The Wolfman is a remake (with a lot of artistic license) of the 1941 film of the same name, updated and embellished with today's visual effects. Anthony Hopkins (
Hannibal) plays a dark and austere Sir John Talbot, who has recently lost one of his sons. The other son, played by Benicio Del Toro (
Che) returns home to Talbot Hall after a prodigal absence and sets about determining what has happened to his late brother. After fate has taken it's course, an inspector (Hugo Weaving -
The Matrix) is sent from Scotland Yard to detect just what is happening in the sleepy town of Blackmoor due to a number of it's residents meeting with grisly demises.
What sets the Wolfman apart from other horror B-movies is just how bleak and gothic the milleu is; Talbot Hall (really Chatsworth House) is breathtaking. The approach across the moor really instills a sense of wonderment. The house is deliberately in a state of decrepitude & disrepair as Sir John has retreated from society and has few guests thesedays with only his Indian man-servant for company. The acting is fantastic and the first portion of the film has much of the air of a period drama that really develops the back-story and fills out the characters, even moreso in this version, the Extended Cut.
It is when we see the Wolfman that things start to unravel, the effects are good, but the end result is that the Wolfman looks like he did in the 1941 version; a guy in a gorilla suit. Now perhaps I have become too accustomed to the Underworld versioning of Werewolves; with elongated snouts and a much more feral appearance, but the Wolfman here looks like a chap in dire need of a shave and a trip to the dentists. The real saving grace for this film is the fantastic rendition of the caustic and waspish detective by Hugo Weaving. He really injects some much needed dry humour into the film. This, coupled with some exciting on-screen chemistry between Del Toro and Emily Blunt are the best elements of the Wolfman.
It is sad that this film suffered from a lack of unified artistic direction (many directors hot-seated this production after a spat between the original director and the studio) as it starts so well, the first 40 minutes really drawing you in but by the end you end up rueing what it has become - a gory, gruesome creature-feature with little imagination and too few scary moments. In conclusion, I would recommend this film for a decent period romp, but don't expect to be frightened by it as you will probably laugh at the Wolfman! The alternative ending in this version is a real eyebrow raiser!!