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As always, the sometimes startlingly surrealistically original, sometimes comfortingly groanworthy, jokes are underlain by some intensely complex ideas and tight plotting. Susan sto Helit makes a reappearance as one of Pratchett's more interesting heroines; the sinister Lady LeJean is one of Pratchett's most interesting villains, particularly once we learn the answer to the mystery about her.
There is an attractive darkness to much of the humour here--Pratchett is often at his best when at his darkest.--Roz Kaveney
There really isn't much of a plot (depending on your point of view of course), but the action is continuous and the punchline - although a little bit expectable - quite striking.
I got to meet one of my favourite characters in a bit more detail - Susan. We meet a new guy - Lobsang - whose namesake actually has some achievement in real-life buddhism. Also all the other nicking from 'well-known' ideas, films, etc will keep your head spinning until the last page, because you start wondering after a while if you have missed anything.
Another thing I love about Terry Pratchett is his thought-provoking style. Even a unenthusiast of physics like me has been inspired to read up a little more on the subjects of time and relativity thanks to this book.
I agree with the others that this book is not for the beginning Discworld novel reader, since most of the characters are already well known from the other books and their personalities - and in some cases personifications - are well developed there up to this book.
Once you get to sit down with this book you only have to do two things: read and enjoy!
But, for new readers, Thief of Time surely represents the best way in. There are new characters at the centre of events - Lu Tze, Lobsang Ludd, Jeremy, a renegade Auditor. There is no Granny Weatherwax, Rincewind or Vimes, with all their associated baggage of sharp, subtle characterisation and well-earned history and affection, to contend with. True, Nanny Ogg appears, but her role is that of a big film star making a cameo in a film: notable and warmly received, but not integral to the understanding of the story. Susan is also in place, and her role is entirely central, but she has been growing up with the series, and she is now a very different woman to the one who appeared in Soul Music, for instance. Death also performs a role that he has not previously investigated in earnest - that of a horeseman riding out in the face of an apocalypse - and so even the (almost) unchanging face of mortality appears fresh for the new recruits.
There is another reason that this novel represents the ideal entry point for the novice. It is as sure-handed a book as Pratchett has produced. It is funny, it is warm and it flows with the incredible pacing that Pratchett has made his hallmark. Out of thin air he can form a thriller of plot and anticipation. Imagine Waiting For Godot reading like a Raymond Chandler story.
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