Amazon.co.uk Review
Editor Barry Turner's damning but compelling indictment of the standard of English teaching in Britain forms the introduction to this new edition. From the 1960s onwards "teachers were encouraged to set standards by the lowest common denominator", he argues, and "the impact on English was catastrophic". Brian MacArthur, veteran journalist on and associate editor of The Times has contributed an interesting "insider" piece about book serialisations, new for the 2004 edition.
If you want to approach, say, Scottish Field, an Edinburgh-published magazine, or to access a photograph of an item in the Royal Collection, everything you need to know is here. So are the contact details for European publishers such as Standaard Uitgeverij in Antwerp and the annual Margate Poetry Festival. It's pretty eclectic and exhaustive stuff.
The Writer's Handbook is more narrowly focused than its older rival the Writers' and Artists' Yearbook because it doesn't try to cater for artists as well as writers. Perhaps that's why the handbook is more clearly laid out and somehow handier to use than the yearbook, although if you're serious about getting your work published you probably need both. --Susan Elkin --This text refers to an out of print or unavailable edition of this title.
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Product Description
From the Back Cover
Completely revised, updated and enlarged, the new edition of The Writers Handbook contains over 6,000 entries covering every area of writing. Key sections include book publishing in the UK and US, UK and US agents, magazines, newspapers, screenwriting, TV and radio, film and video, theatre and poetry, alongside comprehensive and up-to-date information on taxation, copyright, writers courses and circles, festivals, grants and bursaries, prizes and much more.
New features for this edition:
THE BROADER VIEW
Carole Blake argues that writers should look beyond the British market
UP, UP AND AWAY
Mick Sinclair reveals the secrets of successful travel writing
A WRITERS DIARY
Bob G. Ritchie describes a year in progress
CURTAIN UP ON HOW TO BECOME A PLAYWRIGHT
James Roose-Evans
MAKING THE BEST OF IT
Gareth Shannon on the complexities of publishers contracts
PETER FINCH ON THE POETRY WARS
IAN SPRING ON TAXING THE WRITER --This text refers to an out of print or unavailable edition of this title.