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Despite its reputation as being too radio-friendly for its own good, this is an album layered with thoughtful introspection and a depressive, morbid air. A theme that cuts through the album is 'the void', a phrase that Nicky Wire uses on a number of songs, and the three remaining Manics filled the void left by missing member Richey Edwards with their most dignified and mature work, which in turn remained as passionate as anything that went before it.
Too often remembered as a time of bloated arena/stadium shows and multiple Brit awards, this album is the cause not the effect.
Please ignore the overly negative 1 star reviews here, they are not in my opinion very balanced.
Okay, the manics started off as a brilliant young band, with the usual youthful nihilistic vision and associated political agenda. (Yes I thought Generation Terrorists was great, and still do!).
But this album sees the manics getting, alas older. The lyrics here are more reflective and there is a loss of innocence vibe pervasive in tracks like the Everlasting.
For me this is a pretty well balanced album, with a nice variety of tracks and tempo. From memory this album was recorded in the South of France, and there is a very french feel on some of the instrumentation on tracks like Born a Girl. For me very pleasing has a whole.
So please ignore the negative reviews here, all bands inevitably grow up, cannot remain young punks forever!! The important thing is that in maturing as people they continue to make great innovative music, rather than reverting to compromised dad-rock (like U2 for example!!!). This is definitely an innovative album both lyrically and musically.
So please just give it a fair audience and make up your own mind.
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