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Tokina ATX 116 PRO DX AF11-16mm F/2.8 Canon

by Tokina
4.5 out of 5 stars  See all reviews (14 customer reviews)
RRP: £630.00
Price: £485.35 & this item Delivered FREE in the UK with Super Saver Delivery. See details and conditions
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In stock but may require up to 2 additional days to deliver.
Sold by Hi-Fidelity and Fulfilled by Amazon. Gift-wrap available.
  • Fast internal focusing
  • One-touch focus clutch mechanism
  • Rotary type zooming system
  • Waterproof optical coating on the glass for ease of cleaning
  • Filter size: 77mm
See more product details
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There is a newer model of this item:
Tokina 11 - 16 mm / F 2,8 AT-X PRO DX2 11 mm-Lens Tokina 11 - 16 mm / F 2,8 AT-X PRO DX2 11 mm-Lens
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Frequently Bought Together

Tokina ATX 116 PRO DX AF11-16mm F/2.8 Canon + Hoya 77mm Pro-1 Digital UV Screw in Filter + Hoya 77mm Pro-1 Digital Circular Polarizing Filter
Price For All Three: £573.88

These items are dispatched from and sold by different sellers.

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Product details

  • Item Weight: 558 g
  • Boxed-product Weight: 907 g
  • Item model number: ATX_11-16mm
  • ASIN: B0014Z3XMC
  • Date first available at Amazon.co.uk: 4 Jun 2008
  • Average Customer Review: 4.5 out of 5 stars  See all reviews (14 customer reviews)

Product Description

Product Description

Tokina Lens AT-X116 PRODX (Canon)

The Tokina AT-X 116 PRO DX is an ultra-wide angle lens with a fast f/2.8 aperture for better photography in low-light situations. Many photojournalists consider having an f/2.8 aperture a must for any lens in their camera bag.

Tokina Lens AT-X116 PRODX (Canon)
Specifications:
  • Focal length: 11-16mm
  • Maximum aperture: F/2.8
  • Minimum aperture: F/22
  • Coatings: multi layer
  • Angle of view: 104 degrees - 82 degrees
  • Minimum focus distance: 0.3m
  • Macro ratio: 1:11.6
  • Focusing mode: internal
  • Zoom mode: rotary zoom
  • Number of aperture blades: 9
  • Filter size: 77mm
  • Width: 84mm
  • Height: 89.2mm
  • Weight: 560g
  • Lens hood included: BH-777
Award-Winning Design

Based on the award-winning optical design of the AT-X 124 PRO DX (12-24mm f/4) lens, the AT-X 116 PRO DX has a slightly shorter zoom range to maintain optical quality at wide apertures.

One Touch Focus Clutch

Tokina's exclusive One-touch Focus Clutch Mechanism allows the photographer to switch between AF and MF simply by snapping the focus ring forward for AF and back toward the camera to focus manually. There is no need to change the AF-MF switch on Nikon cameras and there is no second AF/MF switch on the lens for Canon, everything is accomplished by the focus ring. – Will not AF when used on Nikon D40 SLR camera body.

Tokina Optical Technology

Aspherical Optics

A standard lens is made up of a combination of spherical lens elements. Individual "lenses" within the lens are commonly referred to as "elements". A spherical element has an even curve to the surface of the glass. However, there can be problems with such elements; light entering the center of the lens and light entering at the edge may not be perfectly focused at the same point. This is called spherical aberration. More advanced computer assisted optical designs are creating lenses with more spherical elements. More spherical elements within a lens means a greater risk of spherical aberration having a negative impact on optical quality.

Wide-angle zoom lenses and wide-angle lenses with large apertures are especially at risk for spherical aberration.

To eliminate spherical aberration, Tokina employs aspherical all-glass elements in many of its optical designs to correct this problem. The aspherical shaped surface of the lens element focuses light rays entering both the center and edge of the element correctly at the film plane for an accurately focused image. In addition to correcting spherical aberration, these elements fully correct light quantity and distortion at the edge of the image and provide excellent results when used in combination with a floating element design.

Through a close collaboration with Hoya Corporation, the world's largest optical glass manufacturer, Tokina has succeeded in producing high quality precision molded all glass elements with a greater aspherical shape than any other lens manufacturer. This technique is unparalleled in its technological sophistication and precision.

F&R Aspherical

This lens, the AT-X116 PRO DX encompasses Tokina's new F&R aspherical molded glass elements. These give outstanding performance with very even illumination in the corners and correction of spherical aberration across the image area.

SD Super Low Dispersion

When standard optical glass is used in telephoto lenses, a phenomenon called chromatic aberration can occur. Chromatic aberration is the inherent tendency for glass to disperse (separate) a ray of light into the colors of the rainbow. The rainbow effect created by a glass prism is the most dramatic demonstration of chromatic aberration. In lenses, it is much less pronounced, but still creates slightly out of focus colors, akin to an "optical noise" that has a negative impact on the quality of the picture. To eliminate chromatic aberration, Tokina employs expensive, special glass material having super- low dispersion (SD) properties.

