Product details
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| 1. Urban Clearway |
| 2. Black Horse Latitude |
| 3. I Buy American Records |
| 4. Hate Your Drug |
| 5. You Know I'll Miss You When I'm Gone |
| 6. Sushi Rider |
| 7. Hug My Soul |
| 8. The Wedding of Stacy Dorning |
| 9. Deborah's French Feast |
| 10. Western Wind |
| 11. Pale Movie |
| 12. La Poupee Qui Fait Non (No No No) |
| 13. Highgate Road Incident |
| 14. My Christmas Prayer |
| 15. I Was Born On Christmas Day |
Review Initially cooler as a concept than as an actual audio experience, Saint Etienne made a virtue of combining their (rather mundane) post-Acid House beats with suitably knowing snatches of film dialogue, German motorik iciness and the pristine voice of Sarah Cracknell. Their first two albums (Foxbase Alpha and So Tough) were gratefully lapped up by their fans but failed to really nail the grandeur of their ambitions. Tiger Bay was a different beast entirely.
Here the band managed to blend in a far more adventurous palette of musical colours. Orchestral folk music enters the picture (on "Former Lover"and "Marble Lions") and there's even a traditional song in the form of "Western Wind". Even the Kraftwerk-like "Like A Motorway" manages to slip in a distinctly pastoral air. Of course, none of this would have really worked in the context of their faux-sixties disco schtick, were it not for the fact that by now the band seemed to be able to churn out hook after hook.
Pointlessly reissued with extra tracks and a different running order, Tiger Bay suffered from a distinct lack of love from both label and public. It deserved far better as, in its original form, it belongs to that rare breed of 'perfect' albums. --Chris Jones
Find more music at the BBC This link will take you off Amazon in a new window
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