In the later canon of pH's work, THIS takes a special place in my opinion quite simply because of "Unrehearsed". It has the legendary epic feel without sounding at all dated, although it maybe harks back - like Hugh Banton's organ on "Bubble" from the previous album EVERYONE YOU HOLD - to earlier solo records, with David Jackson excelling on flutes and sax. Along with the familiar metaphors from the world of theatre it contains advice (or the impossibility thereof) given to a younger person by the pH character. One can't help imagining a grown-up Wilhelmina from THE SILENT CORNER turning to the singer for help. Here pH does not build tension through repetition (as in "Happy Hour" on ENTER K), but develops a coherent, moving masterpiece. "Since the Kids" is a lament for old age, recalling "Autumn" on OVER, without the heartbreaking drama, which, to this reviewer, is a pity. Although some of the material on THIS would not be out of place on more pedestrian efforts like X MY HEART or FIRESHIPS, there are a number of highlights, like "Stupid" in which pH has a stab at mad Arab chanting, or "Nightman" with Stuart Gordon's gorgeous violin. All in all, even the less exciting compositions like "Fallen (The City of Night) include daring, chaotic moments, and the three fragments act as beautiful introductions or seamless transitions. The instrumentation (some exquisite string arrangements) and the production work are first rate throughout. Unfortunately, the album's closer, the 14-minute "The Light Continent" is not exceptional or varied enough to warrant its length in spite of some beautiful polar imagery. It cannot compare to the VdGG-esque "A Headlong Stretch" on ROARING FORTIES as far as pH's more recent epics go, though it is clear that it was not meant to in any case. A bit of a let-down to one of pH's best albums of the 90s. But, in case I haven't said this yet, THIS is worth buying for "Unrehearsed" alone !