Product details
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| 1. land beyond the forest |
| 2. the apparent chaos of blue |
| 3. as snow falls |
| 4. before then |
| 5. one whirl |
| 6. the silence beneath |
| 7. curious liquids |
| 8. the unspoken |
| 9. pastorale |
Review Thread was created in one improvised sitting, one day in 2007. Fripp, having already guested on one track on Travis' album, Double Talk, joined forces with the saxophonist and flautist best known for his work on the boundaries of Canterbury axis in bands like Gong and Soft Machine Legacy. Travis' mainly sticks to flute here, adding the requisite eastern scales to perforate Fripp's more amorphous washes of sound. If anything it most closely resembles Nik Turner's undervalued experiment in ambient work, Xitintoday (a comparison which, one suspects, Fripp would hate and Travis would love). On The Silence Beneath Travis' alto saxophone interjects like a gull's cries over the sea swell of RF's orchestral loops. Only on the looped jazz of The Unspoken or the finale, Pastorale, do we get to hear anything that sounds like strings being plucked.
As stated, the whole is far from mere Elysian dreaming. Before Then, for instance, toys with dissonance and swirling chaos before settling again into calm contemplation at its coda. Always at the edge of Fripp's contributions is a questioning, needling unresolvedness that never lets the whole become too self-satisfied or stray near what the uneducated would call 'whale music'. And unlike his recent work with Eno, the midi tones of Fripp's guitar rarely deploy anything straining too hard to be another instrument. Instead he sticks to tones that are pure and perfectly match Travis' lovely wind playing. Now, if only they'd do this stuff live... --Chris Jones
Find more music at the BBC This link will take you off Amazon in a new window
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