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The World Ends: Afro Rock & Psychedelia in 1970's Nigeria

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£15.00 & FREE Delivery in the UK on orders over £20. Details Only 2 left in stock (more on the way). Dispatched from and sold by Amazon. Gift-wrap available.

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The World Ends: Afro Rock & Psychedelia in 1970's Nigeria + African Scream Contest: Raw & Psychedelic Afro Sounds From Benin & Togo
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Product details

  • Audio CD (12 July 2010)
  • Number of Discs: 2
  • Label: Soundway
  • ASIN: B003PCL0TK
  • Other Editions: Vinyl
  • Average Customer Review: 5.0 out of 5 stars  See all reviews (2 customer reviews)
  • Amazon Bestsellers Rank: 119,957 in Music (See Top 100 in Music)

Disc: 1
1. The Ify Jerry Krusade - Nwantinti
2. Die Die/ The Hygrades - The Hygrades
3. The Hykkers - Deiyo Deiyo
4. Wrinkars Experience - Soundway
5. The Funkees - Breakthrough
6. The Mebusas - Mr. Bull Dog (Original 45 Version)
7. The Founders 15 - Don't Take Me For a Ride
8. The Ceejebs - Eti Ufok
9. Tony Grey Super 7 - Yem Efe
10. The Identicals - Akwa Kayi Ji Bia Nuwa
See all 15 tracks on this disc
Disc: 2
1. The Thermometers - Babalawo
2. Colomach - Ottoto Shamoleda
3. The Black Mirrors - The World Ends
4. The Semi Colon - Isi Agboncha
5. The Lawrence Amavi Group - Money That's What I Want
6. The Hygrades - Somebody's Gotta Lose or Win
7. Ofege - In Concert
8. The Elcados - Chokoi & Oreje
9. Sonny Okosuns & Paperback Limted - Ohomi
10. Chuck Barrister and The Voices of Darkness - Be Kind, Be Foolish, Be Happy
See all 17 tracks on this disc

Product Description

Product Description

The World Ends showcases a wave of guitar driven and psychedelic groups that sprung up in Nigeria during the early 1970s. Featuring 32 electrifying and funk-laden grooves, this is the sound of a generation attempting to pick up the pieces after the devastation of the Nigerian civil war.

Spread over 2 CDs and 2 triple gatefold LPs, this bumper collection is brimming with youthful exuberance, fuzzed out guitar and cosmic organ vibes and owes much to the psychedelic sounds of Jim Morrison, Santana, Hendrix, Jefferson Airplane and James Brown.

As the summer of love was blossoming in London and San Francisco, Nigeria was imploding into civil war. Also known as the Biafra war of 1967, it was a grisly conflict taking over three million lives yet at the same time the country was being pulled apart there was a new world beginning.

The tracks featured represent a forgotten chapter in Nigeria’s musical history when the youth threw their varied morsels into the pot from hard rock to psychedelic soul when guitars were cherished instruments, symbolic of a new movement, when highlife and Afrobeat played second fiddle to ‘the beat’.

BBC Review

While it's pretty indisputable that Britain and the USA were, during the 1960s, the global leaders of rock music, there were countless nations across the world reacting to these innovations and mutations, often with terrific results. Nigeria, ravaged by civil war in the late 60s, was nevertheless a particularly glowing example of this as the next decade unfurled. While highlife–the jittery, up-tempo West African genre–had long been the dominant Nigerian music style, the influx of rock and funk from the West took root, and resulted in the hybrid fashioned on this two-CD compilation's 32 songs.

Although it might at least in part be attributable to rough, sometimes imprecise recording techniques, there's a genuinely thrilling rawness to numbers like Deiyo Deiyo by The Hykkers, who appear to be channelling the earthiest psychedelia on offer at the time. Other examples of this compilation's more psychedelic leanings are less abrasive–The Black Mirrors' The World Ends, from which the album takes its title, is perhaps helped (to Western ears) by an English-language (and English-sounding) vocal as well as some catchy, Doors-y organ. More prominent still is the influence of James Brown and his primary characteristics–the urgent, repeated commands and catchphrases on the mic; the elasticated groove heaven laid down by the musicians. Not that the Nigerian pioneers were slavish imitators–something like The Mebusas' Mr Bull Dog bears the hallmarks of the Godfather of Soul, but filtered through a grounding in highlife.

