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The doom that came to Sarnath [Unknown Binding]

H. P Lovecraft
3.5 out of 5 stars  See all reviews (2 customer reviews)

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Product details

  • Unknown Binding
  • Publisher: Fantasy Publications (1935)
  • Language English
  • ASIN: B0008B8WHY
  • Average Customer Review: 3.5 out of 5 stars  See all reviews (2 customer reviews)

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H. P. Lovecraft
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Most Helpful Customer Reviews
3 of 3 people found the following review helpful
By Daniel Jolley HALL OF FAME TOP 100 REVIEWER
Format:Mass Market Paperback
This is a wonderful collection of some of Lovecraft's lesser known works, the majority of which come from his earlier writings. It is actually a pretty eclectic sampling of styles. One finds traditional horror, dream-enshrouded tales of unknown vistas, short "prose poems," collaborations with other writers, and even a science fiction story. While none of these stories can claim a place in the Cthulhu Mythos, several do presage its beginnings and offer glimpses of the universe of the Great Old Ones. "Nyarlathotep" introduces us to that dark god, "The Festival" refers to mouldy tomes such as the Necronomicon of the mad Arab Abdul Alhezred and offers us a glimpse of pagan practices, Polaris speaks of the Pnakotic manuscripts, and "The Nameless City" takes us deep underneath the desert sands to a forgotten abode of ancient, nonhuman creatures. Many of the tales take us to Dunsanian dream worlds where beauty and unearthly horror are separated by a veil of nothingness. "In the Walls of Eryx," cowritten with Kenneth Sterling, is very interesting in that it represents Lovecraft's only real foray into science fiction, a more than successful foray in my opinion. The only story I find less than first-rate is the tale "Imprisoned With the Pharoahs," a work ghost-written for Harry Houdini--passed off as a true story of the great magician's visit to Giza's pyramids; Houdini's presence as the protagonist makes the story seem forced and does not allow me to fully appreciate the elements of horror Lovecraft injects into the tale.

Lovecraft is, to some degree, an acquired taste, and for that reason I would not recommend this book for first-time readers. Any fan of Lovecraft will delight in these tales and mentally take note of every element that relates to the whole of his fiction, but the Lovecraft initiate may well become frustrated with the Dunsanian elements of many of these stories and may not fully appreciate the remarkable craftsmanship of the author; furthermore, the collaborations in this collection are clearly not Lovecraft's greatest works. Those looking for "horror" may well be disappointed, as will those seeking an introduction to the Cthulhu Mythos. While these stories can surely inspire delight and devotion among new Lovecraft readers, it is my feeling that they can be fully appreciated and understood only by those who are already familiar with Lovecraft's greater body of work.

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1 of 10 people found the following review helpful
By A Customer
Format:Mass Market Paperback
I have frequently read that HP Lovecraft is supposed to be at the forefront of gothic romanticism in the horror genre. Thus, I came to this volume with high hopes, encouraged by the suitably ominous cover design, which has skulls and ravens and things like that.

I was thus extremely disappointed to discover that "The Doom that Came to Sarnath" is nothing but a short and exceedingly silly story about some race of aliens somewhere being wiped out by an ancient god or something. It has no characters, no emotion and barely any storyline at all. I should imagine that Mr. Lovecraft was 'hepped up on goofballs' if he expected modern audiences to take this nonsense seriously.

