Thin Red Line [DVD] [1999] [Region 1] [US Import] [NTSC]

This is by no means a conventional war film but it is, nonetheless, one of the finest portrayals of war that you are ever likely to see. The film was not on my radar and I discovered it more by accident than design. It was first released in 1998 and was somewhat eclipsed by `Saving Private Ryan' which was released slightly earlier. Nominated for 7 Academy Awards this film failed to get a single Oscar. The more that I learn about the way these award systems operate and the complexities of the whole film distribution system, the less confidence I have of their value. In many ways `the Thin Red Line' is superior to Spielberg's war epic.

Directed by the reclusive Terrence Malick, the film is an adaptation of a World War II novel by James Jones (From Here to Eternity) about the battle for Guadalcanal. American soldiers land on the island hoping to secure it from the Japanese. This film does not follow the usual path taken by other war stories and unlike `Ryan' - which begins explosively, this film takes about 40 minutes before a single shot is fired! This long prologue is used to good effect as an introduction to the main characters and some carefully selected flashbacks to their lives pre-war. The tension to the film is slowly uncoiled as the troopships approach Guadalcanal Island. This is done quietly and thoughtfully and gives the viewer a good idea of the stresses and anxieties of the soldiers as they approach this life-changing situation.

The story is told through the eyes of 5 men of C Company and the visual images are simply amazing. This is where Malick excels. He has produced a film that is a cinematographer's dream where almost every shot is carefully composed as if it was to be entered in a photographic exhibition. I watched the film in the newly restored Blu-ray version and the video is absolutely fantastic with superb colour palette and pristine sharp pictures throughout. I watched this dvd through a projector and the video quality is one of the finest I have ever seen - and that includes some pretty stiff competition.

Of course, there have been many fine war films and who am I to say whether this film is better than `Saving Private Ryan', `Apocalypse Now' or the Oliver Stone Trilogy. It is certainly up there with the very best and for my money it is sufficiently unique to stand out from the crowd. All human characteristics are shown in this film, bravery, fear, uncertainty, blind ambition to name but a few. However, for me the overwhelming image is of the chaos of war and uncertainty of such a fast moving situation. For a lot of the time the enemy cannot be seen and with explosions and gunfire all around you it is not difficult to imagine casualties caused by friendly fire. It is havoc and the film graphically shows the toll that all this takes on soldiers both in terms of exhaustion - both mental and physical, pain, injury, disillusionment and ultimately death.

However, notwithstanding this reality the film is much, much more than this. I found the violence less graphic than in Ryan and the director takes efforts not to dwell on unnecessary gratuitous violent images. This film is very much a visual, as well as a vocal poem. The film uses hauntingly beautiful music throughout both by the highly talented Hans Zimmer and also by other classical composers. Early on in the film there is an extract from `In paradisum' from Faure's Requiem. This beautiful piece of music is used in a water scene and the combined effect of the music and cinematography is simply amazing. There are many other scenes where the camera is used in taking shots from unusual angles and this gives an enhanced effect to the scene as is the case when a young woman is swinging on a child's swing. Poetry in motion!

The audio is presented in DTS-HD Master Audio 5.1 and it is magnificent. There are a number of excellent extras on this film including an interesting actors perspective and an interview with Hans Zimmer - both in high definition. I have not yet had time to look at the other extras.

This is a truly wonderful film. Highly recommended,

This Terreence Malick epic looks stunning on blue-ray. It is worth the extra cash for the purchase. I own the VHS, the dvd, both soundtracks and now this blue-Ray.

Malick is the last true Poet of maverick American Cinema. His movies follow no conventions or rules; his career follows no rules or conventions. Thin Red Line (nominated for seven Oscars) opens with a question:
"Why does nature contend with itself?"
It shows a crocodile- a killing machine. Moments later, we see men (soldiers) who prove more deadly than crocodiles; we see a dying bird- its wing shattered by gunfire, pulling itself along the ground. In a way the film is not about war at all, but simply about the way in which all living beings are founded on the necessity of killing one another.

After 20 years away from film-making, elusive director Terence Malick returned with this freeform WW2 movie based on the James Jones books ('Thin Red Line' and extracts from the classic 'From here to Eternity'), which floats around the WW2 battle for Guadalcanal, pondering the place of conflict and pondering our place on this planet and the eternal scheme of things. The films essence lies not with the famous actors, but in Malick's fusion of abstract voice-overs and stunning images over beautiful music (Hans Zimmer and Melanesian chanting). It's a richly textured, slowly paced, visually stunning epic of the effects of war that hypnotises the viewer with its tapestry of sights, sounds and colours.

"This great evil. Where does it come from? How'd it steal into the world? What seed, what root did it grow from? Who's doin' this? Who's killin' us? Robbing us of life and light. Mockin' us with the sight of what we might've known. Does our ruin benefit the earth? Does it help the grass to grow, the sun to shine? Is this darkness in you, too? Have you passed to this night?"

This amazing movie is a tone poem that may throw some mentally Challenged viewers through its use of interior monologues and lack of action.

"Where is it that we were together? Who were you that I lived with? The brother. The friend. Darkness, light. Strife and love. Are they the workings of one mind? The features of the same face? Oh, my soul. Let me be in you now. Look out through my eyes. Look out at the things you made. All things shining."

Malick was 57 years old when he directed this epic. It would be great if we could use stem cell research to knock 30 years off his age. Perhaps then we could give him a billion pounds to make a dozenn or two dozen films to last through the ages......no?

This film shatters the standard convetions for a war film and gently replaces them with an intrinsic, poetic and beautifully rendered piece of film making. From start to finish the quality of the photography is fantastic and the director's faultless talent to depict vivid environments is wonderfully illustrated with seamless editing.

A scene depicting two soldiers getting shot while approaching a bunker is superbly complimented by the sun peaking out from the clouds just after they have fallen and disappeared into the tall grass. The absolute tension and thick air of the pre-dawn build-up to the attack with Nick Nolte and John Travolta is one of the greatest scenes of tension I have witnessed.

Personal narratives and agendas throughout the film flood the viewer with emotions and feelings that you wouldn't normally associate with a war film. The soundtrack here is also one of the film's strong points and effortlessly entwines itself into the path of the edits. Engrossing, beautiful and an absolute pleasure to immerse yourself into.