'The Witnesses' (French, with English subtitles) from inimitable director André Téchiné (Les Voleurs, Wild Reeds, J'Embrasse Pas, Les Innocents) presents an intelligent character study - the genre at which French Cinema is truly unsurpassed.
Manu, a young gay man (early 20s) arrives in Paris in the summer of 1984 and lives with his older sister, a budding opera singer, in a hotel used by pimps and prostitutes. He soon encounters a doctor, Adrien (Michel Blanc), a man in his 50s. Adrien's love for Manu is unrequited, yet over a hazy summer he introduces Manu to the delights of Paris, and to a young couple of his acquaintance.
This young married couple - Mehdi (a vice squad policeman) and Sarah (a writer) - have an open relationship, made stormy by the arrival of their new baby, for whom Sarah can find no maternal love. An unexpected attraction blossoms between Manu and Mehdi, and the two embark on a secret affair.
Manu thus forms the locus of the group comprising his sister Julie, the older doctor Adrien, Mehdi and Sarah, each of whom has a differing emotional connection to each other. And this is really the key to 'The Witnesses'. The early 1980s setting certainly allows the spectre of the then-new AIDS virus to hover over the group, along with the politics of the era (insensitive, senseless, law enforcement excursions versus militant AIDS activism). However, the film is not intended (and does not operate) as a period piece for AIDS; the latter is more a metaphorical device for exploring the effects of 'new arrivals' upon existing relationships. The film's primary brilliance lies not in its plot (which could perhaps be described as flat and somewhat unoriginal) but as an expertly-constructed character study.
This is evident not least from the outstanding cast, which includes Michel Blanc, Emmanuelle Béart and Julie Depardieu. Blanc, as the ageing doctor, and Béart as the confused Sarah, offer particularly compelling performances; though the entire line up is formidable. Viewers should not expect a poignant or melodramatic storyline, but instead a feast of three-dimensional characters, highly complex, each with their own intensely human flaws and foibles. No fairytale story, this; rather a melting pot of base desires and diverse, elusive motivations.
'The Witnesses' will stand (and indeed deserves) multiple viewings to appreciate its incisive, nuanced portrayal of the dynamics of human relationships.
(Other notes: the DVD release (Dolby Digital sound) offers nothing substantive in the way of extras: a theatrical trailer and filmographies of three cast members.)