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Tokina ATX 116 PRO DX AF11-16mm F/2.8 Nikon

by Tokina
4.8 out of 5 stars  See all reviews (28 customer reviews)
RRP: £568.21
Price: £432.25
You Save: £135.96 (24%)
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Usually dispatched within 3 to 4 days.
Dispatched from and sold by i-Motion.
  • Zoom Length 11-16mm
  • Fast Internal Focusing
  • One Touch Focus Clutch Mechanism
  • Zooming System Rotary type
  • Waterproof optical coating on the glass for ease of cleaning
See more product details
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There is a newer model of this item:
Tokina 11 - 16 mm / F 2,8 AT-X PRO DX2 11 mm-Lens Tokina 11 - 16 mm / F 2,8 AT-X PRO DX2 11 mm-Lens 5.0 out of 5 stars (1)
£582.00
In stock.

Frequently Bought Together

Tokina ATX 116 PRO DX AF11-16mm F/2.8 Nikon + Hoya 77mm Pro-1 Digital UV Screw in Filter + Hoya 77mm Pro-1 Digital Circular Polarizing Filter
Price For All Three: £534.91

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Product details

  • Product Dimensions: 15.2 x 15.2 x 20.3 cm ; 558 g
  • Boxed-product Weight: 907 g
  • Item model number: ATX_11-16mm
  • ASIN: B0014Z5XMK
  • Date first available at Amazon.co.uk: 1 Jan 2008
  • Average Customer Review: 4.8 out of 5 stars  See all reviews (28 customer reviews)

Product Description

Product Description

Tokina Lens AT-X116 PRODX (Nikon)

The Tokina AT-X 116 PRO DX is an ultra-wide angle lens with a fast f/2.8 aperture for better photography in low-light situations. Many photojournalists consider having an f/2.8 aperture a must for any lens in their camera bag.

Tokina Lens AT-X116 PRODX (Nikon)
Specifications:
  • Focal length: 11-16mm
  • Maximum aperture: F/2.8
  • Minimum aperture: F/22
  • Optical construction: 13 elements in 11 Groups
  • Coatings: multi layer
  • Angle of view: 104 degrees - 82 degrees
  • Minimum focus distance: 0.3m
  • Macro ratio: 1:11.6
  • Focusing mode: internal
  • Zoom mode: rotary zoom
  • Number of aperture blades: 9
  • Filter size: 77mm
  • Width: 84mm
  • Height: 89.2mm
  • Weight: 560g
  • Lens hood included: BH-777
Award-Winning Design

Based on the award-winning optical design of the AT-X 124 PRO DX (12-24mm f/4) lens, the AT-X 116 PRO DX has a slightly shorter zoom range to maintain optical quality at wide apertures.

One Touch Focus Clutch

Tokina's exclusive One-touch Focus Clutch Mechanism allows the photographer to switch between AF and MF simply by snapping the focus ring forward for AF and back toward the camera to focus manually. There is no need to change the AF-MF switch on Nikon cameras and there is no second AF/MF switch on the lens for Canon, everything is accomplished by the focus ring. – Will not AF when used on Nikon D40 SLR camera body.

Tokina Optical Technology

Aspherical Optics

A standard lens is made up of a combination of spherical lens elements. Individual "lenses" within the lens are commonly referred to as "elements". A spherical element has an even curve to the surface of the glass. However, there can be problems with such elements; light entering the center of the lens and light entering at the edge may not be perfectly focused at the same point. This is called spherical aberration. More advanced computer assisted optical designs are creating lenses with more spherical elements. More spherical elements within a lens means a greater risk of spherical aberration having a negative impact on optical quality.

Wide-angle zoom lenses and wide-angle lenses with large apertures are especially at risk for spherical aberration.

To eliminate spherical aberration, Tokina employs aspherical all-glass elements in many of its optical designs to correct this problem. The aspherical shaped surface of the lens element focuses light rays entering both the center and edge of the element correctly at the film plane for an accurately focused image. In addition to correcting spherical aberration, these elements fully correct light quantity and distortion at the edge of the image and provide excellent results when used in combination with a floating element design.

