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Third Quartet
 
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Third Quartet [CD]

John Abercrombie Audio CD
4.0 out of 5 stars  See all reviews (1 customer review)
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Product details

  • Audio CD (19 Dec 2008)
  • Number of Discs: 1
  • Format: CD
  • Label: ECM
  • ASIN: B000ND91TU
  • Other Editions: Audio CD
  • Average Customer Review: 4.0 out of 5 stars  See all reviews (1 customer review)
  • Amazon Bestsellers Rank: 127,813 in Music (See Top 100 in Music)

1. Banshee
2. Number 9
3. Vingt Six
4. Wishing Bell
5. Bred
6. Tres
7. Round Trip
8. Epilogue
9. Elvin
10. Fine

Product Description

BBC Review

There's something very special about this latest disc from John Abercrombie's quartet, but the whole thing's so understated that it's hard to put your finger on quite what it is. Certainly when listening through the album, with all its delicacy and fragility, it's hard to believe - and a testament to Abercrombie's driven band-leadership - that half of the group have had regular gigs with that convener of musical chaos, John Zorn.

It's the third album from the group Abercombie has been leading since 2000, and seems to mark a retreat from earlier excursions into freer territory; many tracks open with atmospheric introductions that seem unscripted, but which soon settle into more traditional jazz cycles. Of highlights there are many: the modal extemporizations of the opening ''Banshee'' which skid over bassist Marc Johnson's pedal note, setting the scene for the kind of quiet intensity that characterises the album, or the exquisite interplay between Abercrombie and violist Feldman on their stand-out arrangement of Bill Evans' little-known ''Epilogue''. Joey Baron rises to the formidable challenge of paying tribute to Elvin Jones, with echoes of the great drummer's stream-of-consciousness style and acute sensitivity on ''Elvin'', like all the originals on the disc, an Abercombie original.

It's nice to hear a group quietly forging new ground like this - that is to say, not by smashing away at the limits of modern jazz, but rather by gently coaxing them slowly outwards. More to the point, it's nice to hear such subtle and intimate music-making as on this record. --Matt Trustram

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The Guardian, (John Fordham), April 20, 2007

(4 stars) It mixes chamber-improv and quiet free-jazz delicacies with elegiac ballads and swing.

(5 stars) Arguably the finest album yet by this great group...one
of the albums of the year.


The players' interaction is peerless and intuitive. The result is
a compelling context for Abercrombie's seemingly effortless improvisational
mastery.

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Customer Reviews

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Most Helpful Customer Reviews
10 of 10 people found the following review helpful
Four out of Five 27 July 2007
By degrant TOP 1000 REVIEWER
Format:Audio CD
"Where is there an end of it, the soundless wailing/The silent withering of autumn flowers".
It is a reasonable assumption that John Abercrombie did not have to mind these words of T.S.Elliot, from "Dry Salvages", the third of his "Four Quartets" when he recorded his latest, impressive, offering with his quartet, so inopportune are the sentiments. Perhaps more so than "Cat and Mouse" and "Class Trip", "the Third Quartet" is understated and, at first listen, unremarkable but repeated listens reveal the synthesis of Abercrombie's two main inspirations, namely lyricism and free improvisation, and the uniqueness of his guitar, violin, bass and drums quartet.

Opener "Banshee" is the wildest number and shows the Jekyll and Hyde aspects to Abercrombie is the space of a single song. The most obvious signs of these inspirations are the two covers, which are both highlight. Ornette Coleman's "Round Trip" swings like nothing else on the disc and Mark Feldman's violin in Bill Evans's "Epilogue" has an almost Japanese tone in its serenity. Although all four musicians are highly skilled, the versatile Feldman is probably the dominant force here.

Having started in restless, percussive but atmospheric fashion with scrapings of violin and peels of electic guitar, the album concludes with the peaceful "Fine", featuring overdubbed guitar reminiscent of Ralph Towner. As others have recorded, it is sometimes difficult identifying why Abercrombie's recent work is so good. And although it does not demand attention, it is very impressive in its understated way.
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Amazon.com:  7 reviews
33 of 33 people found the following review helpful
John Abercrombie's Return To ECM 19 April 2007
By J. Rich - Published on Amazon.com
Format:Audio CD|Amazon Verified Purchase
John Abercrombie has recorded prolifically for the ECM label since the early '70s. His output has been very thoroughly documented, while at ECM, he also performed as a session player on countless albums. Most notably with Kenny Wheeler, Ralph Towner, Colin Wolcott, Jack DeJohnette, Charles Lloyd, among others. His own compositions and guitar playing are very melodic and lyrical. His improvisational playing is some of the best out there. He can pretty much do anything on the guitar. He's a virtuoso in the truest sense. While he's technical master on the guitar, he is also a very textural player. He often shifts moods to match what the piece of music is doing. Abercrombie, quite simply, is one of the greatest jazz guitarist of the last 30 years. His popularity, however, is somewhat baffling to me and at the same time it's really a shame that more people don't know about him. I can honestly say he's influenced my own guitar playing. Abercrombie is a VERY underrated jazz guitarist. "The Third Quartet" is Abercrombie's first album for ECM in 3 years.

