In "Theorizing Modernism," Johanna Drucker offers an extremely valuable overview of visual arts discourses through a rigorous examination of the rhetoric of 19th and 20th century critical writing and art practice. This work is an important contribution toward remapping modernist objects, subjects, and spaces.
About the Author
Johanna Drucker is Assistant Professor of Contemporary Art at Yale University. She is the author of The Visible Word: Experimental Typography and Modern Art Practice, The Century of Artists' Books, and The Alphabetic Labyrinth: The Letters in History and Imagination.