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The World Is What It Is: The Authorized Biography of V.S. Naipaul [Unabridged] [Paperback]

Patrick French
4.3 out of 5 stars  See all reviews (3 customer reviews)
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Book Description

3 April 2009 0330440098 978-0330440097 1
Shortlisted for the 2008 BBC4 Samuel Johnson Prize for Non-Fiction

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The World Is What It Is: The Authorized Biography of V.S. Naipaul + A House for Mr Biswas
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Product details

  • Paperback: 450 pages
  • Publisher: Picador; 1 edition (3 April 2009)
  • Language: English
  • ISBN-10: 0330440098
  • ISBN-13: 978-0330440097
  • Product Dimensions: 23.5 x 15.2 x 3.2 cm
  • Average Customer Review: 4.3 out of 5 stars  See all reviews (3 customer reviews)
  • Amazon Bestsellers Rank: 409,429 in Books (See Top 100 in Books)

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Review

'Breathtaking candour.' -- Mark Bostridge, Books of the Year 2008 - The Independent on Sunday

'Few biographies in recent years have been so universally acclaimed as Patrick French's... Brilliant.' -- Books of the Year 2008 - The New Statesman

'Startlingly candid life exposes Naipaul as an egotist, a domestic tyrant and a sadist; a magnificent achievement.'
-- 100 Best Holiday Reads, Sunday Times

'Surely no one will find a subject this ripe, or this forthcoming, again... so candid it makes one feel faint.' -- Books of the Year 2008 - The Obeserver

`Startlingly candid life exposes Naipaul as an egotist, a domestic tyrant and a sadist; a magnificent achievement'
-- Sunday Times - 100 Best Holiday Reads

Review

'Surely no one will find a subject this ripe, or this forthcoming, again... so candid it makes one feel faint.'

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11 of 11 people found the following review helpful
By J A C Corbett VINE™ VOICE
Format:Paperback
A decade ago Paul Theroux wrote a vivid and unflinching account of his friendship with Naipaul that had broken down some years previously. It was described as `literary suicide' and in many ways has come to define Theroux's career since the late-1990s. French is largely dismissive of the American, portraying Theroux as a fawning character whose book was a bitter personal attack on Naipaul and replete with inaccuracies.

And yet he draws most of the same conclusions. After the publication of French's book, Theroux wrote: `French's biography amply demonstrates everything I said and more. It is not a pretty story; it will probably destroy Naipaul's reputation for ever, this chronicle of his pretensions, his whoremongering, his treatment of a sad, sick wife and disposable mistress, his evasions, his meanness, his cruelty amounting to sadism, his race baiting. Then there is the "gruesome sex", the blame shifting, the paranoia, the disloyalty, the nasty cracks and the whining, the ingratitude, the mood swings, the unloving and destructive personality.

At the same time French brings some context to these character traits. For example, Theroux complained bitterly in his book that he was always left holding the bill when they lunched. But as French reveals, while Naipaul was one of the most revered novelists in the country, until the late 1970s he was pereptually broke, reliant on his wife's salary and was at times even homeless.

The book is at its best when it reveals Naipaul's immigrant experience in the 1950s, the poverty and pallor of his existence. The relationship with his first wife Pat - its early romance and many lows - is well rendered, and her last days are touchingly told. Her recollections in her diary are sad and harrowing.

It falls short when it comes to his abysmal treatment of his mistress, Margaret Gooding, who is discarded and disappears off the pages as if she is dead. What she makes of the physical and metal abuse at Naipaul's hands is not known. The explanation of his marriage to Nadira Alvi is inadequate. It still seems incomprehensible and horrendous that she moved into his marital home a day after Pat's funeral. The book ends with Naipaul and Alvi scattering Pat's ashes in the mid-90s, but what happened next? The Nobel award is dealt with in the introduction, but the last 15 years are not mentioned.

French is also not critical enough of Naipaul's carefully cultivated cult of personality as `the greatest living writer of English.' He's not. It's true that he's written some great books, but little of note in twenty or more years. Beyond A House For Mr Biswas and, perhaps, A Bend in the River, how many of his works will be read in 30 or 50 years time?

But for all these faults, this is a fantastic book - as vivid and comprehensive a literary biography as you can ever expect to read. Patrick French's life of VS Naipaul is a rare thing: an authorized biography that is at once rigorous and critical of its subject. Impeccably researched and brilliantly written, French unravels the enigmatic Naipaul,. Anybody with any interest in Naipaul should read it.
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1 of 1 people found the following review helpful
4.0 out of 5 stars A very balanced biography 13 Dec 2010
Format:Paperback
I cannot add much to J. Corbett's well concieved review, except to add that Patrick French has done an excellent job here, as the book is strangely compelling and beautifully written. Having said that I am slightly annoyed with myself for spending my time reading about a selfish, unpleasent and self pitying character, who actually doesn't deserve respect for anything other than his writing, and much of that is pretty introspective.
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1 of 2 people found the following review helpful
4.0 out of 5 stars Naipaul's biography 5 April 2010
Format:Paperback|Amazon Verified Purchase
Excellent biography and French has grasped the brutality of life for a non white person in white British society of the 1950s and beyond (and now too!). But, alas, the great writer, wanted to belong and managed to do so in the end. Best review of book by A. N. Wilson, others focused with instinctive political correctness on the treatment of his angelic wife and mistress. The story French tells is more complicated and Naipaul gives ample indication of suffering autism and possessing the prodigious talent many of them seem to have.
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