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Tomorrow Never Comes

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5 used from £4.74

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Product details

  • Audio CD (18 Mar 2002)
  • Number of Discs: 1
  • Label: Fat Cat Records
  • ASIN: B0000636KU
  • Other Editions: MP3 Download
  • Average Customer Review: 4.5 out of 5 stars  See all reviews (2 customer reviews)
  • Amazon Bestsellers Rank: 610,081 in Music (See Top 100 in Music)

1. Kyoro
2. Goodbye For All
3. Symmetry
4. All You Need Is Love Was Not True
5. Suzu
6. I Drew A Picture Of Myself
7. Under A Clown
8. Amaryllis
9. You Died In The Sea
10. Untitled
11. Fatal Sisters Opened Umbrella
12. Nameless Song

Customer Reviews

4.5 out of 5 stars
5 star
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1 star
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Most Helpful Customer Reviews

1 of 1 people found the following review helpful By Stefan Sundlöf on 16 Aug 2003
Format: Audio CD
I've been listening to this record for over a year now and it seems like it's only getting better and better. It's hard to describe the music. Of course you could say early Jesus & Mary Chain and japanese noise music, but it's so much more. You have to buy it and listen for yourself. In my opinion it's the best album 2002/2003. If you don't have it already ...
You don't know what you're missing.
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By "mward243" on 23 Jan 2004
Format: Audio CD
Whilst agreeing largely with the previous two reviews, I found that it was not so much the production that let the record down, it is just that they are producing a wall of sound that is very intense. A very good stereo will separate the noises somewhat and allows you to realise how the sound is built up. It is worth the money as the noise has a lot of fine detail and subtlety to it, which is difficult to pick out. Very enjoyable (I too am still playing it a year later) but it needs to be played loud.
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Most Helpful Customer Reviews on Amazon.com (beta)

Amazon.com: 3 reviews
6 of 6 people found the following review helpful
like old megadeth album titles on shoddy cassettes 25 Feb 2003
By Nathan W. Walker - Published on Amazon.com
Format: Audio CD
xinlisupreme's album title tomorrow never comes is a damaged-pitch perfect description of what is contained therein. functional anti-nostalgia, it is what the excavation of a multitude of lost possible futures sounds like, too bitter to be sad. an amalgamation of faded utopian promises, outmoded strategies and technologies, fragments that will never collect into a coherent whole: a pile of cold war refuse up for auction because the purpose for which it was made no longer exists. like if all the nuclear warheads buried in the desert became sad and then resentful that care and love is no longer exercised on their behalf. sort of like that. most reviews of this album reference the j+m chain, mbv, e.n., suicide, killing joke, japanese noise damage, etc. etc. to this i would add some congenital haunting of the beatles, like if the orchestral ending to a day in the life kept building until it effectively ate up everything in its path, like if tape-loop experiments had utterly derailed revolver never to return, like if what charles manson had heard in the white album could be combined with what philip k. dick had heard in the white album and it was committed to tape in some alternate reality. more than any direct sound-influence however, it is more an unsystemic refutation of the possibility of communal engagement in limitless enterprise unfolding into a better tomorrow. this is pop music for the end of history where that claim is uncovered for the sham that it is. like the hangover on sunday morning which interferes with your ability to recollect what happened the night before, and the day passes before it can ever turn into something on its own. that said, all you need is love is not true is both beautiful and true, impassive and heartbreaking in its refusal.
2 of 2 people found the following review helpful
violent sweetness 15 Jun 2003
By igavethecatacid - Published on Amazon.com
Format: Audio CD
xinlisupreme are the best new act out of japan in years.
they take the sweetest little melodies, wrap them in sheets of noise like barbed wire and bash you in the face with them. gently. this jumps all over the place from harsh noise concealing little perky stadium rock flourishes to distorted early nineties shoegaze anthems.
the main thing is its really sweet and charming. but brutally violent in parts. and worth a wad of your hot, sweaty cash for sure.
the murder license EP is worth taking a gander at but this is where the real gems lie.
0 of 2 people found the following review helpful
Not quite spazz 28 Mar 2005
By Gary P. Weikert - Published on Amazon.com
Format: Audio CD
I heard Murder License first. The album is not all the same or different. Just a change of mood in the music. It is a bit slower than Murder. If you want faster go with Murder. This album has some nice beats to that remind me of Big Black. The way the album was engineered also. So, I would also like to recommend Big Black if you like this or vice versa.
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