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The Worms Can Carry Me To Heaven [Paperback]

Alan Warner
3.8 out of 5 stars  See all reviews (6 customer reviews)
RRP: £8.99
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Book Description

3 May 2007

Manolo Follano is handsome, fastidious, opinionated, more than a little vain and has built a comfortable provincial life for himself. Despite his inability to master the English language, his architectural design company on the mediterranean coast is thriving, his suits are handsome and his luxury appartment complete. So when his doctor and best friend tells 'Lolo' he is dangerously ill it is, it would seem, the end of everything.

In Alan Warner's fifth novel, however, this devastating news is only the beginning. In a series of vivid, erotic, hilarious flashbacks Manolo plays back his life in glowing technicolour: each wild and glorious set-piece building towards a picture of life - flawed, certainly, but passionate, richly imagined and deeply humane.


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Product details

  • Paperback: 400 pages
  • Publisher: Vintage (3 May 2007)
  • Language: English
  • ISBN-10: 0099268752
  • ISBN-13: 978-0099268758
  • Product Dimensions: 13.1 x 2.6 x 20 cm
  • Average Customer Review: 3.8 out of 5 stars  See all reviews (6 customer reviews)
  • Amazon Bestsellers Rank: 213,256 in Books (See Top 100 in Books)

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Review

"In 2003 Alan Warner was one of Granta's 20 Best Young British Novelists, and quite right too - he's a writer of stunning originality" (Kate Saunders The Times )

"The Worms Can Carry Me to Heaven is one man's story, funny, moving, swollen with lust and high anxities, sombre in moments, momentously memorable in passages of lyrical intensity, where it sings with a potent underlying sadness" (Tom Adair Scotsman )

"Funny, profound, shocking and provocative" (Henry Sutton Esquire )

"An extraordinary novel... contains beautiful writing...[and] moments of superb deadpan comedy" (Niall Griffiths Guardian )

"Macabre and bizarre... It doesn't lack heart, but only hides it. That in itself... is rather brilliant" (Spectator )

Book Description

A savage, surreal and very original imagination - Sunday Telegraph

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Customer Reviews

Most Helpful Customer Reviews
14 of 14 people found the following review helpful
5.0 out of 5 stars wonderful 19 July 2007
By Cris
Format:Paperback
I am actually laughing out loud at how Angelica No has completely misunderstood this book and listed so many spelling and grammatical "errors". Oh dear.

The voice of the first-person narrator - Angelica No, please note, this is supposed to be a native Spanish speaker with no English (as he frequently mentions) - so the errors are of a Spanish person's voice being "translated" to render the Spanish into slightly artificial English. It is the internal monologue of a non-native speaker thinking in his own language, NOT an English speaker making a litany of howlers...

This literary artifice is so very well done that suspending disbelief comes as no chore. It was surprising to keep remembering that Alan Warner is a native English speaker from Scotland as his first-person voice of slightly stilted non-standard English is utterly, utterly convincing. The narrative takes the form of a personal history where, through sudden news that he is suffering from a terminal disease (The Condition) the narrator casts a somewhat Proustian look back at his life and the events and the events and emotions that have coloured it - the cruelty, kindness, passion, love and hatred. As all the best-written characters are, Lolo is flawed, supremely engaging and never dull. A truly rounded character, he experiences a range of emotions and reactions and whilst we may not always like him - his behaviour does tend towards the effete and he is rather reminiscent of Niles Crane in Frasier - he engages our sympathy and affection and just as we think we are getting to know him he does or says something quite unpredictable, often something deeply cruel.
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24 of 26 people found the following review helpful
5.0 out of 5 stars A great novel 18 Dec 2006
By Lucy
Format:Paperback
This was one of the best novels in 2006, totally misunderstood by what reviews I've read. It's a very subtle attack on Europe's attitude to immigration and the plight of those dying of AIDS in Africa. It's a fascinating, moving and spectacular novel. I don't know why another reviewer bothered ignoring the story and writing a bad review from the "Correct English" lobby, especially on a Scottish novel. If you want to play at pedantry you could just argue, "Oh, but all those `mistakes' were in the ORIGINAL SPOKEN SPANISH. For of course, this novel is a completely fabricated language construct full of very many odd English sentences, if you read closely, which have been magically transmitted from one language to another, which the CHARACTER cannot write as he speaks no english. This novel is not a third person narrative it is a written TEXT, it is a VOICE in the FIRST PERSON, like Warner's `grammatically incorrect', truly great novel, Morvern Callar. Our Pedant friend fails to distinguish between a third person narrative voice and the first person expressive voice which - sorry all pedants - can write and express itself in any way which it pleases with as many FIGURES OF SPEECH as it wishes. We don't talk in grammatically correct sentences.

Alan Warner has said in an interview in 2004, "I write from spoken language. Correct English is a foreign language to me and one I have no interest in mastering. All that stuff is out of date. Its boring. Like saying Jimi Hendrix or Ornette Coleman plays too loud or out of tune. Correct english is always a middle class complaint because its through that voice they define themselves. I feel closer to some American or some African writers who write in so- called Pidgin English.
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2 of 2 people found the following review helpful
4.0 out of 5 stars Lost loves, old loves and loves abandoned 3 Oct 2009
By Eileen Shaw TOP 500 REVIEWER
Format:Paperback
Alan Warner escapes his usual setting in his native Scotland to write the story of an ageing Spanish roué in this faultlessly voiced novel. Verisimilitude is brilliantly conveyed with a narrative of lost loves, old loves and loves abandoned. Erotically charged and yet disarmingly inoffensive, the story of a life is told with a mixture of charm, honesty and self-doubt so that we see past the façade of a man of the world to the mendacity and egoism of the boy beneath.

As the novel opens 40 year-old Manolo Follana is told by his doctor and friend of many years that he has a certain "condition" from which he will certainly die. The terror and shock has him ranging back over his past as the child of rich hotel-owning parents, his design company's beginnings, his marriages to two wives and liaisons with many girlfriends, to the present day, and the inexplicably strong bond he feels for the lowly immigrant Ahmed, with whom he shares his luxurious apartment.

The novel builds in intensity towards its riveting climax and a new, ironic and devastating revelation. The journey is richly rewarding in this beguilingly meandering novel.
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1 of 1 people found the following review helpful
4.0 out of 5 stars yoo doo right to try this after morvern callar 23 Feb 2012
Format:Paperback
this is warner's 2nd best novel (after the brilliant morvern callar of course). i would definitely urge folk to read this before any of his other scottish-grounded novels. he is an inconsistent writer but this is a strange, captivating fiesta. well worth a read.
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0 of 1 people found the following review helpful
3.0 out of 5 stars Dissapointing 29 July 2010
By Lendrick VINE™ VOICE
Format:Paperback
Alan Warner is a fantastically talented author, Morvern Callar and the The Sopranos are among my favourite novels, But he can be a bit hit and miss, and The Worms.... is sadly more miss than hit.

He steps away from his normal west of Scotland setting to write the story of an ageing Spanish man looking back over his life in small resort town. The form of the novel just feels too familiar, and Warner just doesn't seem to have anything original to add to the form. While for me the narrator never fully comes to life.

It's not a bad novel, but Warner has done much better.
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