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Most Helpful Customer Reviews on Amazon.com (beta)
Amazon.com:  12 reviews
18 of 18 people found the following review helpful
Lovecraft stories too often overlooked 11 Mar 2002
By Daniel Jolley - Published on Amazon.com
Format:Mass Market Paperback
This is a wonderful collection of some of Lovecraft's lesser known works, the majority of which come from his earlier writings. It is actually a pretty eclectic sampling of styles. One finds traditional horror, dream-enshrouded tales of unknown vistas, short "prose poems," collaborations with other writers, and even a science fiction story. While none of these stories can claim a place in the Cthulhu Mythos, several do presage its beginnings and offer glimpses of the universe of the Great Old Ones. "Nyarlathotep" introduces us to that dark god, "The Festival" refers to mouldy tomes such as the Necronomicon of the mad Arab Abdul Alhezred and offers us a glimpse of pagan practices, Polaris speaks of the Pnakotic manuscripts, and "The Nameless City" takes us deep underneath the desert sands to a forgotten abode of ancient, nonhuman creatures. Many of the tales take us to Dunsanian dream worlds where beauty and unearthly horror are separated by a veil of nothingness. "In the Walls of Eryx," cowritten with Kenneth Sterling, is very interesting in that it represents Lovecraft's only real foray into science fiction, a more than successful foray in my opinion. The only story I find less than first-rate is the tale "Imprisoned With the Pharoahs," a work ghost-written for Harry Houdini--passed off as a true story of the great magician's visit to Giza's pyramids; Houdini's presence as the protagonist makes the story seem forced and does not allow me to fully appreciate the elements of horror Lovecraft injects into the tale.

Lovecraft is, to some degree, an acquired taste, and for that reason I would not recommend this book for first-time readers. Any fan of Lovecraft will delight in these tales and mentally take note of every element that relates to the whole of his fiction, but the Lovecraft initiate may well become frustrated with the Dunsanian elements of many of these stories and may not fully appreciate the remarkable craftsmanship of the author; furthermore, the collaborations in this collection are clearly not Lovecraft's greatest works. Those looking for "horror" may well be disappointed, as will those seeking an introduction to the Cthulhu Mythos. While these stories can surely inspire delight and devotion among new Lovecraft readers, it is my feeling that they can be fully appreciated and understood only by those who are already familiar with Lovecraft's greater body of work.

9 of 9 people found the following review helpful
Excellent "Lovecraftian" primer 17 Mar 2000
By Mark A. Loyd - Published on Amazon.com
Format:Mass Market Paperback
I read my first Lovecraft about fifteen years ago, and never looked back. This book is the one I recommend to my friends who have never read any of his work before. The book is laid out like none of the others I have seen, in that it is divided into separate sections, depending on the type of story, the time period it was written in, or the style Lovecraft was emulating at that time in his career. Also included are snippets of various letters Lovecraft wrote to friends and colleagues which shed an interesting light on where some of the stories came from. I read this book straight through from beginning to end, which is unusual for a collection of Lovecraft's, but in this case found it a very rewarding experience, because the layout is such that the reader gets a real feel for how Lovecraft's talent developed. If someone is looking for a good jumping-on point into the Lovecraft experience, this is an excellent one.
6 of 7 people found the following review helpful
HORROR AND FANTASY 11 July 2001
By EMAN NEP - Published on Amazon.com
Format:Mass Market Paperback
I find it funny that there's a unicorn logo on the front cover of my copy of this book, saying that this work is Adult Fantasy. About the only thing Adult about H.P. Lovecraft is that he uses big words like "cacodaemoniacal". Although most of the works in this collection are fantasy, that doesn't mean that there isn't any horror to be had, either. Some of the stories in this excellent collection will give you more chills than the Sixth Sense ever did. Here's a brief synopsis of some of the stories in this book: THE OTHER GODS--One of my favorite fantasy pieces. It deals with mankind driving the gods up mountains. BEYOND THE WALL OF SLEEP--A primitive man from the mountains is put in an institution, where the main character discovers something extraordinary about the fellow. EX OBLIVIONE--Travel to a wonderful dream-world with a bronze gate that leads somewhere seemingly special. FROM BEYOND--This story reminded me much of The Sixth Sense. Lovecraft was never one for dialogue, but he did really well in this story. THE CATS OF ULTHAR--An elderly couple is suspected of cat-killing, but a boy passing through has thoughts of revenge. HONORABLE MENTIONS: The Tree, The Tomb, Polaris, What the Moon Brings, Hypnos, Nathicana, The Festival, The Nameless City, The Quest of Iranon, The Crawling Chaos, and In the Walls of Eryx. As you can see, you get lots of bang for your buck, so to speak. The stories are categorized, but they do not appear in chronological order--a partial chronology is included at the back. This is probably the best Lovecraft book I've read since The Best of H.P. Lovecraft. Both books are worth getting.
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