Through a close collaboration with Hoya Corporation, the world's largest optical glass manufacturer, Tokina has succeeded in producing high quality precision molded all glass elements with a greater aspherical shape than any other lens manufacturer. This technique is unparalleled in its technological sophistication and precision.

F&R Aspherical

This lens, the AT-X116 PRO DX encompasses Tokina's new F&R aspherical molded glass elements. These give outstanding performance with very even illumination in the corners and correction of spherical aberration across the image area.

SD Super Low Dispersion

When standard optical glass is used in telephoto lenses, a phenomenon called chromatic aberration can occur. Chromatic aberration is the inherent tendency for glass to disperse (separate) a ray of light into the colors of the rainbow. The rainbow effect created by a glass prism is the most dramatic demonstration of chromatic aberration. In lenses, it is much less pronounced, but still creates slightly out of focus colors, akin to an "optical noise" that has a negative impact on the quality of the picture. To eliminate chromatic aberration, Tokina employs expensive, special glass material having super- low dispersion (SD) properties.

Lenses in the Tokina line-up with the SD mark incorporate these Super-Low Dispersion glass elements, minimizing the secondary spectrum or optical noise caused by chromatic aberration.

HLD

Tokina's wide-angle and standard zoom lenses feature a higher quality of optical glass known as Tokina HLD (High-refraction, Low Dispersion) glass. Having higher refractive index and lower dispersion properties, HLD glass is far less likely than standard optical glass to create lateral chromatic aberration, which is often a problem with conventionally designed wide-angle lenses.

Multi-Coating

Reflections off the surface of lens elements are the enemy to any photographer and to every lens manufacturer. They are reduced or eliminated by bonding multiple layers of a transparent anti-reflection chemical to the surface of the glass. Tokina has developed and perfected a unique coating technique for all of its optics so that they will maintain faithful color reproduction and render clean, sharp images.

Mechanical Technology

Floating Element System

When designing a lens, Tokina calibrated its astigmatism at all points between minimum focus distance and infinity so that it will give the best image results at all settings. However, when there are large differences between the focus limits, effect calibration is not possible. A floating element system incorporates optical elements that move in proportion to the focus setting of the lens. This allows astigmatism to be corrected. Many Tokina lenses employ floating element systems to provide optimum correction of astigmatism from minimum focus distance to infinity.

Internal Focus System

The two most used methods of focusing a lens are either the complete straight forward movement of lens elements (used mainly with single focal length lenses) or the rotation of the entire lens barrel group (used mainly with zoom lenses). The internal focusing system used by Tokina move each element group within the lens, but does not change the overall length of the lens. This is especially useful with telephoto designs.

The internal focusing system has a number of advantages including;

  • Faster focusing
  • Improved handling due to fewer movements near the center of gravity
  • More compact lens designs
  • Superior use of filters because the barrel with the filter thread does not rotate.
Focus Clutch Mechanism

Tokina AT-X PRO series lenses all feature the patented "Focus Clutch" Mechanism for switching the lens between auto focus and manual focus modes.

The manual focusing ring can move (be snapped) back and forth between an AF and MF position. When the focusing ring is forward in the AF position, it is not engaged to any of the internal focus gearing and will turn freely. Without the added weight of the metal ring the camera can auto focus the lens more quickly and smoothly.

For manual focus, simply rotate the focus ring all the way to one side or the other on the focus travel, either infinity or it's closest focusing distance, then pull back (towards the mount plate) on the manual focus ring. While pulling back, rotate the ring from one side of the focus travel to the other. When the gears align, the focus ring will snap back into the MF position and the lens can be focused manually.

To return the manual focus ring to auto focus mode, simply snap the ring forward from any point.

