Judy Chicago wrote Through the FLower to document how it was to be a woman artist in the 1970's: she was a student in the early 1960's and the art world was the male art world. Judy was involved in raising awareness both among women - that their art was important, that women artists had something to say which could only be said by women, and to the male-dominated world at large, that women's views mattered. She tells a story which illustrates the social mores of the time: an artist comes to visit the studio she shared with her then partner, and although he had come to see her, he wandered past her work and viewed her male partner's. That says it all.
I enjoyed reading about how she developed women's art programmes and encouraged women to take their work seriously. I remain unsure about how effective the art they produced is, as women's art, but that may be my own taste, which is for figrative rather than abstract work. As art by women and taken seriously, it is very important. This work has enabled women to move on as fine artists, and still resonates in current work b y women artists practising today. I would personally like to see other aspects of women's lives celebrated: not only menstruation, rape, and such but realise these were important to flag up at the time, as demonstrating the particular down side, fears and restrictins women have to overcome, and the horrendousness of the vulnerability of women.
I also noticed that Judy Chicago's struggles in the art world mirror my own in the literary world in so many ways. A book to encourage all creative women who wish to be taken seriously, and who battle with the need and call to be innovative in a world which often prefers existing fashion and attitudes rather than welcoming the thoughtful and new.