16 of 17 people found the following review helpful:
5.0 out of 5 stars
Quiet, slow moving, beautiful, like the sonata, 27 July 2009
I am buying this because I saw it at the cinema a few months ago, and haven't been able to get it out of my head since. I've seen other films by this director, who until now specialized in suspenseful, eerie "horror" films (although they were more unsettling really). This film has some of the same atmosphere of oppression, as the main character loses his job, and with it, his hope and his semblance of a normal life. The parody of a life that he leads to try to pretend everything is ok, has moments of wonderful humour amidst the oppressive hopelessness, especially when he meets someone else in the same situation.
Slowly, Ryuhei's life and those of his family unravel and reach breaking point. And around them, others in a similar position give up and succumb to fate. But throughout the rather depressing main plot, it is the little things that offer relief - moments of humour, a tiny bit of hope, and piano lessons. Somehow, the characters carry on. And then, things take a bizarre twist, when a similarly hopeless thief turns up.
This reminds me of the director's earlier film "Kourei", which, whilst being a ghost story, somehow spends more time reflecting on the relationship of a quiet middle-aged couple, as they come to accept that the dreams of their youth will never now come true. In this film, the couple are the central figures, who must both separately go off and find themselves by undertaking a journey that takes them far beyond their normal life. And the director draws the film to a close with the youngest son playing the piano, we are finally able to hear him for ourselves, and it seems to underline the conclusion to the film.
I highly recommend this film. But it is very understated, there is very little high drama, and all the tension is under the surface, in a way that is very Japanese.
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4 of 4 people found the following review helpful:
4.0 out of 5 stars
"...the company will have to let you go", 19 Mar 2010
After losing his job as admin director for a large corporation, Ryûhei realises that he's not likely to get a similar job, and certainly not one with the same salary. It seems that the city is full of unemployed suited types desperately trying to give the impression that they are succesfully in work in an attempt to maintain dignity. As Ryûhei walks the streets and queues up for food hand-outs the the film brings us subtle scenes of dark humour, wherever he kills time in the city there are plenty of other jobless well dressed men milling about.
He meets an old friend in a similar situation, he provides something of a masterclass in how to convince those around you, including family, that you're still in work. For all the humour in his eccentric habits it is he who eventually provides the most sobering reminder of the stress caused by unemployment. It's clear that the unemployed men in the film are suffering from a lack of self confidence, they simply can't face up to the fact that they can't provide for their families on the level they have become accustomed to.
Ryûhei's family are seemingly unaware of his situation and between scenes of watching him killing time we get to experience snippets from their lives. Each of their stories are just as interesting as the father's and are initially charming moments which become more involved.
When you start to think that the mother of the house is being somewhat overlooked by the film she then gets to steal the final scenes. Her devotion to the family and the way she represents the true strength underpinning the web of relationships in the house is clarified in a tense and dramatic series of events, we also see her not just as a mum and wife - but as a woman with her own aspirations, dreams and regrets.
Kiyoshi Kurosawa is known for writing/directing horror films, and his background appears to have helped him get across the anxieties of the characters involved in Tokyo Sonata and build tension. The begins starts with a beautifully crafted look into an underworld of the socially disenfranchised and is full of well observed and understated comic moments which also capture the sadness of their plight. Although this does continue throughout the film it's never as strong as or as cleverly done as it is at the start and the film dips at times. Thankfully the human story behind the family are strong and compell you to watch and see what happens to them.
In a nutshell: A quirky film which balances despondency, humour, and kitchen sink drama.
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3 of 3 people found the following review helpful:
5.0 out of 5 stars
BRILLIANT!, 23 Sep 2010
If you want a brlliant two hour long study of modern-day urban life in Japan, look no further. You need to be patient with this one, but the tension mounts slow but sure. Really a memorable film that I would recommend to any intelligent viewer with a dark sense of humour. The essence of the story will stay with you for some time.
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