This book is the saddest, most gracefully told, subtly portentous book I've read in years, and it's only the second book in the trilogy. First off, the writing is anything but bathetic. It is poetic where poetry is summoned by circumstance and, likewise, quotidian when needs be. It is altogether unbelievably exquisite in the execution. The subject matter has two mirroring themes, constantly playing off against each other, the political obliviousness of aristocratic Hungary as it hurries unwittingly towards WWI, and, more shatteringly poignant to this reader, the slow, inexorable crumbling of the doomed love between Count Balint Abady and the married Adrienne.
Here, for example, is the description of Abady's enchantment with the estate woodland, his love for which is only enhanced by his love for Adrienne:
"Everywhere there were only these three colours, silver, grey, and vivid green: and the more that Balint gazed around him the more improbable and ethereal did the forest seem until it was only those strands near at hand, which moved gently in the soft breeze, that seemed real while everything further off, the pale lilac shaded into violet, was like clouds of vapour in slight perpetual movement as if swaying to the rhythm of some unheard music."
And yet, when mundane realities break through, as they do one morning in the cabin Balint has built for trysts with Adrienne on the border of his and her husband's property, the writing is no less exquisite:
"A golden shaft of sunlight shot into the cabin and marked out a clearly defined square on the beaten clay floor until, all at once, the inside of the little cabin, previously so mysterious in the half light, lost its magic in the sober glare of morning."
And the other mirror, Hungary itself, is described thus:
"Everyday life went on as usual and most people only thought seriously about their work, their business interests, property, family and friends, their social activities, about love and sport and maybe a little about local politics and the myriad trifles that are and always gave been everyone's daily preoccupation. And how could it have been otherwise?"
How indeed?
It is beyond my capability in this review to fully convey how beautiful, but ultimately how sad, how exquisitely sad the spell this book weaves around one is. The best I can do is to proffer that it has to do with the inexorable sadness of life itself as circumstances gradually array themselves against it.
For, isn't each of us, really, lost in our enchanted little Hungary --- waiting for our doom to fall?