Hmmm, I remember being very worried at the time of Ted Turner's departure from the band, fearing the end of the finest twin guitar sound in rock music at the time, but when Laurie Wisefield stepped up to the plate, at least on There's The Rub, my fears were quietly allayed as he demonstrated himself to be a gifted and versatile player and an ideal partner for Andy Powell. The album, although written with Ted, seemed to suite Wisefield's style, and throughout the six tracks the two guitars blend seamlessly, particularly on Lady Jaye, Hometown and the superb F.U.B.B. (yes, we all know the acronym by now!) Don't Come Back is the only let down, but regardless of this slightly throwaway number, the playing across the album is quite superb, with Martin Turner and Steve Upton never sounding better or tighter behind the trademark twin guitars.
Bill Szymczyk's production is flawless, giving the album a really bright and upfront sound and bringing out the very best in the band, and suggested a great future for them across the water as well as at home. I'd give it 5 stars if it was a stand alone, but........
The spark is simply not there for (or with) Tom Dowd on Locked In. He seems to be trying to produce a Muscle Shoals soul album from the efforts of a rather lacklustre rock band, and it just sounds like everything is imploding.
The material is tired and strained, especially Wisefield's blue-eyed soul contributions, lacking in any original ideas with no one track really standing out; the playing is still pretty good from all concerned, but Turner's bass sounds muddy, Upton's drums dull and flattened, and the guitars lifeless, and while Wisefield may be a nifty little guitar player he CANNOT sing for proverbial toffee. Give it 2 stars for everybody turning up for the sessions. So, one corker and one damp squib, and an overall 3 stars for the pair.
And oh yeah, a real shame about the cheapskate packaging.....