'Three To See The King' is the third novel by Magnus Mills, and confirms his status as one of the most original voices writing prose in Britain today. His previous novels, 'The Restraint of Beasts' and 'All Quiet On The Orient Express' hinted at the direction that his future work would take, and it is pleasing to see that direction now followed so confidently and magnificently. 'Three To See The King' is a pure allegory for the way we function as individuals in societies. Mills builds a world free from references to the everyday world, references that always seemed unnecessary in 'All Quiet On The Orient Express', and instead shows us a distorted microcosm of our world. His narrator, lives on a plain in a house made of tin, he lives alone, his neighbours, all of them beyond the horizon, also live alone. All this changes however when Mary Petrie moves into his house and when his neighbours start to move away, drawn by the mysterious and enigmatic Michael Hawkins. The strange fable that ensues examines what happens to the free will of the individual when confronted with a totalitarian society, and what happens to such a regime when doctrine stirs dissent. It draws on many biblical references, but the main references seem to be to the parable of the man who builds his house on sand. In this parable the man is shown to be foolish in his actions for not building firmer foundations. Mills's treatment of this is complex. Was the man such a fool after all? His style in writing seems unique in Britain today, but it compares favourably to the allegorical style of Russian and former soviet writers such as Victor Pelevin. The use of fable and allegory to obliquely examine society's ills is highly reminiscent of Pelevin's short story collection 'The Blue Lantern'. A voice alone in British fiction, Magnus Mills is a novelist to be celebrated.