Lenses in the Tokina line-up with the SD mark incorporate these Super-Low Dispersion glass elements, minimizing the secondary spectrum or optical noise caused by chromatic aberration.

HLD

Tokina's wide-angle and standard zoom lenses feature a higher quality of optical glass known as Tokina HLD (High-refraction, Low Dispersion) glass. Having higher refractive index and lower dispersion properties, HLD glass is far less likely than standard optical glass to create lateral chromatic aberration, which is often a problem with conventionally designed wide-angle lenses.

Multi-Coating

Reflections off the surface of lens elements are the enemy to any photographer and to every lens manufacturer. They are reduced or eliminated by bonding multiple layers of a transparent anti-reflection chemical to the surface of the glass. Tokina has developed and perfected a unique coating technique for all of its optics so that they will maintain faithful color reproduction and render clean, sharp images.

Mechanical Technology

Floating Element System

When designing a lens, Tokina calibrated its astigmatism at all points between minimum focus distance and infinity so that it will give the best image results at all settings. However, when there are large differences between the focus limits, effect calibration is not possible. A floating element system incorporates optical elements that move in proportion to the focus setting of the lens. This allows astigmatism to be corrected. Many Tokina lenses employ floating element systems to provide optimum correction of astigmatism from minimum focus distance to infinity.

Internal Focus System

The two most used methods of focusing a lens are either the complete straight forward movement of lens elements (used mainly with single focal length lenses) or the rotation of the entire lens barrel group (used mainly with zoom lenses). The internal focusing system used by Tokina move each element group within the lens, but does not change the overall length of the lens. This is especially useful with telephoto designs.

The internal focusing system has a number of advantages including;

  • Faster focusing
  • Improved handling due to fewer movements near the center of gravity
  • More compact lens designs
  • Superior use of filters because the barrel with the filter thread does not rotate.
Focus Clutch Mechanism

Tokina AT-X PRO series lenses all feature the patented "Focus Clutch" Mechanism for switching the lens between auto focus and manual focus modes.

The manual focusing ring can move (be snapped) back and forth between an AF and MF position. When the focusing ring is forward in the AF position, it is not engaged to any of the internal focus gearing and will turn freely. Without the added weight of the metal ring the camera can auto focus the lens more quickly and smoothly.

For manual focus, simply rotate the focus ring all the way to one side or the other on the focus travel, either infinity or it's closest focusing distance, then pull back (towards the mount plate) on the manual focus ring. While pulling back, rotate the ring from one side of the focus travel to the other. When the gears align, the focus ring will snap back into the MF position and the lens can be focused manually.

To return the manual focus ring to auto focus mode, simply snap the ring forward from any point.

Product Description

Tokina ATX 2,8/11-16 DX C/AF for Canon


Customer Reviews

4.5 out of 5 stars
4.5 out of 5 stars
Most Helpful Customer Reviews
37 of 37 people found the following review helpful
5.0 out of 5 stars Superb wide-angle lens 24 Aug 2010
It was very difficult choosing between this and the Canon 10-22mm, the Canon offering obviously slightly bigger range than the Tokina. And Tokina offering F2.8 compared to Canon's F4.0, which is quite a big difference. Both having excellent optics, but with the general consensus seeming to be that Tokina would the winner in optics (if one had to choose). And Tokina also being the slightly cheaper one, but not by much. Oh and the Tokina comes with a lens hood; now this may not seem like much, but a lens hood is pretty much mandatory if you're planning on shooting in daylight with a wide angle lens. So with Canon, you would still have to fork out some extra cash for that despite the higher price.

So really the only thing that was worrying me was the short range on Tokina that have made some people to say that this is actually a prime lens. And I suppose it holds some merit, but even the 6mm range is quite a lot in the short end. Yes, I would had liked to have the 1mm extra to go to 10mm and yes the 17-22mm on the long end was tempting, but in the end, you know what, the 11-16mm seems to be enough.

Now after getting this, I haven't been disappointed. It is rarely I put on my Sigma 18-200mm lens anymore. The difference on the image quality is just too much to bear. The pictures are very sharp and there is very little distortion or vignetting. Sure you might get some on the widest setting, but even that is relatively easy to fix in Lightroom or other such program. And there is no lens on this range that wouldn't have it; Tokina's distortion also apparently is less than that of the Canon (or so I've heard).

It really is perfect for landscape and architecture photography. It's also very good for shooting inside, because of the wide lens and the very high aperture. This allows you to catch much more area in your picture and shoot with much faster shutter speeds. Now it is a wide-angle lens, so there are some challenges in shooting people for example with this. The perspective distortion isn't nowhere near as massive as with fisheyes, but you can't escape it, every wide angle will do that. And that is part of the fun, it does allow you more creative flexibility, especially if you shoot at 11mm. So it will take some practice. At 16mm it is much more forgiving from perspective distortion point of view. Also the F2.8 allows for some interesting depth of field possibilities.

