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Review
'Gave me nightmares ... These stories work the boundary states of consciousness like a tongue works an aching tooth' (Elle )
'A revelation - like reading late-Tolstoy fables set in an alternative reality' (New Yorker )
this short and rather extraordinary book of "Scary Fairy Tales" [...] succeed - in many cases quite hauntingly. (Theo Tate Sunday Times )
An entrancing collection of tales, as humane and unsentimental as Chekhov, as grim and funny as Beckett, as dark and unsettling as Poe. (Brandon Robshaw Independent on Sunday )
Penguin has given this book instant promotion to 'modern classic' status and it's easy to see why. It is an extraordinary collection of jet-black tales by one of Russian's foremost writers, which has understandably inspired comparisons with Tolstoy. Beat that. (Daily Mail )
'A revelation - like reading late-Tolstoy fables set in an alternative reality' (New Yorker )
this short and rather extraordinary book of "Scary Fairy Tales" [...] succeed - in many cases quite hauntingly. (Theo Tate Sunday Times )
An entrancing collection of tales, as humane and unsentimental as Chekhov, as grim and funny as Beckett, as dark and unsettling as Poe. (Brandon Robshaw Independent on Sunday )
Penguin has given this book instant promotion to 'modern classic' status and it's easy to see why. It is an extraordinary collection of jet-black tales by one of Russian's foremost writers, which has understandably inspired comparisons with Tolstoy. Beat that. (Daily Mail )
Product Description
A woman finds herself filling a pit in the forest in the middle of the night; a family lock each other in their bedrooms to battle a strange plague; a wizard punishes two beautiful ballerinas by turning them into one hugely fat circus performer; a colonel is warned not to lift the veil from his dead wife's face; and a distraught father brings his daughter back to life by eating human hearts in his dreams.
In these blackly comic tales of revenge, disturbing deaths and haunting melancholy, Ludmilla Petrushevskaya blends miracles and madness in the darkest of modern fairy tales.
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3 of 3 people found the following review helpful
Format:Paperback
There Once Lived a Woman Who Tried to Kill Her Neighbour's Baby is the fabulously telling title of a collection of scary fairy tales by Ludmilla Petrushevskaya, "Russia's best known living writer." (p.ix)
I'd never heard of her.
But then, the story goes, there's good reason for that: for much of her writing life, Petrushevskaya was ostracised because "her stories about the lives of Russian women were too dark, too direct, and too forbidding. Even her fairy tales seemed to have an edge of despair to them." (p.viii) The Soviet Union was having none of it.
More fool them.
In time, of course, the Soviet Union collapsed, and having scraped the decades away writing scripts for television, radio and the stage, all of a sudden Petrushevskaya's off-kilter fiction was embraced by Russian readers, such that "her seventieth birthday in 2008 was a government-sponsored celebration on a national scale." (p.ix) There Once Lived a Woman Who Tried to Kill Her Neighbour's Baby is thus the first major translation of her work by an American publisher - so sayeth the great Wikipedia - and courtesy of Penguin Modern Classics, at long last we Brits have a chance to see for ourselves what all the fuss has been about.
Petrushevskaya is a sharp shock to the system indeed. A modern-day Grimm with none of the thematic whitewashing we've come expect from such stories as "There's Someone in the House," "The Black Coat" and "The New Robinson Crusoes: A Chronicle of the End of the Twentieth Century," Petrushevskaya is at her most disquieting when she sets her pointed sights on undermining the monotony of the everyday - as with the shut-in who becomes convinced there's an intruder in her flat in the first of those stories, and the family who are told the world will end if they leave their apartment in the second.
But this collection also serves to showcase another side of the Russian cause celebre: her scary fairy tales, as per that there subtitle. And in "The Father" and "The Cabbage-patch Mother," not to speak of several others, a glimmer of light cracks the dark, of love and hope and wonder amongst the bleakness of life as we know it.
There Once Lived a Woman Who Tried to Kill Her Neighbour's Baby is a lamentably short collection with which to begin what I can only hope becomes a long tradition of Petrushevskaya translations, each as precise as this, and yet it's long enough - I dare say a single story would be long enough - to bring to mind the likes of Tolstoy, Chekov, Beckett and Edgar Allen Poe. These are the sorts of names you throw around in company with Ludmilla Petrushevskaya, and There Once Lived a Woman Who Tried to Kill Her Neighbour's Baby will be argument enough as to why for any reader with a hankering for an entrancing bedtime story - or twenty.