Recent years have seen a marked upswing in the unearthing and repackaging of old African records. It's something to be grateful for–while some of these cuts were smash hits back at home, most of us are unlikely to stumble upon copies today. There is, one supposes, a danger of overly fetishising the 'otherness' of African rock and funk combos, who after all just wanted to make a thrilling racket like any other aspiring band (and, in some cases here, entertain the Nigerian army, who sponsored their activity). The thrillingness of their racket transcends borders and continents, however, and provides a choice introduction to a world of rock and funk hidden to many.

--Noel Gardner

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Customer Reviews

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Most Helpful Customer Reviews

11 of 11 people found the following review helpful By Joseph Devine on 20 Aug. 2010
Format: Audio CD
Over the last two years I have amassed quite a large collection of Soundway Records releases; without even realising it I now have 12 of their compilations! I got this one yesterday and it isn't very hard to see why. Their releases are all encompassing, with splendid artwork and sleeve notes to accompany the brilliant and rare tracks they have dug up. Each individual track has a paragraph of background information and there is an extensive introduction explaining the political and cultural background that helped form and fuel the psychedelic movement in Nigeria's music scene during the 70s. This means that as well as being great music to party to, chill out with or obsess over, it also feels like you are learning something and gaining a greater understanding of other culture's musical revolutions. Soundway really put in that extra bit of effort with their compilations, throwing out all the stops and giving you a complete piece of art to enjoy, listen to, look at and read. If only all CDs were given this much love and attention then maybe a lot of people would be more inclined to actually buy music physically as opposed to just downloading?

I am still digesting the music itself and there is far too much to comment on, but having listened to both discs three times each already in under 24 hours I can safely say that wild psychedlia and traditional african rhythms and style meld together fantastically well, making this a most definitely worthy addition to your collection!
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5 of 5 people found the following review helpful By Martyn VINE VOICE on 17 Sept. 2010
Format: Audio CD Verified Purchase
Bearing in mind that African and psychedelia are among my favourite musical genres, this compilation always had a good chance of impressing me, but it also had the capacity to go horribly wrong, as psychedelia in particular can when done badly. Nevertheless good reviews prompted me to get this and I was more than happy with the result.

These bands have a genuine feel for 60s psych/garage, and marry it with African rhythms and harmonies brilliantly.

Added to how Ethiopiques has brought us the marriage of African music with jazz grooves, it's another facet of 'world' music that's being opened by by some really dedicated record labels. This is a pretty much flawless compilation which is also wonderfully packaged, and makes the whole act of listening to it a real experience.
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Most Helpful Customer Reviews on (beta) 5 reviews
12 of 12 people found the following review helpful
By Stuart Jefferson - Published on
Format: Audio CD Verified Purchase
Two discs 61,66 minutes each approximately. The sound, which has been restored from vinyl copies of these tracks, is for the most part, good. At times the sound suffers from a slight "distancing" feel, and a slight fuzziness in the overall mix. But these slight distractions don't get in the way of the music. The discs are slipped in, bare, into pockets of the quad-foldout cardboard holder. The 42 page booklet contains a lot of information, not only on the artists and music in this set, but also the era that spawned this music. The tracks are listed inside the holder, and there's track-by-track information in the booklet. There are a number of b & w photographs throughout the booklet that adds depth to both the information and the music.

This music is the direct descendant of the psychedelic music that was prevalent in the U.S. and Britain (primarily) in the late 60's. Nigeria was in the grips of war at this time (1967), and the music known as "Highlife" was still very popular, but beginning to fade in popularity. But the generation of kids who grew up during and after this war, wanted something new to listen and dance to. The popular Nigerian groups were replaced with western-style artists like Elvis, THE BEATLES, THE ROLLING STONES, and THE YARDBIRDS, to name a few.

The music on these discs is a direct emulation of guitar-driven rock heard in the Western world. The rhythms were a combination of Highlife,traditional rock 'n' roll, and urban funk, with a combination of organ/horn/guitar/vocal leads. At times the guitars are fuzz-driven high intensity killers, or stinging leads, sounding similar to any number of guitar-orientated groups from the west. On this set the electric guitar, in all its glory, was king in most (if not all) these groups. Oftentimes there was a honking sax or organ in the mix, with dense Nigerian percussion/vocals filling in around everything else. But as it says in the notes-"the guitar was lean, loud, and sexy". This is Nigeria's experimentation and love of Western rock 'n' roll-i.e.the electric guitar.