"The Third Quartet" picks up where 2004's "Class Trip" left off. However, the music here is more refined and this is simply because this particular quartet has been playing together for 9 years. This music is very hard to describe. I wouldn't classify it as free jazz, because there is structure to the music, but I wouldn't necessarily call this music bebop either. What I would call it is chamber jazz. It's a deicate balance of classical and jazz. The jazz aspect of this music is obviously within the improvisations, but the music follows more in the lines of classical. This type of jazz is something Abercrombie has been working on for many, many years. The instrumentation on this album as with the groups other two albums is quite unique: guitar, violin, bass, and drums. Mark Feldman plays violin and is one of the better violinist I've heard that can improvise in a jazz context. His ideas are always interesting and melodic and they add color to a piece. He definitely is one of the best jazz violinist I've heard. Someone like Regina Carter needs to look at what Feldman is doing and take notes. He's the new jazz violinist that people need to be aware of. Marc Johnson, on bass, has been around for a very long time. He has played with so many musicians, but I think his best early work is with pianist Bill Evans. Marc has also released some very fine albums under the ECM and Polydor labels, most notably the album "Right Brain Patrol" remains one of my personal favorites of Johnson's. Marc always provides great support to his bandmantes. Joey Baron, on drums, is one of the wildest and most original drummers of the last 15 years. He's been an active member in Bill Frisell's band and has been apart of John Zorn's group Naked City and has also played on countless John Zorn albums. Baron's work with Masada, John Zorn's group that blends traditional Jewish music with jazz, has been a very rewarding listening experience. Baron's style is one that is in constant motion. He doesn't stay in one spot to long and yet he provides this group with what it needs: a driving force to propel it.

"Third Quartet" is a good place to start exploring John Abercrombie's later work. It has all of the naunces and textures of an Abcercrombie album but with more of a chamber jazz leaning. Very highly recommended.
10 of 11 people found the following review helpful
John Abercrombie just gets better 15 May 2007
By Kenneth E. Clark - Published on Amazon.com
Format:Audio CD|Amazon Verified Purchase
I have listened to this man's guitar playing since he played with Billy

Cobham. I am not a guitarist. I can only say he has an incredible sense

of touch & dynamics. I recently had the pleasure of seeing him play with

this quartet in Birdland, NYC.They were fantastic. I thought 'Gateway II'

was one of my favorites of his. This is way up there (all this groups

recordings come highly recomended).from 'Cosmic Chicken (somebody please

release that)to Arcade,the organ trios, directions,etc..listen to this

man & the people he surrounds himself with. You wont EVER be disappointed.
1 of 1 people found the following review helpful
Amazing Abercrombie Quartet dazzles! 23 May 2011
By Frank Smith - Published on Amazon.com
Format:Audio CD
J. Rich's review echoes my sentiments exactly on this album and he's provided both a wonderful assessment of The Third Quartet and a bit of a history lesson as to the background and skills of this quartet. Bravo, Mr. Rich! Abercrombie is a masterful guitar player and leader of this group. Feldman's violin is at times fiery as on the powerful opener Banshee. But Marc Feldman can also be an exquisite violinist on the slower tempo tunes. Joey Baron's drumming is wickedly great. He is one of the best time-keepers in the business, which is why he is in such demand as a session player. Marc Johnson has a lovely and expressive touch on the double bass. Anyway, there is just so much empathy to the playing of these guys when they get together. It's almost telepathic. Of the ten compositions on the Third Quartet, eight are by Abercrombie. Round Trip by Ornette Colemen and Epilogue by Bill Evans round out the set. You can always count on great sound from an ECM jazz album that is produced by Manfred Eicher. This recording gets top marks for sound, performance and the compositions. Highly recommended!!
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