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Theory/Theatre: An Introduction
 
 
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Theory/Theatre: An Introduction [Paperback]

Mark Fortier
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Theory/Theatre: An Introduction + Performance Analysis: An Introductory Coursebook + The Cambridge Introduction to Theatre Studies (Cambridge Introductions to Literature)
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Product details

  • Paperback: 272 pages
  • Publisher: Routledge; 2 edition (9 May 2002)
  • Language English
  • ISBN-10: 041525437X
  • ISBN-13: 978-0415254373
  • Product Dimensions: 20.2 x 13.1 x 1.7 cm
  • Average Customer Review: 5.0 out of 5 stars  See all reviews (4 customer reviews)
  • Amazon Bestsellers Rank: 16,258 in Books (See Top 100 in Books)
  • See Complete Table of Contents

More About the Author

Mark Fortier
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Product Description

Product Description

This is a new and enlarged edition of Mark Fortier's very successful and widely used essential text for students. Theory/Theatre provides a unique and engaging introduction to literary theory as it relates to theatre and performance. Fortier lucidly examines current theoretical approaches, from semiotics, poststructuralism, through cultural materialism, postcolonial studies and feminist theory.
This new edition includes:
* More detailed explanation of key ideas
* New 'Putting it into practice' sections at the end of each chapter so you can approach performances from specific theoretical perspectives
* Annotated further reading section and glossary.
Theory/Theatre is still the only study of its kind and is invaluable reading for beginning students and scholars of performance studies.

About the Author

Mark Fortier is Professor of English at the University of Winnipeg. He has published on Shakespeare, contemporary theatre, cultural studies and theory.

Inside This Book (Learn More)
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There is no one theory in this book which takes precedence over the others. Read the first page
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Front Cover | Copyright | Table of Contents | Excerpt | Index
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Most Helpful Customer Reviews
12 of 13 people found the following review helpful
Format:Paperback
Fortier somehow masters an introduction to many theoretical perspectives and their relation to theatre in a relatively small volume. The book focuses on theatre as performed rather than as writen.

After consideration of the various ways in which theatre and theory can interact, Fortier dedicates nine chapters to nine theoretical perpectives. Each chapter outlines the major approaches and writings in the field and inter-relates them to oneanother before giving a few examples of how the theory can be applied to certain appropiately selected performances.

The first 3 chapters (Semiotics, Phenomenology, Post-strucuralism) are geared towards the relationship to text.

The second 3 chapters (Psychoanalytic, Feminist, Reception) is conscious of subjectivity as motivation of practitioners.

The third 3 chapters (Materialist, Post-modernism, Post-colonial) is geared towards theatre's relationship to 'the outside world'.

The writing style is very open and avoids any dogmatic statements; which can be annoying if you are trying to find quick answers or a definition of a theory, but is an overall strength as it provokes a deeper understanding.

This is the only book I know of which relates more than one theory specifically to theatre. It is also rare to find works that inter-relate more than two theories. It is supprising "Theory/Theatre" is so easy to follow.

It breifly covers a magnitude of practitioners and theorists, then closes with a comprehensive list of further works for each area. It includes a glossary and bibliography.
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3 of 3 people found the following review helpful
By Noodles
Format:Paperback
As an introduction to theatre theory this book is a pleasure to read, and what's more - it is understandable! So many authors of these type of books write with their head in the clouds, flexing their vocabulary muscles so much that it becomes a bore to read. No so with this. It is a well focused down to earth book that gets to the point. Well recommended.
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2 of 2 people found the following review helpful
Format:Paperback
I have used this book as a source for an introductory course in critical theory as seen from the perspective of someone interested in theatre studies. I must say I was impressed with the clarity and the depth of the detail Fortier has managed to squeeze into a book that's barely 230 pages long. Having already the foundation for critical theory because of my previous studies in film, I welcomed Fortier's book as a worthy addition to my "cognitive map". I think this book can serve not only as class material, but also as a great introduction for anyone who may be interested in deciphering the basic terminology of critical theory (the book contains a very short and very useful glossary as well). Fortier goes through the most influential theorists and sums up the vast philosophical questions posed by various academics worldwide in one single read- that may not be "easy" but at least it's meaningful.
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