Tenth anniversary edition of the Shakespeare-inspired teen comedy drama. On his first day at his new school Cameron (Joseph Gordon-Levitt) falls head over heels for the gorgeous Bianca (Larisa Oleynik). However, he has a slight problem: Bianca is not allowed to start dating until her grumpy older sister Kat (Julia Stiles) has a boyfriend too. Cameron decides to act as matchmaker for Kat, and sets her up with a mysterious and moody loner (Heath Ledger) who may be the only guy in town who could put up with her. This version contains bonus footage which has taken the British certificate from a 12 to a 15.
It's, like, Shakespeare, man! This good-natured and likeable update of The Taming of the Shrew
takes the basics of Shakespeare's farce about a surly wench and the man who tries to win her and transfers it to modern-day Padua High School. Kat Stratford (Julia Stiles) is a sullen, forbidding riot grrrl who has a blistering word for everyone; her sunny younger sister Bianca (Larisa Oleynik) is poised for high school stardom. The problem: overprotective and paranoid Papa Stratford (a dryly funny Larry Miller) won't let Bianca date until boy-hating Kat does, which is to say never. When Bianca's pining suitor Cameron (Joseph Gordon-Levitt) gets wind of this, he hires the mysterious, brooding Patrick Verona (Heath Ledger) to loosen Kat up. Of course, what starts out as a paying gig turns to true love as Patrick discovers that underneath her brittle exterior, Kat is a regular babe. The script, by Karen McCullah Lutz and Kirsten Smith, is sitcom-funny with peppy one-liners and lots of smart teenspeak; however, its cleverness and imagination doesn't really extend beyond its characters' Renaissance names and occasional snippets of real Shakespearean dialogue. What makes the movie energetic and winning is the formula that helped make She's All That
such a big hit: two high-wattage stars who look great and can really act. Ledger is a hunk of promise with a quick grin and charming Aussie accent, and Stiles mines Kat's bitterness and anger to depths usually unknown in teen films; her recitation of her English class sonnet (from which the film takes its title) is funny, heartbreaking, and hopelessly romantic. The imperious Allison Janney (Primary Colors
) nearly steals the film as a no-nonsense guidance counselor secretly writing a trashy romance novel. --Mark Englehart