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Tomboy [CD]

Panda Bear Audio CD
3.5 out of 5 stars  See all reviews (4 customer reviews)
Price: £6.13 & this item Delivered FREE in the UK with Super Saver Delivery. See details and conditions
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Music

Image of album by Panda Bear

Photos

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Biography

Both as a member of Animal Collective and as the solo artist, Panda Bear, Noah Lennox spent the aughts helping redefine the aesthetics and methodology of experimental and independent music. With work ranging from splayed but lyrical noise, florid acoustic arrangements, and guitar-centric psychedelia, he and his bandmates have covered a vast musical territory that blurs the line between pop and ... Read more in Amazon's Panda Bear Store

Visit Amazon's Panda Bear Store
for 12 albums, 7 photos, discussions, and more.

Frequently Bought Together

Tomboy + Person Pitch + Strawberry Jam
Price For All Three: £20.67

Buy the selected items together
  • Person Pitch £7.55
  • Strawberry Jam £6.99

Customers Who Bought This Item Also Bought


Product details

  • Audio CD (11 April 2011)
  • Number of Discs: 1
  • Format: CD
  • Label: Paw Tracks
  • ASIN: B004MGMJ3E
  • Other Editions: Audio CD  |  Vinyl  |  MP3 Download
  • Average Customer Review: 3.5 out of 5 stars  See all reviews (4 customer reviews)
  • Amazon Bestsellers Rank: 61,073 in Music (See Top 100 in Music)

1. You Can Count On Me
2. Tomboy
3. Slow Motion
4. Surfer's Hymn
5. Last Night at the Jetty
6. Drone
7. Alsatian Darn
8. Scheherazade
9. Friendship Bracelet
10. Afterburner
11. Benfica

Product Description

BBC Review

The world Noah Lennox, aka Panda Bear, inhabits has changed remarkably since the release of his previous solo LP, Person Pitch. Back then, in 2007, Animal Collective – the band he co-founded in 1999 – were still a cult concern, their Strawberry Jam album about to collect a clutch of critical acclaim but make barely a dent upon the mainstream. It, alongside Person Pitch (album of the year on Pitchfork), did a good job of cleaning up the year-end plaudits. But it wasn’t until 2009’s Merriweather Post Pavilion that the Baltimore-born outfit truly connected with a wider audience, their eighth studio set breaking the Billboard top 20 and reaching the dizzy heights of 26 on this side of the pond.

But the musical landscape Lennox strides so confidently across really hasn’t evolved all that much – Tomboy, solo long-player number four, builds on the summery vibes of its predecessor but doesn’t go so far as to truly break virgin ground. Titles like Slow Motion, Surfer’s Hymn and Drone are perfectly indicative of the content here, and will be pleasingly familiar to followers (old and new) of Lennox’s sublime drift-scapes. From Beach Boys melodies to mellifluous vocals which sink and simmer in a mix so luxurious to bathe in it would be heavenly, it’s full of prerequisites that point the way towards an experience comparably pleasant to that provided by Person Pitch.

Where Tomboy differs is in its dividing lines – rather than seven tracks with a couple of 12-minute epics, here Lennox lays out a sequence of 11 shorter, standalone arrangements, less focus on a single-sit-down listen and one eye, certainly, on the cherry-picking nature of today’s downloading audience. Not that this offering is without its longer moments of full-body immersion: Friendship Bracelet is a stunning six-minute shimmer which entices with warm vocals atop chirruping tropical percussion, and the following Afterburner ups the tempo to New Order (circa Technique) levels, 80s synths pulsing away at the core of a track peppered liberally with busy beats.

Drone does just that, magically, Lennox stretching lazy vocals across hums and whirs which sound like one of those teenybopper hits slowed down into something approaching a celestial wonder on YouTube. Slow Motion sloshes about as if its maker’s toes are dipped in a crystal-clear sea; and Last Night at the Jetty throbs delicately with a lovely sigh in its lyrical step. And while much here can be summarised as more of the same, when Lennox’s natural quality control operates at such an admirable standard, that’s precisely why Tomboy is such a chilled-out triumph.

--Mike Diver

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Product Description

CD

Customer Reviews

3.5 out of 5 stars
3.5 out of 5 stars
Most Helpful Customer Reviews
5.0 out of 5 stars Worth the wait 8 Mar 2013
Format:Vinyl|Amazon Verified Purchase
Each song on Tomboy is direct with a strong emphasis on vocals. The lyrical content appeals directly to the listener's emotions and the small details behind a wall of sonic effects is revealed after multiple hearings. Some innovative moments on Tomboy include the unexpected use of a theremin, the length of time the lyric "I" is sustained on 'Drone', and the sample of a football crowd in Benfica. I would recommend this album to listeners who appreciate 'Fur Immer' by Neu!, Fennesz's Endless Summer, The Beach Boys' use of vocal harmonies and the hypnotic effects of My Bloody Valentine's 'Loveless'. This is an album that I could engage with and will listen to many, many times.
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7 of 10 people found the following review helpful
3.0 out of 5 stars Sleepy Panda 4 May 2011
By Man Without a Soul VINE™ VOICE
Format:Audio CD|Amazon Verified Purchase
`Tom Boy' really is a lazy Sunday morning of an album, like most of us it takes the best part of a quarter of an hour to move through the gears and really get going. The good news is that when it finally wakes up it opens it's eyes to a glorious, distinctly tropical new day.

So the first three songs constitute little more than a stretch and a yawn of sleepy beats and repetitive Beach Boys harmonising - they barely register for me, pleasant enough though unmemorable. It is at this point I should admit that I sit on the Avey Tare side of Animal Collective's very own McCartney vs Lennon type debate. Just like Paul I find Noah's compositions can edge towards the cosy, the twee, perhaps even entering slightly trad pop territory thanks to those vocals, while I find Portner's material to be generally more direct, wilder, sometimes excitingly freakish.

This is not to say that I can't appreciate Lennox's approach and this release does contain some of his best ever moments. `Alsatian Darn', particularly the second half, and the lengthy `Afterburner' are both strong tracks that envelop you slowly, eventually drawing you into their expansive tropical soundscapes. This is certainly an album to close your eyes and immerse yourself in. `Scheherezade' is another winner, an Eno influence is in evidence here - it is a simply beautiful and otherworldly moment of meditative calm.

There are also a couple of more straightforward songs to enjoy - `Surfer's Hymn' opens with the sound of the tide lapping on the shore and what sound like heavily layered and sped up wind chimes, and the adorable `Last night at the Jetty' which is built around by far the most addictive vocal performance on the album.
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2 of 5 people found the following review helpful
5.0 out of 5 stars A serious piece of work. Well worth the wait. 13 April 2011
Format:Vinyl
A gigantic masterpiece for 2011. Works on so many levels and has such a beautiful form. Thanks, Noah! -- Take your time again with the next one. It's worth it. Sonic Boom didn't muck it up.

My pre-order arrived as a ltd edition clear DMM vinyl gatefold. There's a superb locked-groove at the end of Side B.
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2 of 36 people found the following review helpful
1.0 out of 5 stars here we go again 8 Jun 2011
Format:Audio CD|Amazon Verified Purchase
Good tunes absolutely ruined by dreadfull production.

I defy anyone to understand any of the lyrics.

Must have had the echo chamber on double echo,just like Person Pitch.

I won't get fooled again into buying another Panda Bear album.

Dreadfull.
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