The Wise Man's Fear: The Kingkiller Chronicle: Book 2: The Kingkiller Chronicle 2 [Paperback]

The Name of the Wind (The Kingkiller Chronicle) is one of the most enjoyable fantasy novels I have ever read. It is among my all-time favourite novels. It is also the first book in a trilogy. Now, after a long wait, the second book is out.

The Wise Man's Fear picks up where Name of the Wind left off. We're still in an inn, somewhere in the sticks. We're still watching the inn keeper, Kote, his apprentice, Bast, and Chronicler. Bast is someone from Faerie. Chronicler is there to record the life history of a famous shaper of history, Kvothe. Kote is Kvothe, in hiding... and his story is now in its second day of telling.

Kvothe's story is swashbuckling, energetic stuff. Read the blurb on the back of Name of the Wind, and you know you're in for a tale of adventure. The same is true for Wise Man's Fear: adventure, hijinks, magic, and all told in beautiful prose with a real sense of music and rhythm and an aural aesthetic to it. This is exciting, plot- and character driven adventure, written in a masterly way.

Despite all that, there are reasons why Wise Man's Fear does not get the five stars that Name of the Wind got from me. The first of these may be quite subjective: I like Kvothe best when he's at the University. Name of the Wind took him from childhood to University, and then, in the final act, to follow a lead and find a dragon (well, draccus) and have a big adventure as finale. Wise Man's Fear is different: we spend the first third of the book at University, and then Kvothe finds himself going out into the wider world in a self-imposed exile for two terms. He has adventures, spends time at court, chases bandits, learns kung fu, becomes the world's greatest lover, ... well, not quite, but almost. For me, those parts of the book quite simply did not quite have the same fascination. At University, there is Elodin to fascinate the reader (perhaps not unlike Dumbledore in Harry Potter, but less stable and grounded). There is Auri to delight. But there is no more exposition happening: Patrick Rothfuss has explained the rules of magic in this world, set out the principles, and does not take the reader into higher levels in this book. Perhaps no one else would want second or third year level magic theories in a book - but I found myself missing something. Perhaps I wanted Elodin to give up a secret or two. Perhaps I wanted a bit more progress towards finding out about the Chandrian. Perhaps I wanted movement in the back story as well as the story in the foreground. And Wise Man's Fear did not move the back story as much as I would have hoped for: the main new thing are the Amyr, a long extinct (or are they?) Knights Templar type movement...

One big accusation that has been levelled against the Kingkiller Chronicles is that the books are wish fulfilment literature. Well, it's true. Academically brilliant, brave hero who can sing, play instruments, write poetry and songs that know no equal, do magic way beyond the abilities of his peers... yeah, there is something a bit escapist about it. But this is tempered by Kvothe's poverty, his ability to make lifelong enemies, his rashness, his bumbling foolishness around girls (and Denna in particular)... one of the reasons the first book earned its length is that each talent of Kvothe is earned, and as reader, we earn it with him, we feel his efforts. Wise Man's Fear, however, cheats. Let's just say that the exact how and where and why of Kvothe's sexual awakening seems to just fall in his lap, unearned, unstruggled for, unlikely... And then we spend (what feels like) a hundred pages there. No, not in a hundred-page long scene of canoodling, but a hundred pages of Kvothe plus one, in their own little world. If these books were in any way comparable to Lord of the Rings, this would be their Tom Bombadil moment...

For a writer who really likes women, and seems to respect them, populating his novels with a variety of confident, competent female characters, it seems a little bit disappointing. It's as if Kvothe's clumsiness around women could not be resolved gradually, as if something had to pop, and as if Kvothe was somehow never going to get there with real women... It's not the most satisfying or gratifying way to do character growth...

This is also the place where the book seems to get bogged down a bit in silly phrases. Where the language has been beautiful and elegant throughout, it suddenly turns corny. Sexual positions get names that could be straight from the Karma Sutra ("the thousand hands", "the twisted lotus flower"), and, not long thereafter, Kvothe learns his world's equivalent of Yoga and Kung Fu, and each movement has similar sounding names ("the falling leaves", "the itching backside" ... well, not perhaps the latter) - after one and a half books of beautifully written, exciting prose, the reader is suddenly faced with about three hundred pages of slightly cheesy shorthand spoiling the otherwise ornate aural landscape of the story.

Finally, the biggest reason why the book lost a star is quite simply this: Kvothe fails Denna in one way. Let's just say he is informed of Denna being in a situation she could probably use some saving from, and he makes choices that lead him towards finding out more about the Chandrian, rather than towards finding her and helping... Yes, the Chandrian, and the murder of Kvothe's family when he was a child are important things. But now, years after the fact, and after so much emotional investment in Denna, I would have expected him to put her wellbeing before his own revenge, any time. And yes, he might not have known where to find her or how to help her, but he does not even try...

