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Amazon.co.uk Review
On first listen, the third album from James Murphy's LCD Soundsystem project feels a lot like a sequel to the group's 2007 opus, Sound Of Silver. There are familiar touchstones–-New York disco, electronic Krautrock, the '70s output of David Bowie and Brian Eno--and a similar pace, shifting deftly between pneumatic dance and soft synth-pop, sincerity and goofiness, snark and pathos. There are signs that This Is Happening works to an updated formula, though: new to the fold is Gavin Russom, synthesiser wizard behind DFA's Black Meteoric Star, who adds brilliant, squelchy analogue synth to the likes of "One Touch" and "Somebody's Calling Me". Lead single "Drunk Girls" is this record’s "North American Scum", a bubblegum bounce-along with a vocal nod to Bowie’s "Boys Keep Swinging". This Is Happening is at its best, though, when LCD space out and lock into driving grooves like the drum machine-powered "Pow Pow" or "You Wanted A Hit", a lean chug that finds Murphy at his most lyrically acerbic: "But maybe we don’t do hits", he snaps. This album says otherwise. –-Louis Pattison
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Most Helpful Customer Reviews
13 of 15 people found the following review helpful
Format:Audio CD
I used to think LCD Soundsystem were just a singles act that didn't want to admit to being one, and that James Murphy wrote great pop songs but always tried to shy away from that fact. However at some point earlier this year the penny just dropped (that's another story for another time), and I'd found that Murphy's pop sensibilities were all present and correct even in his more expansive work.
This album is perhaps a case in point: all but one of the songs here has a lot of focus on build and drawing out the sound, luring you in, then getting you to dance your rear end off. The only song under 5 minutes is lead single Drunk Girls (think White Light/White Heat by The Velvet Underground). Opener Dance Yrself Clean starts out very quiet with only a very basic beat and yet another refrain that seems to reference Blockbuster by The Sweet, before absolutely freaking out just after the three minute mark with a wonderfully dirty, plinky-plonky wall of electro-noise. It makes for a great opener.
Another factor not to be overlooked are Murphy's lyrics. Some find them verging on self-parody, others don't feel they hold a candle to the melodys and instrumental hooks LCD conjure up, but they can't help but raise a wry smile here: pretty much all of the fifth verse of Drunk Girls, "Complicated people never do what you tell them to" (One Touch), and "The king wears a king hat and lives in a king house" (Pow Pow) all made this listener chuckle.
Having said that, Murphy's ability to emote situations through both his music and lyrics must not be overlooked. I Can Change is brilliant at expression the duality of being in love with someone: being stubborn and insistent about your affection for them ("That's just who I fell in love with") yet being willing to compromise the way you are at the first sign of dissention all because of them. The closing track, Home, is another track I find very emotive - dare I say it's almost up to the standards of New York from Sound of Silver.
This album is overall just a great work, I'd venture you'd get the best out of hearing it from start to finish as opposed to cherry picking the best sounding songs, which I guess has been Murphy's aim all along.
If this is goodbye then it's a mighty fine farewell.
This album is perhaps a case in point: all but one of the songs here has a lot of focus on build and drawing out the sound, luring you in, then getting you to dance your rear end off. The only song under 5 minutes is lead single Drunk Girls (think White Light/White Heat by The Velvet Underground). Opener Dance Yrself Clean starts out very quiet with only a very basic beat and yet another refrain that seems to reference Blockbuster by The Sweet, before absolutely freaking out just after the three minute mark with a wonderfully dirty, plinky-plonky wall of electro-noise. It makes for a great opener.
Another factor not to be overlooked are Murphy's lyrics. Some find them verging on self-parody, others don't feel they hold a candle to the melodys and instrumental hooks LCD conjure up, but they can't help but raise a wry smile here: pretty much all of the fifth verse of Drunk Girls, "Complicated people never do what you tell them to" (One Touch), and "The king wears a king hat and lives in a king house" (Pow Pow) all made this listener chuckle.
Having said that, Murphy's ability to emote situations through both his music and lyrics must not be overlooked. I Can Change is brilliant at expression the duality of being in love with someone: being stubborn and insistent about your affection for them ("That's just who I fell in love with") yet being willing to compromise the way you are at the first sign of dissention all because of them. The closing track, Home, is another track I find very emotive - dare I say it's almost up to the standards of New York from Sound of Silver.
This album is overall just a great work, I'd venture you'd get the best out of hearing it from start to finish as opposed to cherry picking the best sounding songs, which I guess has been Murphy's aim all along.
