Picked this up in the murder mystery section, read the opening minor mystery ‘prologue’ where our laconic and overly socially responsible sleuth solves the crime merely with Holmesian observation of the crime scene and promptly put it down as it felt overly artificial and laboured. Having then read a couple of other novels I decided to give this a final go and finish it and, to my delight, found it matured remarkably quickly into a novel that was gripping, insightful and darkly murderous. By end it had become a powerful novel that promises much for its sleuth should Boast continue to write about him.
This is the first Septimus Severus Quistus mystery. Our hero is a man with a murdered family on his hands, time to mourn and an acutely observant mind. With a mores that Cato would have been proud of and an awareness of the social underclass at the time of Nero’s Imperial Rome he is able to deftly deal with the artistically insane Emperor who is portrayed in a dangerously unhinged manner as he forces Quistus to take the British princess, Claudia, back to Britannia, by having her Christian colleagues mauled by lions in front of him. However, the acutely paranoid Emperor proceeds to send Stigmus after him to fulfil a darker destiny. The novel moves through the Gaulish countryside as Claudia, daughter of the British king Caratacus takes them on a detour to locate her missing daughter, Tara. Throughout we have to deal with the viciously viperish Docilosa, who’s unhinged mind and desperation to claim her jewellery birthright leads Quistus to take her along as a captive until he fathoms out the truth.
A murderous ambush and flight to the Isle of Wight leads us into a Celtic ritual as old as time. The wicker man demands death for the regeneration of the British people and Claudia is going to provide it in the form of Tara.
With his faithful slave, Omba, Quistus finds his fellowship fracturing as personal ambition rives them apart and he is forced to rapidly find out the motivation behind them all.
In the end we have a natural death that became a murder for political reasons and was uncovered in a coliseum denouement to be what it really was. Quistus saves a thousand slaves, frees both Claudia and Tara from Nero’s hunt and earned the respect of millions with his perseverance of the truth.
This is a final novel and an expert entwining of the madness of Neronian imperial Rome and Celtic oppression that takes us from the dizzying heights of Rome to the murkier climes of Roman-Britain in a manner that is quietly engaging. Boast’s characterisation is faultless, his plot line crisp and clean and has ensured that the next novel about this stoical sleuth is a must read.