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From "A Thousand Ways" (Red Mecca) to "Premonition" (Voice Of America), the Cabs set a blue print for the use of tight, tensioned, repetition that builds and releases and comes back for more. Play Western Mantra loud, play it often. This is 5 star early Cabs.
Eastern Mantra is dull.
The first track shows what good Cabaret Voltaire were able to do with a long track. It's a wonderful rhythmic groove track with crashing percussion and deep basslines. Stephen Mallinder can be heard in full force, screaming out his, by now, familiar oblique paranoid lyrics over Richard H Kirk's visceral guitar lines.
However, track two shows how badly CV did with producing a long track. It's not terrible, just a bit on the dull side. Rabbling voices from an Arabian market is all that can be heard for the majority of the track, and I'm sure it was quite experimental in its day, but now it sounds tired and a bit dated.
One for the real CV fans.
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