"TONIGHT WE FLY. Very narrowly beats M1 A1. I choose this because it's the perfect musical ending to life: 'If heaven doesn't exist, what will we have missed? This life is the best we've ever had.'"
"M1 A1. (Not counting the remixes.) 'Hello?........Is anybody there?......'-BANG, straight into the drum roll and guitar riff. Then pure rock 'n' roll, with a camp singalong. Absolutely fantastic."
"EVERYTHING'S NOT LOST. Wonderful. And ironically upbeat - Martin's bloody miserable for half an hour, then suddenly says 'Everything's not lost'. Big singalongs are a great way to close albums, too."
"SLOW LIFE. Another fantastic epic. SFA are unique: name another rock/indie/pop band who would close an album with a 7-minute slice of techno. A bit like Mountain People on Radiator - but even better."
"THE TEST. The epic end to a criminally underrated album. Richard Ashcroft nails the vocals (it's more indie than dance, really) but it's hard to ignore Tom and Ed's mastery of production. Great stuff."
"I LOVE. Similar to Starsailor's album closers in its style, Athlete have a go at minimalism. It works. I usually hate this kind of sentimentalism, but this song gets me every time.It's just beautiful."
"PEACE IN THE VALLEY. Brilliant ending to a phenomenal album, from the opening monologue telling you everything is a lie to a child singing the final line. This is Alabama 3 really exploring bluegrass."
"COMING DOWN. Starsailor have a thing for ending albums on a low-key acoustic note, and it works very well. Tender and fragile, this song exposes Walsh's voice - an acquired taste - for its raw beauty."
"ANGEL BAND. We've had a song about death (O Death), so let's finish with a song about heaven. A beautiful slice of folk-bluegrass, sung by octogenarian brothers with some great guitar work. Lovely."
"CHAMPAGNE SUPERNOVA. I don't like Oasis, nor do I own this album, but this is a really, really good song and a superb album closer. Always nice to finish on an epic - 7:27? That'll do."
"SO YOU'LL AIM TOWARDS THE SKY. Even though it's only really a few lines repeated over and over again, this is a genuinely touching song about underachievement. Grandaddy at their chilled-out best."
"I SHALL BE FREE. Ah, it's the end of my breakthrough album, featuring a number of timeless classics. How do I round it off? I know - an improvisation about sleeping with Elizabeth Taylor. Genius."
"WELL, IT'S TRUE THAT WE LOVE ONE ANOTHER. As good as Jack White's ballbusting electric guitar work is, it's nice to hear a laid-back acoustic effort occasionally. Featuring Holly Golighty on vocals."
"YOUR MOTHER'S GOT A PENIS. I know it's not the closing track to The Greatest Hits, but Amazon doesn't have The Manifesto, which is to what I am referring.The song finishes with a Peter Kay impression."
"THE JOKER. Norman Cook's usually better at making brilliant penultimate tracks - e.g. Demons and Love Island - but this is a great album closer. The fun highlight of a slightly disappointing album."
"MEGALOMANIA. How dare you accuse us of being overblown and pompous? Why, we defy you with a song featuring an organ, a bit drum outro and lyrics about miscarriages! Tongue-in-cheek fun from Muse."