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Product Description
Amazon.co.uk Review
On first listen, the third album from James Murphy's LCD Soundsystem project feels a lot like a sequel to the group's 2007 opus, Sound Of Silver. There are familiar touchstones–-New York disco, electronic Krautrock, the '70s output of David Bowie and Brian Eno--and a similar pace, shifting deftly between pneumatic dance and soft synth-pop, sincerity and goofiness, snark and pathos. There are signs that This Is Happening works to an updated formula, though: new to the fold is Gavin Russom, synthesiser wizard behind DFA's Black Meteoric Star, who adds brilliant, squelchy analogue synth to the likes of "One Touch" and "Somebody's Calling Me". Lead single "Drunk Girls" is this record’s "North American Scum", a bubblegum bounce-along with a vocal nod to Bowie’s "Boys Keep Swinging". This Is Happening is at its best, though, when LCD space out and lock into driving grooves like the drum machine-powered "Pow Pow" or "You Wanted A Hit", a lean chug that finds Murphy at his most lyrically acerbic: "But maybe we don’t do hits", he snaps. This album says otherwise. –-Louis Pattison
Review
Every album is to an extent the product of its creators' record collections. That's brazenly been the case with LCD Soundsystem since their arrival in 2002 with Losing My Edge, on which James Murphy at once mocks and vaunts the faultless alternative credentials of his own. This arch narrative plays out above a punk-funk groove that spawned a genre's worth of copyists and, with fitting irony, set LCD Soundsystem on the path to joining the pantheon the song described.
The process continued with 2005's self-titled debut and 2007's Sound of Silver, which deserves a slot in any serious list of the decade's best albums. Given that trajectory, expectations were high that This Is Happening, allegedly the final LCD Soundsystem album, might represent the project's apogee. Sadly, it doesn't: despite occasional flashes of brilliance it's a patchy, derivative work.
Murphy delighted in listing his inspirations and influences on the first LCD album, and elements of Bowie, Eno and Reed had clearly been folded into LCD's own style on Sound of Silver. Here, however, the influences aren't so much discernible as obvious to the point of distraction. All I Want is a passable power ballad containing some great waspish one-liners, but first you have to get past how much the guitar part sounds like the distinctive sustain created by Robert Fripp for Bowie's "Heroes". Joined by another aping the effect-slathered tones of Eno's St Elmo's Fire, these strong aural borrowings overpower everything else. It's as if Murphy took those two records as a starting point for his own composition, then forgot to go anywhere.
Similar problems beset Somebody's Calling Me, a blatant revisiting of Iggy Pop's Nightclubbing. Even LCD's own back catalogue isn't safe: Pow Pow updates Yeah, while One Touch pillages Too Much Love. Far worse than these instances of borderline plagiarism and autophagy, though, is You Wanted a Hit. A self-indulgent nine-minute whine about record companies and touring, the brute humourlessness of it is staggering given Murphy's gift for smart, sly self-reflexive commentary.
The disappointment This Is Happening causes is all the sharper given the way it begins. Dance Yrself Clean opens with a naive vocal melody accompanied by 8-bit curlicues, before bursting into a gigantic breakbeat-driven block-rocker. Murphy's lyric touches on the same territory as All My Friends, the narrator's hedonistic impulses shaded by an awareness that he's too old to still be feeling this way. It's as wry and emotionally resonant as it is physically bone-shaking, and nothing else here comes close to matching it. --Chris Power
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Most Helpful Customer Reviews
13 of 15 people found the following review helpful:
5.0 out of 5 stars
Too Right This Is Happening,
This review is from: This Is Happening [Digipak] (Audio CD)
I used to think LCD Soundsystem were just a singles act that didn't want to admit to being one, and that James Murphy wrote great pop songs but always tried to shy away from that fact. However at some point earlier this year the penny just dropped (that's another story for another time), and I'd found that Murphy's pop sensibilities were all present and correct even in his more expansive work.
This album is perhaps a case in point: all but one of the songs here has a lot of focus on build and drawing out the sound, luring you in, then getting you to dance your rear end off. The only song under 5 minutes is lead single Drunk Girls (think White Light/White Heat by The Velvet Underground). Opener Dance Yrself Clean starts out very quiet with only a very basic beat and yet another refrain that seems to reference Blockbuster by The Sweet, before absolutely freaking out just after the three minute mark with a wonderfully dirty, plinky-plonky wall of electro-noise. It makes for a great opener. Another factor not to be overlooked are Murphy's lyrics. Some find them verging on self-parody, others don't feel they hold a candle to the melodys and instrumental hooks LCD conjure up, but they can't help but raise a wry smile here: pretty much all of the fifth verse of Drunk Girls, "Complicated people never do what you tell them to" (One Touch), and "The king wears a king hat and lives in a king house" (Pow Pow) all made this listener chuckle. Having said that, Murphy's ability to emote situations through both his music and lyrics must not be overlooked. I Can Change is brilliant at expression the duality of being in love with someone: being stubborn and insistent about your affection for them ("That's just who I fell in love with") yet being willing to compromise the way you are at the first sign of dissention all because of them. The closing track, Home, is another track I find very emotive - dare I say it's almost up to the standards of New York from Sound of Silver. This album is overall just a great work, I'd venture you'd get the best out of hearing it from start to finish as opposed to cherry picking the best sounding songs, which I guess has been Murphy's aim all along. If this is goodbye then it's a mighty fine farewell.
5.0 out of 5 stars
Love it!!,
By
This review is from: This Is Happening [Digipak] (Audio CD)
Most critics argue that this is happening is second best to sound of silver, i guess that's an issue you have with any form media; whenever you create a "classic" the follow up will generally be considered inferior. IMO it's an irrelevant argument however, as it stands on its own as a compelling album which rewards the listener each time they come back with new detail, subtlety and interest. Stand out track for me has to be "You wanted a hit", absolute must buy for anyone interested in this genre of music or LCD Soundsystem.
5.0 out of 5 stars
completing a trilogy,
By Jack (Swindon, UK) - See all my reviews
This review is from: This Is Happening [Digipak] (Audio CD)
It is debatable whether the third album from the musical genius that is James Murphy is an improvement on the other two, but it is new and it is the same LCD Soundsystem that you (should) know and love. A trademark of this band is the repetition, they hammer these beats and synths into your brain and they reward you with the climax that these songs deserve.
This album has an extreme sense of completeness, the first track (Dance Yrself Clean) is one of the best introductory songs I have heard on an album. It meanders for a few minutes, captivating in it's repetition before the drop at which point it's pent up energy is let loose on the listener and the album flows seamlessly from this point. The album finishes with the track Home, which is the highlight of the record, Murphy weaves a multitude of instruments that blend and fragment perfectly, and his voice bursts forth in the peak of the album before he sighs 'So Goodnight' - which in retrospect since Murphy has said he is going to stop making music and concentrate on producing with his label DFA, is a farewell to the listeners, and a beautiful one at that. I saw LCD in Cardiff in November, in what I suppose is their last tour, and they ended with this song. Immediately after he wished the crowd goodnight and thanked us all before leaving. It was magnificent.
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