Box Contains

  • Lens
  • Lens Hood


  • Customer Reviews

    3 star
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    1 star
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    4.8 out of 5 stars
    4.8 out of 5 stars
    Most Helpful Customer Reviews
    49 of 49 people found the following review helpful
    5.0 out of 5 stars Still The Best Super Wide For DX. 16 May 2009
    Amazon Verified Purchase
    OK. I've owned this for about a month. I chose this lens after weeks of deliberation. It eventually came down to the Nikon 12-24mm F4, this Tokina 11-16mm F2.8 or wait for the new Nikon 10-24mm F3.5-4.5. I decided on this the Tokina mainly because of the constant F2.8 aperture. Most independent reviews I have read, rate this lens over the Nikon 12-24 on image quality and on a par for build quality. I have to say I am not disappointed. The corners are a little soft at F2.8 but by F4 the corners are sharp and the Nikons don't go to F2.8. The centre of the frame is razor sharp at any aperture (Certainly from F2.8 to F11).
    Filter size is 77mm and with a Hoya HMC UV on the front there is no vignetting I can see at the 11mm setting.
    One point to note is that there is no autofocus with this lens on the D40/40X D60 D5000 as it requires a body with a built in AF motor.
    Another point of note is that this lens will cover a FX or 35mm frame at the 16mm setting with good to adequate results, so if you still carry a film body along with your DX digital camera you can get away with this lens on both.
    Some people may think that the zoom ratio is restricted but most people own an 18mm to something standard zoom so the gap between this lens and that standard lens is tiny. Plus the fact that the zoom range is limited means the designers were able to concentrate on squeezing the maximum image quality from the lens, which they did.
    You may have read elsewhere about focus errors on some batches of this lens, I have to say that my example exhibits no errors that I can see, and I am sceptical as to how far out a lens this wide would have to be to exhibit focus errors, as the depth of field is substantial even at F2.8.
    ... Read more ›
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    13 of 13 people found the following review helpful
    5.0 out of 5 stars Tokina 11 - 16mm 2.8 for Nikon DX 27 July 2010
    Purchased this lens last week - it arrived quickly and was well-packaged like all purchases from Amazon have been.

    Was slightly apprehensive because Tokina isn't a brand I have heard much about - normally I wouldn't contemplate spending this sort of money on a lens i hadn't held and used. However it has been reviewed very highly so I took a gamble. First impressions are that it is very well made; predominantly plastic but very sturdy. It feels more solid than my Nikkor 70-300mm VR; which itself is a nicely-built lens. The zoom action is firm (not stiff) and precise and is the usual clockwise motion (why do Sigma insist on anti-clockwise?!). There is no zoom-lock but it holds firm anyway so that's no bother. The only thing I can fault in the design is the focus ring that needs to be pulled downwards to engage Manual focus - I much prefer the Nikkor design whereby you simply twist the ring to quickly switch from Auto to Manual focus. This is a bit of a shame.

    That said, this is the only negative I have found. The zoom is wide - equivalent to 16.5mm on my Nikon DX format SLR - and being a fixed aperture 2.8 lens it is bright. At 11 - 16mm there is only 5mm of play, magnified to 7.5mm when you take into account the DX crop. This is a small range compared to say the Nikkor 10-24mm but who cares - the whole point of a wide-angle is to use it at it's widest! I have only a handful of results to go on so far but they are enough - i'm impressed. At f2.8 it's usable in low light if you forget your tripod. Yesterday I shot at f4 and the corners of the frame are sharp. There is no VR but I don't think any ultra-wide angles have this - even Nikon's own £1400 12-24mm. VR isn't necessary for this type of lens.

    All in all i'm very impressed and a welcome addition to my kit-bag.
    Comment | 
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    7 of 7 people found the following review helpful
    5.0 out of 5 stars Simply a wonderful lens. 16 April 2010
    An absolutely wonderful lens, which opened up a new photographic world to me. That, of the amazing wide angle photography world. If it were not for the affordable price, I would have missed that exciting photographic opportunity. It is razor sharp too and the colours are nicely warm and saturated.
    Comment | 
    Was this review helpful to you?
    5 of 5 people found the following review helpful
    5.0 out of 5 stars Great lens 16 Sep 2009
    It's a great lens if one prefers to sacrifice an extended zoom range for both luminosity and a good price. It is very well build and produces very sharp and detailed images with good colour and balanced contrast transitions. I would recomend it to the ones I love :)
    Comment | 
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    10 of 11 people found the following review helpful
    5.0 out of 5 stars Great Lens!!! 31 Aug 2010
    By James Mousley TOP 1000 REVIEWER
    I've just bought this lens to go with my D90 and I'm glad I did...it was my first major expenditure on a lens and I was very cautious about spending the money. However, as lens investments go, I think I have made an exceptional choice - it was to be this or the new sigma 10-20 @ f3.5...and no disrespect to the sigma (its predecessor was a champion of a lens, or so I'm told by people who know a lot more than me), but the clarity of image from this lens is just bang on - i guess it's the f2.8 vs 3.5, but the image was so much brighter from the tokina compared to the sigma.