I should clarify something at this point: I have spent most of this review highlighting elements I found frustrating or disappointing about the novel. However, this does not mean the novel is bad, or average, or merely OK. No, this is a very good, very well-written, very enjoyable novel. It's 1000 pages long, and I read the first 250 of those in one hungry leap. The reason I go into negatives is simply that they stand out, in this novel of masterliness. It's a bit like spending a week in the most beautiful, sunny holiday spot on Earth, and being rained on for half an hour of that week: when the holiday is over, I remember that half hour in more detail than the week of joy.

So: this novel is very good. It is a wonderful sequel. It is not as flawless as the first, and it had stretches where I wanted it to be in a different place, take a different direction. But it is still good.

(Lastly, the novel does signal, just as the first did, where it is headed: into darkness. After all the joyful energy in these two novels, with some bittersweet moments and a threatening cloud of terror on the horizon, I feel not just anticipation for the final novel; I also feel a bit of dread. I care too much about all these characters. I think if it goes the way it is signalling, I may have to keep tissues handy while reading the next one, a decade or so from now...)

Kvothe the Bloodless, Kvothe the Arcane, Kvothe the Kingkiller. He is a legend but the real man is an enigma. A man named Chronicler is trying to find out the truth behind the legend by convincing Kvothe to tell him his life story, a task so long it will take three days to complete.

On the second day, Kvothe relates more of his time at the Commonwealth University, his ongoing feud with another student named Ambrose and his increasingly proficient studies in various areas. He also tells of his time spent in Vintas, serving a nobleman seeking to woo a lady, and learning the arts of combat in far Ademre. But how much of Kvothe's story is truth and how much is his own fabrication?

The Wise Man's Fear is the sequel to The Name of the Wind and the second in The Kingkiller Chronicle trilogy. Since the trilogy was originally one extremely long novel split into three parts, The Wise Man's Fear has little preamble and not much of the climax. It starts, we follow the story for a time, and then it ends with little resolved. For a novel that is 1,000 pages long in hardcover, that should be a fairly damning comment.

Rothfuss's saving grace is his immense writing skill. He could make the telephone directory sound warm and interesting, and whilst the book is extremely long most of the chapters are short and snappy. The narrative is divided into two distinct sections, basically Kvothe in the University and Kvothe out in the world, and these sections are themselves fairly episodic. Whilst Kvothe's hunt for information about the Chandrian, the mysterious creatures that killed his family, provides a narrative spine of sorts, sometimes dozens of chapters pass without this plot element being as much as mentioned.

As a result The Wise Man's Fear feels less like a novel and more like a collection of tightly linked short stories (a feeling added to by the fact that one episode in the novel, The Road to Levinshir, was previously published as a separate short story almost a decade ago). This dichotomy - a very episodic book presented as a single novel - creates problems for pacing and consistency, with some of the episodes and stories being fascinating and others being tedious, whilst several more interesting-sounding incidents (like Kvothe standing trial for a misdemeanour) are skipped over in a couple of paragraphs. The Name of the Wind suffered from this as well, such as the incongruous and dull draccus incident towards the end of the book, but due to its much greater length The Wise Man's Fear is even more prone to it. Kvothe's dalliance with a famous Fae temptress goes on for far too long and winds up feeling a bit like the porn version of Tom Bombadil, whilst Kvothe's training montage with the Klingon Aiel Dothraki Vikings of the far north-east is just plain dull. Those who found Kvothe insufferable and Gary Stu-esque in the first novel will likely plain hate him here, as he picks up a ton more skills (including unarmed and armed combat, more magical skills and several more languages) with ease.

But Rothfuss does seem to be more overtly pulling the wool over the reader's eyes here. Kvothe reports on his badass fighting skills but then in a 'present' incident is unable to effectively defend himself from attack. Is this because he overrated his combat abilities, or because he's rusty, or because he deliberately holds back? The reader is invited to decide. Anomalies in Kvothe's story are also pointed out by Chronicler, and Kvothe admits to occasionally sprucing up his story. He's not exactly an unreliable narrator on the scale of Severian in The Book of the New Sun, but Rothfuss is at least letting the reader know that Kvothe himself might not be the best person to tell his tale, but he's all we've got to go on.

Elsewhere, plot elements are carefully alluded to rather than being spelt out, such as the motivations and identity of Denna's mysterious employer, or the relationship between Kvothe and a minor character that Kvothe himself is totally oblivious to. There is an impressive degree of subtlety running through this brick-thick tome that will no doubt raise questions and discussions that will keep fantasy forums busy until the final volume is released.

Rothfuss's powers of prose and characterisation remain highly impressive. The writing is rich and atmospheric, setting the scene perfectly, and Rothfuss has a keen eye for detail, humour and warmth (though in this book slightly more undercut by bitterness and cynicism), but those hoping for the story to explode into life, become bigger and more epic, will be disappointed. In a way Rothfuss is writing an anti-epic fantasy, with the focus narrowly on one character and the ordinary events that have been inflated out of all proportion. This forces the reader to keep downplaying expectations, since Rothfuss isn't playing the same game as a lot of other epic fantasy authors.