Just don't expect to sleep soundly for a long while thereafter.
I'd never heard of her.
But then, the story goes, there's good reason for that: for much of her writing life, Petrushevskaya was ostracised because "her stories about the lives of Russian women were too dark, too direct, and too forbidding. Even her fairy tales seemed to have an edge of despair to them." (p.viii) The Soviet Union was having none of it.
More fool them.
In time, of course, the Soviet Union collapsed, and having scraped the decades away writing scripts for television, radio and the stage, all of a sudden Petrushevskaya's off-kilter fiction was embraced by Russian readers, such that "her seventieth birthday in 2008 was a government-sponsored celebration on a national scale." (p.ix) There Once Lived a Woman Who Tried to Kill Her Neighbour's Baby is thus the first major translation of her work by an American publisher - so sayeth the great Wikipedia - and courtesy of Penguin Modern Classics, at long last we Brits have a chance to see for ourselves what all the fuss has been about.
Petrushevskaya is a sharp shock to the system indeed. A modern-day Grimm with none of the thematic whitewashing we've come expect from such stories as "There's Someone in the House," "The Black Coat" and "The New Robinson Crusoes: A Chronicle of the End of the Twentieth Century," Petrushevskaya is at her most disquieting when she sets her pointed sights on undermining the monotony of the everyday - as with the shut-in who becomes convinced there's an intruder in her flat in the first of those stories, and the family who are told the world will end if they leave their apartment in the second.
But this collection also serves to showcase another side of the Russian cause celebre: her scary fairy tales, as per that there subtitle. And in "The Father" and "The Cabbage-patch Mother," not to speak of several others, a glimmer of light cracks the dark, of love and hope and wonder amongst the bleakness of life as we know it.
There Once Lived a Woman Who Tried to Kill Her Neighbour's Baby is a lamentably short collection with which to begin what I can only hope becomes a long tradition of Petrushevskaya translations, each as precise as this, and yet it's long enough - I dare say a single story would be long enough - to bring to mind the likes of Tolstoy, Chekov, Beckett and Edgar Allen Poe. These are the sorts of names you throw around in company with Ludmilla Petrushevskaya, and There Once Lived a Woman Who Tried to Kill Her Neighbour's Baby will be argument enough as to why for any reader with a hankering for an entrancing bedtime story - or twenty.
Just don't expect to sleep soundly for a long while thereafter.
Format:Paperback|Amazon Verified Purchase
Unsurprisingly, the reviews are all true to its words. The compilation of Russian Fairytales are remarkabley gothic, supernatural and follows you into your dreams. Ludmilla captures folklore traditions and allegorical stories in one book. Each story represents either a sin humans are guilty of having, or a story dealing with morality.
The book does well in entwining fairytales but with a Russian twist, containing references to the cold war, famine, poverty, lack of faith, death and the importance of love. Although this is not your typical Fairytale collection, it is however a very welcomed change to the conventions which traditional fairytales seem to follow.
The book is a great read! It leaves you feeling slightly chilled afterwards, but depicts the lengths and variations fairytales can go to, therefore leaving it without limits.
The book does well in entwining fairytales but with a Russian twist, containing references to the cold war, famine, poverty, lack of faith, death and the importance of love. Although this is not your typical Fairytale collection, it is however a very welcomed change to the conventions which traditional fairytales seem to follow.
The book is a great read! It leaves you feeling slightly chilled afterwards, but depicts the lengths and variations fairytales can go to, therefore leaving it without limits.
Format:Paperback
I actively seek out the bizarre, surreal and strange in literature, so when this book appeared it ticked all the boxes. The title itself (the subject of the story 'Revenge') was more than enough to grab my interest. The collection contains modern fairy tales and fables, stories of life and death and what comes inbetween. They remind me of the TV show 'The Twilight Zone' but with an added dark sense of humour. I am not a big reader of Russian Literature, but I really enjoyed this little book. I generally read short stories to fill in short gaps of time; when I don't want to get caught up in a novel, but once I started this I kept reading to the end telling myself 'just one more'.
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