Once a staple of critics' ten best ever lists, neither version of G.W. Pabst's once controversial adaptation of The Threepenny Opera offered on this impressive two-disc set has quite stood the test of time as well as hoped. Shot in different languages and with different casts - fairly commonplace in the early days of sound - they do make an interesting contrast, though. The German version has a harder heart, more severity and the better rendition of Mack the Knife, but the lighter French version has a more charming Mack the Knife (or Mackie the Knifeman as they insist on calling him) in Albert Prejean: it's hard to see Rudolf Forster's German incarnation, more prop than performance, being able to dominate a housewife let alone the London underworld. Fine technique and great production design, but it often feels more of a technical exercise than a real cry from the streets.
Any disappointment in the films are amply compensated for with the great extras on the Criterion Region 1 NTSC DVD, though, including a rather interesting documentary on the doomed lawsuit Brecht launched against Pabst for distorting his work alongside both the French and German versions. Curiously another extra on the differences between the two versions reveals that Brecht was more excited about the casting of the French Polly Peachum (Florelle) than the German one (Carola Neher) because he and Lotte loved her voice. Unfortunately she's not as commanding as she needs to be when taking over the gang, but ain't that always the problem with screen musicals - you either get someone who can sing but can't act or someone who can act but can't sing. (Incidentally, Antonin Artaud turns up as the 'new beggar' in the French version.)
The BFI's UK PAL DVD includes both German and French versions of the film but no extras other than liner notes.