    I've taken a good few pics with it over the weekend - nothing that i'd hang on the wall yet (just getting used to composing images with it at the moment - it will blow your mind when you see what you can get into a frame!) and while the perspective is obviously distorted, the images just look so 'right'.

    The lens (or this type of lens) is recommended for landscapes, but to be honest, if you were to think of this as a landscape lens only, you'd miss a lot of creative opportunities and be doing it a massive dis-service - just have a look at flikr - type in tokina 11-16 and see what people have been doing with it - nothing has inspired me more than using this lens (albeit briefly so far) and looking at the pics that others have taken with it...am buzzing at the thought of picking up my camera and clicking away!

    If you're reading this review, you're obviously thinking about this or a similar lens...if you can afford it, don't hesitate, not for a minute...

    UPDATE:

    Took this lens on a night photo shoot (my first) just a couple of days ago where the subjects were a vintage motor and two models in period dress and this lens impressed everybody.
    ... Read more ›
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    Most Recent Customer Reviews
    5.0 out of 5 stars So Good...
    This lens is so good it's rarely off my camera. I mainly shoot landscapes and I find it a joy to use. Read more
    Published 16 days ago by White Knight
    4.0 out of 5 stars Great Ultra Wide Angle lens, but with it's limitations
    I have owned an ultra wide angle lens before, a Nikon 10-24mm which I sold a while ago since it wasn't being used very much. Read more
    Published 24 days ago by Argy Bargy
    5.0 out of 5 stars Excellent Quality Lens
    The lens is excellent across its entire range. It is tack sharp. Changeling from auto to manual focus is simple. It is also excellent in low light situations.
    Published 1 month ago by P. Judge
    4.0 out of 5 stars Great lens
    I like this lens, it is solid, a bit too heavy and big, but the images are fantastic,
    you can also use it on a full frame camera, if you don't mind soft corners. Read more
    Published 3 months ago by Ba-Me
    5.0 out of 5 stars Tokina 11-16 f2.8 zoom
    This is a good lens for my D300, so DX format, fast for indoor, focuses well. But my main gripe is lack of zoom range. 11-16 just doesn't seem to do much. Read more
    Published 5 months ago by Beardy
    5.0 out of 5 stars Never spends long off my camera
    I had wanted a wide angle lens for some time, and took ages to decide on which one to get as they are all quite pricey by DX standards. Read more
    Published 7 months ago by S. Gerhand
    5.0 out of 5 stars Variable price, Great lens
    Absolutely love it. I am a beginner but the quality of the pictures is amazing. Lens flare is noticeable if there is direct sun light falling on the lens; but on the upside I like... Read more
    Published 8 months ago by R. Saaj
    5.0 out of 5 stars Best wide angle for DX for a reasonable price.
    Although I no longer have this lens since my full frame upgrade, I did own it for a couple of years and it was a pleasure to use. Read more
    Published 9 months ago by riddos
    5.0 out of 5 stars Excellent Lens on my DX Nikon
    I love this lens! I've used a few other wide options on my D300 (Sigma 10-20 f4-5.6, Nikon 12-24 f4) and I much prefer this one, mainly because of the speed (f2. Read more
    Published 10 months ago by Chris R
    5.0 out of 5 stars A little gem from Tokina
    Got this Tokina 11-16mm f2.8 lens delivered today and made a few test shots outdoors with my Nikon D7000. Read more
    Published 11 months ago by krerof
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