If this is goodbye then it's a mighty fine farewell.
Format:Audio CD
Most critics argue that this is happening is second best to sound of silver, i guess that's an issue you have with any form media; whenever you create a "classic" the follow up will generally be considered inferior. IMO it's an irrelevant argument however, as it stands on its own as a compelling album which rewards the listener each time they come back with new detail, subtlety and interest. Stand out track for me has to be "You wanted a hit", absolute must buy for anyone interested in this genre of music or LCD Soundsystem.
Format:Audio CD
It is debatable whether the third album from the musical genius that is James Murphy is an improvement on the other two, but it is new and it is the same LCD Soundsystem that you (should) know and love. A trademark of this band is the repetition, they hammer these beats and synths into your brain and they reward you with the climax that these songs deserve.
This album has an extreme sense of completeness, the first track (Dance Yrself Clean) is one of the best introductory songs I have heard on an album. It meanders for a few minutes, captivating in it's repetition before the drop at which point it's pent up energy is let loose on the listener and the album flows seamlessly from this point. The album finishes with the track Home, which is the highlight of the record, Murphy weaves a multitude of instruments that blend and fragment perfectly, and his voice bursts forth in the peak of the album before he sighs 'So Goodnight' - which in retrospect since Murphy has said he is going to stop making music and concentrate on producing with his label DFA, is a farewell to the listeners, and a beautiful one at that. I saw LCD in Cardiff in November, in what I suppose is their last tour, and they ended with this song. Immediately after he wished the crowd goodnight and thanked us all before leaving. It was magnificent.
This album has an extreme sense of completeness, the first track (Dance Yrself Clean) is one of the best introductory songs I have heard on an album. It meanders for a few minutes, captivating in it's repetition before the drop at which point it's pent up energy is let loose on the listener and the album flows seamlessly from this point. The album finishes with the track Home, which is the highlight of the record, Murphy weaves a multitude of instruments that blend and fragment perfectly, and his voice bursts forth in the peak of the album before he sighs 'So Goodnight' - which in retrospect since Murphy has said he is going to stop making music and concentrate on producing with his label DFA, is a farewell to the listeners, and a beautiful one at that. I saw LCD in Cardiff in November, in what I suppose is their last tour, and they ended with this song. Immediately after he wished the crowd goodnight and thanked us all before leaving. It was magnificent.
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Most Recent Customer Reviews
The problem with setting high standards
First of all, let me state that I'd unhesitatingly give 5-star reviews to the three previous LCD Soundsystem albums. Read more
Published 18 months ago by S. C. JONES
The law of diminishing returns
James Murphy returns with what may be the last LCD Soundsystem offering, if press reports earlier this year are to be believed. Read more
Published 18 months ago by N. Duckworth
What a great album - one for heavy rotation
This is on pretty much constant heavy rotation in my car...
This is the sort of music that David Bowie should have been making by now. Read more
This is the sort of music that David Bowie should have been making by now. Read more
Published 20 months ago by pauljmuk
Way off their best
This is going to stand out in amongst the sensational 5 star reviews thus far for this album..... I'm sorry, but this is way off their best work. Read more
Published 21 months ago by Mr. M. L. Hawes
Bordering on genius....
This is an unforgettable kaleidoscope of sonic mastery delivered in an almost manic and wonderfully disinhibited way. Read more
Published 22 months ago by D. L. Young
Nice to hear more from Murphy...
Full of recognisably James Murphy (the husky gentlemans' last hero) beats, to the point where you wonder if he's recycled some directly from previous tracks, or accidentally... Read more
Published 22 months ago by Richard Hammond
recommended
Heard this at a friends house and bought it the next day. Very good album, totally unpredicatble, lots of different sounds and rhythms to it.
Published 23 months ago by gordy
Really nice album
This album has a really good groove. The mixture among many different genres which characterises LCD Soundsystem's work is made even better in this work. Read more
Published 23 months ago by A. Danesin
Wow!!
If this is the final album from LCD soundsystem, what a note to go out on. Supremely confident and intelligent, borrowing from only the best sources, James Murphy has done it... Read more
Published 23 months ago by D. O'CONNELL
Creative cul-de-sac. Last album? without doubt
3 tracks are bearable (as background music) - dance yrself clean, drunk girls, i can change, but the rest? jeeez, terrible. Overly long, turgid, and dull. Read more
Published 24 months ago by Mr. S. Bennett
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