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Thomas Fats Waller: The Great Solos, 1929-1937
 
 
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Thomas Fats Waller: The Great Solos, 1929-1937 [Sheet music]

Paul Posnak
4.2 out of 5 stars  See all reviews (5 customer reviews)
RRP: £12.76
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Product details

  • Sheet music: 128 pages
  • Publisher: Hal Leonard Publishing Corporation (Feb 1998)
  • Language English
  • ISBN-10: 0793572797
  • ISBN-13: 978-0793572793
  • Product Dimensions: 30.2 x 22.4 x 1 cm
  • Average Customer Review: 4.2 out of 5 stars  See all reviews (5 customer reviews)
  • Amazon Bestsellers Rank: 225,934 in Books (See Top 100 in Books)

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Customer Reviews

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Most Helpful Customer Reviews
By Ravman
I have a few midi files of Fats Waller playing some famous pieces and this book is an exact transcription of those - note for note. what a task Mr Posnak undertook and I'm glad he did. Shows what an artist Mr Waller was and how bad a player I am - he must have had some extra fingers...

Well worth buying but get it wire bound so you can turn pages and they will lay flat. (Why don't publishers do this a whole lot more?)

P
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By JB
This is great jazz music. Initially quite hard to play for a classically trained pianist of average ability but I am now really getting into playing them. Great fun. Recommended.
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5 of 7 people found the following review helpful
By S. Law
I've flicked through the sample of African Ripples and I'm sorry to say these transcriptions are inaccurate with poor chord voicings. Even considering any `tidying up' (it's a matter of opinion which `wrong notes' should be omitted) it's not good. Pick a page at random - Page 10 - last bar of the second line, both chords incorrect in right hand, missing an E and B flat respectively, the left hand on beat 3 is not what's happening, anyone can hear the lowest note hit is a D. 6 bars later on beat 3 there's a low D missing. And so on. If the point of this book is to see literally what Fats Waller plays then don't waste your money and encourage authors who present shoddy work and get paid for it. I'm a composer with a good ear and what I'm saying is a fact. Why Dick Hyman endorsed it I do not know. It's competently edited in terms of rubato, speed etc. but anyone musician could do that.
The average standard of accuracy in published jazz piano transcriptions seems to be very poor, e.g. Erroll Garner or Artis Wodehouses' woeful attempts at Gershwin's 1920s recordings. When transcribing you must play back each chord until you can literally hear every note one by one in reality and know which notes are not harmonics. It's not rocket science, it just needs a lot of time and care and attention to every detail.
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