So to summarize, very fast wide-angle lens with quality optics but with somewhat limited range. It seems like a solid lens, with good build quality. And even despite that slight shortcoming of the range, I would highly recommend this to anyone needing a wide-angle lens for their non full-frame sensor DSLR.
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35 of 35 people found the following review helpful
By elwk
Excellent tank-like build quality, lovely image quality and how could I forget the fast f2.8 spec on the lens!

I owned both this and the Canon 10-22mm and ended up selling away the 10-22mm because the range did not matter that much to me. With a wide-angled lens, I ended up using it at the 11mm setting most of the time and switch to a kit lens if i needed more range. The f2.8 also comes in very handy when shooting indoors without bumping up the ISO levels. Compared to the 10-22 (which imo feels very plasticky), this lens is one solid brick!

I'll highly recommend this lens to anyone!
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18 of 19 people found the following review helpful
4.0 out of 5 stars A wide angle lens with a flare...literally 6 Aug 2011
By Gelo
I finally took the plunge. I have been monitoring the price of this lens for way too long. I have read countless of reviews, watched the same 3 video reviews on youtube a lot more times than any sane person would do. What does it really feel owning this lens?

First, let me deal with the only reason why I knocked off a star on my rating - flare. Like I said, I've read the reviews so I knew that people had issues on flare with this lens. I can say from personal experience that those claims are not baseless. You have to be very careful when shooting with bright lights. It is a pain but it can be done. I did not want to take a whole star just for this after all, most UWA lenses suffer from flare in different degrees. But there is no option to reduce rating by half or a a quarter of a star.

Now let me describe how I felt when I first looked at my very amateur photos taken with this lens - disbelief. For some reason my photos are now more interesting than before. The lens gives a very different perspective and I can't stop exploring different angles because it is so much fun! If you love landscapes, then you will not regret buying this lens. If you love low light photography of big buildings (and you shoot on an APS-C sensor) then you should have this already on your kit. If not, please explain to me why. :-)

I like the colour on the photos, the build quality and the constant f2.8 on its (very short) range. I like the reaction I get from my family when they see the photos taken from this lens. They can't believe those shots were taken by me, a very novice photography hobbyist. Sorry I can't really compare this to other UWA lenses because I never tried anything else. Maybe there are better options. But I guess I would never know because I do not plan to replace this lens until it disintegrated or my skills exceed my current crop sensor camera which are very far away into the future!

By the way, I had the most horrible buying experience yet on amazon for this lens. I paid for the special delivery option but it took 4 business days more than the estimated time of arrival. This was on top of the 2 days delay in dispatch. When the box arrived, the packaging tapes were barely holding the amazon box together. It was a miracle that the product was not damaged. To be fair to amazon, much of the 4 days delay are likely caused by HDNL. Anyway, I just thought I would share this but I did not take this into account when I rated this product.
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Most Recent Customer Reviews
5.0 out of 5 stars Splendid lens
It's summer here and everything is covered in snow, so I haven't had many opportunities to put this lens through its paces. Read more
Published 1 month ago by Sean
5.0 out of 5 stars Tokina ATX 116 PRO DX AF11-16mm F/2.8 Canon
+ solid build
+ good quality
+ image quality
+ size/weight

- prize

Would recommend to anyone looking for wide lens and does not care about... Read more
Published 1 month ago by Antti
5.0 out of 5 stars WOW
I photograph a wide range of things from derelict buildings to landscapes and portraits. I wanted a lens that was a decent price, well made and fast. Read more
Published 2 months ago by ShaunAshford
5.0 out of 5 stars Super wide angle
I received my Tokina 116 from ProCameraShop a few days ago, priced at £364. The lens has been attached to the front of my EOS 60d ever since. Read more
Published 6 months ago by S. Gee
4.0 out of 5 stars Beautiful Images
I am a comparatively novice photographer who is very keen to develop his skills to a higher level.
I read widely about this lens before purchase and the general consensus... Read more
Published 13 months ago by Ken
1.0 out of 5 stars Back focusing
The lens I was sent by Amazon was back focusing at 2.8. I tried it on a Canon 1000D with center focus mode, with other lenses (all Canon) focusing fine. Read more
Published 14 months ago by Claudio Braidotti
4.0 out of 5 stars Loved and hated.
I owned this lens for 4 months and took loads of cracking shots with it.

Loved:- SHARP!. Very Sharp. Solidly built.

Hated:- Flare and Chromatic abberation. Read more
Published 16 months ago by L. S. Douglas
5.0 out of 5 stars Excellent lens
I needed this lens mainly for Night Club photography as my 50mm would only let me taking pics of half of the body in the club. Read more
Published 16 months ago by Andrej Spilevoj
5.0 out of 5 stars Fast, top notch wide angle lens, will not dissapoint
This is a fantastic lens, the constant f2.8 is great for anyone taking video as there is no stopping down during zoom. Read more
Published 17 months ago by TomR
5.0 out of 5 stars Great Lens
First time I have owned a wide-angle lens and must say it is brilliant. Was all set for the Sigma but upon reading reviews (Photo Plus Canon Magazine) I chose this one, more or... Read more
Published 20 months ago by eskayde
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