Time Of Our Singing [Paperback]

Richard Powers' novel The Time of Our Singing has had the kind of pre-publishing hype that few literary novels enjoy. "One of the greatest American novels ever written" is the sort of praise that has been laid at the feet of this one, but this enthusiasm for the work of Richard Powers is nothing new. In books such as Plowing the Dark, Powers has shown himself capable of a remarkable balancing act: his books have had a strong scientific underpinning, carefully balanced with allusions to classical art and couched in narratives that have the sweep of the great nineteenth-century novelists. Here, the complex plot manages to take in the demands of artistic talent, familial conflict and a nation divided by racism.

The central character is Jonah Strom, a highly talented tenor of mixed-race born to Jewish physicist David Strom (who has fled Germany) and Delia Dailey, a middle-class black opera singer. The relationship of Jonah's parents began at the famous recital given by the great black soprano Marion Anderson when she was rejected by the classical music establishment. David and Delia are very different people, but their love of music becomes central to the lives of their sons; the singer Jonah and his younger brother Joseph, who becomes a pianist and accompanies his brother. While Jonah struggles for the acceptance of the white establishment, his rebellious younger sister Ruth takes a different path and confronts the issues of race in her life by marrying a Black Panther and taking on her enemies. It is left to Joseph to find an accommodation somewhere between these two extremes.

While all the younger characters here are drawn with the kind of lucid detail that is Powers’ particular speciality, the real skill of the narrative lies in the parents David and Delia. The former is, in fact, the most richly drawn character, with his humanity and intellect triumphantly brought to life. The discursive narrative needs careful attention from the reader, and this is not a book for those seeking undemanding reading. But the rewards here are many: this is a biting and exuberant novel that isn't afraid to tackle many uncomfortable issues. --Barry Forshaw --This text refers to an out of print or unavailable edition of this title.

'...a work of genius...' --This text refers to an out of print or unavailable edition of this title.

'Richard Powers is a kind of genius, but it is the 'kind of' that makes him so readable. Straight geniuses usually make bad novelists.' --This text refers to an out of print or unavailable edition of this title.

'An extraordinary and unforgettable book' Daily Express

Jonah, Joseph and Ruth are the children of mixed-race parents determined to protect them from the grinding effects of race. Hothouse children, they are all musically talented, but they cannot be protected from the world for long. Jonah becomes a successful young tenor, but the world of opera can only accept him as a 'brilliant Negro singer'; Joseph, our narrator, becomes a pianist and devotes his talents to the service of his brother's; Ruth turns her back on classical music ('white music') and disappears, on the run with her black husband under suspicion of being a Black Panther. -Powers brilliantly and devastatingly delineates the tragedy of race in America, as it unfolds from the Civil Rights movement to Rodney King and Louis Farrakhan, through the lives and choices of one family, caught on the cusp of identities. (20030402)

Richard Powers is a recipient of a MacArthur award (commonly referred to as 'genius grants'). Galatea 2.2 was nominated for the US National Book Critics' Circle Award. (20030402)