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The Theatre and Films of Martin McDonagh (Critical Companions) [Paperback]

Patrick Lonergan
5.0 out of 5 stars  See all reviews (1 customer review)
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Book Description

16 Feb 2012 1408136112 978-1408136119
Martin McDonagh is one of the world's most popular dramatists. This is a highly readable and illuminating analysis of his career to date that will appeal to the legions of fans of his stage plays and the films Six Shooter and In Bruges. As a resource for students and practitioners it is unrivalled, providing an authoritative and enquiring approach to his work that moves beyond the tired discussions of national identity to offer a comprehensive critical exploration. Patrick Lonergan provides a detailed analysis of each of his plays and films, their original staging, critical reception, and the connections within and between the Leenane Trilogy, the Aran Islands plays and more recent work. It includes an interview with Garry Hynes, artistic director of Druid Theatre Company, and offers four critical essays on key features of McDonagh's work by leading international scholars: Joan FitzPatrick Dean, Eamonn Jordan, Jose Lanters and Karen O'Brien. A series of further resources including a chronology, glossary, notes on McDonagh's use of language and a list of further reading makes this the perfect companion to one of the most exciting dramatists writing today.

Frequently Bought Together

The Theatre and Films of Martin McDonagh (Critical Companions) + Plays: One - "Beauty Queen of Leenane", "Skull of Connemara", "Lonesome West" (Methuen contemporary dramatists): Beauty Queen of Leenane; a Skull of Connemara; the Lonesome West v. 1
Price For Both: £23.51

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Product details

  • Paperback: 272 pages
  • Publisher: Methuen Drama (16 Feb 2012)
  • Language: English
  • ISBN-10: 1408136112
  • ISBN-13: 978-1408136119
  • Product Dimensions: 13.5 x 2.5 x 21.6 cm
  • Average Customer Review: 5.0 out of 5 stars  See all reviews (1 customer review)
  • Amazon Bestsellers Rank: 546,076 in Books (See Top 100 in Books)
  • See Complete Table of Contents

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Review

Patrick Lonergan - as enthusiastic as a true film buff ought to be, yet as defensive as a proud father - seeks to soothe the hostilities, and to show that the sheer force of the reactions to McDonagh's work has provoked only prove his momentous talent... [the book provides] a wealth of information and resources. -- Ruth Gilligan Times Literary Supplement 20120810 As Patrick Lonergan's entertaining and enjoyable study of the playwright and film-maker points out, academics have frequently been more hostile [that critics]. Lonergan attempts to re-address this...By shifting the focus of his debate away from perennial debates surrounding the authenticity of Irish representation, Lonergan is able to pose much more interesting questions about the relationship between the author and his work...each section includes a very useful section of production analysis. The book also includes an extremely detailed glossary offering readers explanations of all the terms and major historical events dis cussed in McDonagh's plays...Lonergan's easy conversational tone and knowledgeable discussion of the plays will, though, be of interest to a general readership interested in McDonagh's work, and this book offers a comprehensive account of his varied and occasionally controversial career to date. -- Catherine Rees New Theatre Quarterly

About the Author

Dr Patrick Lonergan is a lecturer in English at National University of Ireland, Galway. He writes about theatre for The Irish Times and Irish Theatre Magazine. His first book, Theatre and Globalization, was awarded the 2008 Theatre Book Prize. He has authored two Student Editions of plays by Martin McDonagh and is editor of The Methuen Drama Anthology of Irish Plays.

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2 of 2 people found the following review helpful
Format:Paperback|Amazon Verified Purchase
Lonergan's book is a brilliant and well researched piece of work about an artist whose career, I feel, will only become more influential. Whilst the shock of McDonagh's type of writing for the theatre has definitely worn off, his work in film grows ever more bold and confident. I don't expect that he will become the next Quentin Tarantino, but more a filmmaker in the vein of Michael Mann or William Friedkin.

What is refreshing about the book is the style in which it is written. Too frequently, books on film and theatre are written in such a robotic and dry tone that one can never be sure if the writer has any enthusiasm at all for the subject. It is evident from this book that Lonergan is fascinated with not only McDonagh's works, but in the reactions they provoke and in the debates they raise surrounding modern film and theatre.
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