of this spectrum. They're northern, but softly-spken and clearly in possession of a wide musical knowledge.Read more ›
"Sit Tight" is a song to surpass any doubts about this band as to whether they can follow up their consistent debut with a better album, as does opener "Give It Lose It Take It". In an album than has so much depth to it, it takes as least 10 listens to fall for it, the opening two tracks rise to the back of your head instantly. 2 and a half minutes into "Sit Tight" and there is the pleasant sound of beat boxing and piano, that's something that I thought I'd never say. In fact this album surpasses any doubts any one could have about anything with this band. The peerless single "A House Is Not A Home" brings back the memories of the only 90's music that you could consider being any good, with sublime harmonies and ever-so-cool careless guitar riffing gradually bringing the song into its comfort song, the song changes every 30 seconds into a completely different verse/chorus/bridge and each one is better than the other.Read more ›
And in "Tones of Town," the Sunderland band manages to top their debut, with a nearly flawless collection of catchy, warm, colourful pop music, cobbled out of squiggly synth, drums and angular guitars. Everything is tighter, more polished, and more musically adept.
It opens with what sounds like a restaurant -- dishes clattering, voices conversing, general hubbub. As that dies away, a chiming melodiy grows louder and louder, with some bouncy, gritty electric guitars joining in.
And it blossoms into "Give It Lose It Take It," a peppy, sunny confection made of squiggly synth, angular guitars and the occasional wave of strings. "Give it away/Nothing's worth keeping that you can't say/Lose it, strip yourself down/Its giving away can always be found/All that you have is all that you need to be!" Peter and David Brewis croon.
They follow that with the rich, beatboxy pop of "Sit Tight" and the swirling tambourine-guitar pop of the title track. What comes after it is a string of deliciously endearing pop tunes -- sprightly pianopop riddled with violin and guitar, mellow ballads, funky guitarpop, synth-riddled rockers, and other layered tunes that will surely have you bouncing in your chair.
Whatever was good about Field Music's music in their first album is multiplied in this one -- the lyrics, the music, and the general feel have all gotten better. The music was fun guitarpop with some flourishes before, but now it's made up of dense little packages of catchy pop, woven together out of outstanding instrumentation.Read more ›
Most Recent Customer Reviews
Equal measures of the Beatles (orchestrations, harmonies), Yes (Guitar riffs), the Small Faces (Ogden's Nut Gone Flake) and originality. Mix well and there you have it. Read morePublished on 6 April 2013 by Paul W S
No it's not prog rock per se, but the Genesis and other 70s prog influences are everywhere, and the "80s indie pop" influences mentioned in amazon's review are nowhere to be seen. Read morePublished on 28 Mar. 2011 by Russell Finch
An absolutely flawless half-hour of sparkling Todd Rundgren/Steely Dan/Gentle Giant-inflected pop genius. Can the forthcoming "Field Music (Measure)" possibly improve on this?Published on 15 Dec. 2009 by jolmusics
Quite frankly, it's boring. It is a pleasant pop record featuring violins and a marginally interesting vocalist. Read morePublished on 12 May 2008 by H Wright
I thought A House Is Not A Home was quite brilliant. The problem of course is that you always worry that a brilliant single doesn't always translate into a brilliant accompanying... Read morePublished on 12 Feb. 2007 by IWFIcon
Field Music are one of those bands that have been hovering around the periphery of my perception for some considerable time with out piquing my interest enough to make me part with... Read morePublished on 28 Jan. 2007 by russell clarke
Peter Brewis, David Brewis and Andrew Moore have not only managed to avoid 'Difficult Second Album Syndrome' so much as stick two fingers up at it and run away laughing, throwing... Read morePublished on 24 Jan. 2007 by Dead Eye Dick
The 2nd LP from these Sunderland fellas is a very short record (31:34) but crams more musical ideas in than some bands manage in a whole career. Read morePublished on 23 Jan. 2007 by T. Robinson
Tones Of Town has been in my cd player for the last 3 months (i was lucky enough to get a promo copy) and i can see it staying there for the rest of the year. Read morePublished on 10 Jan. 2007 by Betsy