In many ways, this was Nigeria's "Summer of Love",albeit a little late. This music is funky, exciting, guitar rock. The rhythms may at times, be slightly different (but are curiously captivating), but the lead guitars in all their screeching, fuzz-drenched glory are whats really important here. The vocals (some sung in their own tongue) add a bit of exoticism to the mix, but there are many tracks sung in English. You'll hear everything from SANTANA-styled lead guitar, to THE SHADOWS, to YARDBIRDS fuzz-filled leads, to a surf-influenced sound, to Pete Townshend-like vocals sung in English ("Blacky Joe"), to instrumentals ("Rough Rider","Ofege","Bullwalk"), to an almost TOWER OF POWER-like horn arrangement with lead guitar ("Oli Nkwu") that could fit in anywhere in the Western world, to most anything else that was popular at the time in the U.S. and Britain. And that's just on the first disc.

The second disc starts out with a Santana -style percussion sound and then segues into a fuzz-driven Carlos Santana lead guitar (("Babalawo"), with some Greg Rolie (early SANTANA) organ fills, with vocals sung in one of the several languages heard on this set. If this song doesn't get you moving-you're dead. For some prime U.S. style garage rock, listen to "The World Ends", a combination of cheesy organ similar to THE SEEDS, with a convincing garage-punk-attitude vocal (again in English), and you'll think you're listening to a track from the "Nuggets" collection from 1968. Another highlight is "Money That's What I Want" (in English), with a funky beat, manic organ solo, and shouted vocal in the best tradition of Western rock. "Somebody's Gotta Lose Or Win", with a SLY AND THE FAMILY STONE beat is another funky, dance floor mover. And so it goes. This disc is every bit as filled with glorious, sometimes funky, guitar-rock 'n' roll as the first disc.

For anyone who wants to hear what Western-style rock 'n' roll, from the late 60's, sounds like processed through another culture-this is the collection to purchase. These bands were not mere imitators, they took the music they heard and infused it with their own musical style(s), and came up with their own unique version of rock 'n' roll. And it works. This music will start your body to moving involuntarily, which is what good rock 'n' roll is all about. Give this set a listen and hear for yourself-it's that good.
Electrifying Fusion! 10 Jan. 2015
By Donald E. Gilliland - Published on
Format: Audio CD Verified Purchase
Wow, this is a totally steaming and totally satisfying collection of vintage Nigerian music from the 1970s. The title describes it as "Afro Rock & Psychedelia" and the bands on this collection certainly fuse those sounds along with some high life and funky soul riffs too. The result is a delightful look at what must have been an amazing musical scene.

I had heard of two bands on this collection, the Funkees and the Lijadu Sisters, but had never actually heard anything by them, nor any of the other more obscure artists on this 2-CD set. As noted in the main review, the sound quality is not going to be mistaken for any audiophile recordings, but neither is it so rough that it detracts from the listening experience. I actually like rough, gritty recordings like these, exuding more rhythm and emotion than the majority of contemporary tunes.

Another plus when purchasing this 2-CD set is the thick booklet that comes with it; packed with information about the recording artists and the Nigerian music scene at the time. There are also many reproductions of the ultra cool record sleeves that once housed these songs. Another dynamite release from Soundway!
1 of 1 people found the following review helpful
I love this 14 May 2013
By IIWI - Published on
Format: Audio CD
1970's Nigerian music with no King Sunny Ade or Fela. This is great. There is a big variety of artists with a guitar, and sometimes sax, orientation.
4 of 6 people found the following review helpful
Rock/Funk guitar afrogroover. 2 Aug. 2010
By Scott McWade - Published on
Format: Audio CD Verified Purchase
More Nigerian obsurities (that's redundant) from the 1970's diamond mine. Booty shaker for sure, late night madness. Soundway's usual high end product and notes, cardboard slipcase though, not everyone's first choice.
0 of 8 people found the following review helpful
Quick delivery! 30 Dec. 2010
By mmg - Published on
Format: Audio CD
The CD came very quickly and in plenty of time for me to wrap it as a Christmas present. My brother-in-law loves it!
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