Sometimes good things slip by without our noticing.
You know how it is; turning right instead of left
at a green traffic light might make the difference
between finding true love or not. How would we know?!
Thomas Dybdahl is a Norwegian singer/songwriter and
I would appear to have fallen head-over-heels in love
with this eponymously titled album released last Autumn.
It is a marvellous affair from start to finish.
Comparisons with Tim Buckley and Nick Drake ring a
little hollow to my unattuned ears. He seems to be
very much his own man to me and in complete command
of both his muse and his musical materials.
The album is, in fact, a compilation reflecting the
riches to be found on the four further albums he has
released since 2002. It is a fine introduction.
Whether in the blissed-out anthemic pop of 'Cecilia'
(a truly mesmerising number) or the richly-textured magic
of songs like 'All's Not Lost' and 'That Great October Sound'
(both compositions wrapped up in delightful and highly
accomplished string arrangements) it quickly becomes clear
that we are in the company of a performer of distinction.
Mr Dybdahl has a lovely voice. A tad other-worldly in the
nicest-possible-way and capable of a wide range of tonal
colours and subtle emotional expression.
'One Day You'll Dance For Me, New York City' is
a sublime threnody saturated with warm harmonies
and a cleverly deployed instrumental ensemble.
Late night saxophone, pedal steel guitar and hammond organ
all contribute to the dense atmosphere of weary longing.
Final track 'Rise In Shame', from his 2003 album 'Stray Dogs',
is a top-drawer composition in every way. The well paced and
spaced production supports one of Mr Dybdahl's finest vocal
performances and brings this splendid collection to a rousing close.
Much more than a taster; more a celebration of a career so-far.
Mr Dybdahl deserves both our attention and admiration.
Highly Recommended.