The Wise Man's Fear (****) is a difficult book to review, as it's well-written, sometimes compulsively page-turning and features some extremely well-played and subtle storytelling. On other, briefer, occasions it's tediously dull, cloying and prone to attacks of purple prose (particularly in the frisky fairy section). The book is also monstrously overlong and could have been split into two or three more focused, shorter books without too much of a problem. But Rothfuss is too good a writer to let the book's many issues sink it, and the book ends with the reader left wanting to know what happens next, which is the key thing. The novel is available now in the UK and USA.

Minor spoilers due to inferences.

While I enjoyed Name of the Wind and The Wise Man's Fear I can't help but be concerned about the delivery of this second installment. Kvothe's time at the University mires the story in the same old ground. That aspect has a very Harry Potter feel which I don't believe justified its quantity in this installment. That ground was thoroughly covered in Book 1. The routine has become tiresome and lacks excitement. And even though Rothfuss eventually flings Kvothe out into the world the structure of the story lacks any emotional high point. Rothfuss' dialogue has flare and he doesn't lack for style but massive stretches of this volume are flat and unwholesome. Even when he eventually completes the various minor arcs laced throughout the book after the massive stretches of monotony I was left feeling only vaguely satisfied.

Rothfuss seems to have sacrificed the main plot in favour of building up Kvothe's character and legend in tandem. The only problem with this endearing venture is that Kvothe's self-styled legend is largely undeserving leaving the feats he does manage to accomplish out of scale with his fame. Leaving his prowess woefully inadequate to the task he is so determined to complete. This is Day 2/3 of the tale after all and I was hoping for something a little more progressive and a little less self-centred. There is a moment in the middle of the drudgery (which I won't describe) where I thought, "Yes! This is where it takes off!", however the moment fades and after mere paragraphs it's back to business as usual. Sympathy, Naming and world building take a backseat here.

The sexuality in this novel is probably the main issue for me. Not because I'm a prude but because of the sheer scope with which it envelopes this installment and its highly contrived delivery. Hundreds of pages are devoted to erotica and Kvothe is incongruously transformed into some sort of sex god whom consecutive women swoon over. Rothfuss has at times over the last two books used Kvothe "the innkeeper" to break the pretense of the story with some sarcastic comment about expected fairy tale endings and clichés to the events he recounts. I found this highly amusing because the unfolding of Kvothe's sexual awakening is TRULY cliché both in the manner that it was delivered and just the overall idea to even include it in its current form. Contrived, puerile, disappointing and unbelievable. Not only does it not move the story along in a suitable fashion Kvothes character became unreal to me during his dalliances. As if I was suddenly reading about an entirely different person. It's nauseating how a character can undergo such a radical characteristic change in the span of a single page and stay that way for chapter upon insipid chapter where virtually nothing beneficial is done with the story.

I know we live in a world of regurgitated thought and a truly original idea is hard to come by but Rothfuss' mercenary Adem just seemed a little too close to Jordon's Aiel for comfort. Barbarians/Wetlanders, Red Armour-Lethani/Cadin'sor, Aiel Polygamy/Adem multiple sexual partners. Adem displaced from homeland/Aiel displaced from homeland. Adem superior warriors/Aiel superior warriors. Also in conjunction with this the sword forms in the Wheel of Time compared to the Adem ketan and combat stances. On its own it wouldn't mean anything but given the multiple similarities its worth stating the uncanny likeness. I can forgive the Narnia-ishness of the Fae Realm and the Harry Potter styled University but the aforementioned similarities are a little jarring. I hate to be presumptuous but I presume Rothfuss has actually read The Wheel of Time. (just for the record, not a total WoT fanboy)

Kvothe and Denna's little game was charming at first but the blades edge is now dull and in need of a good whetstone. The overall idea was clever and romantic in Book 1 yes, but with the developments in this installment most notably, the complete revelation of Denna's profession (if it wasn't already obvious), and with Kvothe's contrived dalliances the innocence of the whole thing has sort of been corrupted. Where once I was rooting for them I no longer care. You can only use suspense as a tool for so long before the moment passes and is lost.

I mean it's book 2 of 3 of the supposedly legendary Kvothe's exploits. How much can Rothfuss possibly fit in the third volume if it's business as usual? When you look at both volumes there isn't much of a complete story arc fleshed out at all. Where are the bad guys? I respect the fact that Rothfuss doesn't seem to want to create the run of the mill fantasy story full of typical clichés but eventually Kvothe has to be formed into a protaginist worthy of stepping toe to toe with powerful foes. It lacks that epic feel. It's more of a brooding character study at the moment."Kvothe broods in location A about Chandrian. Kvothe broods in location B about not having his lute. Kvothe broods in location C about Denna" and NOTHING GETS DONE. Three Days to tell the tale? Three weeks seems a little more likely at this pace.

I hate to be this critical despite my obvious disappointment with The Wise Man's Fear because it does have all the key ingredients to become a fine story. I actually couldn't put both these books down until I read cover to cover. I really wouldn't mind if Rothfuss took these 3 books to just lay the ground work if he is even planning on advancing the story beyond Day 3 which I assume and hope he must be. In that way it might have a certain sweet elegance and overall structure which the individual books seem to lack. Much depends on book 3.