It's 1940 and we're in the town of Sandakan, Borneo. War is raging in the Far East, but as yet Borneo's fields are unsullied by the boots of foreign invaders. Sandakan is the home of author Agnes Keith, her British civilian worker husband, and their 4-year-old son. Soon a radio will announce the attack on Pearl Harbor and everything will change. THREE CAME HOME (1950) is one of the oddest movies I've seen in a while. Besides spoiling its ending with its titles, it's that rarity or rarities, a war movie told from a woman's point of view.
Soon after war is declared the Japanese invade Borneo. In May 1942 all Europeans are ordered to go to prison camps - one for the men, one for the women and children. Agnes (Claudette Colbert) and son go off to one camp, husband Harry (Patric Knowles) goes off to another. From this point on the movie pretty much drops Harry from the narrative. Although Agnes pines for him daily, he's little more to us than a pair of shoulders and a cookie duster moustache memory whose sole purpose was to adore Agnes, deeply and unequivocally.
The first clue we get that we aren't in Kansas anymore, war moviewise, is when a Japanese subaltern tells a roomful of woman that they must bow when a Japanese officer enters a room. The women proceed to do so with nary a snarl or murmur, and continue to do so unfailingly and uncomplainingly throughout the movie. That would never happen in a John Wayne movie. A little more surprising is the movie's treatment of the Japanese soldiers. Although one or two are stereotypically wicked, there's a surprising range of types for a movie made so soon after the war. In fact, the most complex and sympathetic character is Colonel Suga, wonderfully played by Sessue Hayakawa, who admires Agnes Keith's books and develops something of a protective friendship with her.
Some bad things happen to Agnes in the third act. I almost wrote `finally happen'. Until the last act this movie seemed to be pulling its punches. The forced separation of the Keith family is presented as an unfortunate event, rations in the prison camp are scare, and vital medical attention - quinine for the malarial patients, for example - are sporadically administered. Yet....
Something's amiss. Suga's solicitude toward Agnes and his oft exhibited paternal affection for her young son rang false - or, perhaps more accurately, incomplete. The movie didn't make me believe that after Agnes had practically been bent into a human pretzel by camp thugs (without Suga's knowledge, I hasten to add), after her family had been forcibly separated, her husband possibly to probably killed in a Japanese prison camp... after all that she could calmly sit to tea with Colonel Suga and provide genuine sympathy when he learns that his family has suffered a severe, war related tragedy. Either the movie, and perhaps the book it was based on, omitted information that would explain the true depth of the relationship between Agnes and Suga, or Agnes was indeed the near-saint the movie presents her as, someone who could ignore her losses and suffering to provide comfort to her captor when he suffers his loss.
Although THREE CAME HOME didn't convince me, I enjoyed it. As usual Colbert is strong, but the movie belongs to Sessue Hayakawa as the complex Japanese officer.