The Wire : Complete HBO Season 1 [DVD] [2002]

I watched the first episode of the Wire a few months ago and wasn't sure what to make of it and allowed the box set to gather dust on the shelf. However, while on holiday I started watching 2 or 3 episodes at a time and suddenly it had a rhythm that wasn't there before. This isn't some quick fix TV like Lost or 24, this unfolds like a novel (unsurprising as the show features writing from the likes of Dennis Lehane and George Pelecanos) and rewards the viewer who follows the simple instruction on the cover of the box 'Listen Carefully'. I'm now on series 4 and it gets better and better - I envy those who haven't yet discovered this brilliant series - they have such an treat in store for them.

Over the last few years the quality of the US dramas have been outstanding. The shortned List -: 24, West wing, Battlestar Galactica Rome, Deadwood and of course The Sopranos.

I borrowed The Wire on the strength of this and it was very hard going at first. It had a gritty and unappealing setting(inner city Baltimore). The Pace was pendantic and there was so much street slang and police jargon, it did not seem to be going anywhere. I had not even read the reviews. I was truly going to return it. But at about the 6th or 7th episode. I began to understand the reason for the earlier seeming directionlesness.They were laying the foundations, indeed there was line I think the character Lester made about building things piece by piece till all the characters fit. I aslso began to realise what the writers had done they had created a whole universe, I simply had to see things in thier context.

Now having watched all 3 Seasons on DVD. I concur with the other viewers is saying that this is truly an extraordinary piece of work, A tale of an American city taken from different perspectives as an allegory for something that is happening in the society at a more profound level. Kudos to the writers for the complexity and depth and to HBO for being so bold (as they have always been). The acting is simply seamless, you could be forgiven for thinking you are watching a documentary. The show scope is breathtaking. It has truly raised the bar on what televison can produce

The Wire is, at first glance, Yet Another Cop Show, about a group of disparate and conflicted police officers working to bring down criminals who are often not much better than they are. Yawn. However, there are two things that mean that people should take this seriously. Firstly, it's made by HBO who, up to a couple of years ago anyway, seemed physically incapable of making something unless it was absolutely gripping and awesome. Secondly, it's the creation of former police writer and journalist David Simon, whose previous show was the brilliant Homicide: Life on the Street.

The Wire kicks off on the mean streets of Baltimore, Maryland. A murder case against a young black man named D'Angelo Barksdale collapses when one of the witnesses is scared into retracting her testimony. The furious judge learns from homicide detective Jimmy McNulty that D'Angelo is a junior member of a far-reaching criminal gang run by his cousin, the extremely elusive Avon Barksdale. This gang controls all the drug supplies on the west side of the city, and are protected by a labyrinth of legit front organisations. Determined to get some payback, the judge uses his influence to have a special joint homicide-narcotics unit formed to bring down the Barksdale gang, with McNulty assigned and an up-and-coming officer named Lt. Daniels placed in charge.

The investigation into the Barksdale organisation by the unit forms the backbone of the first season of the show, but that's just one side of the story. We also get to see the investigation from the POV of the criminals themselves, most notably D'Angelo as he finds himself free but busted down to supplying the lowest of the estates, as well as the kids who work for him. A dangerous, unpredictable third faction is also in play in the form of the one-man army Omar Little, a criminal whose personal code means he can only steal from other criminals. The police try to form an alliance with Omar to bring down Barksdale, but their erstwhile ally has an unfortunate tendency to blow away the criminals they're trying to get locked up, which makes this a difficult task.

The appeal of The Wire is hard to explain to those who haven't seen it. It's fairly slow-moving (although never dull) in places and arguably takes two or three episodes to really kick in. It's also pretty unforgiving if you miss an episode. Flashbacks to prior episodes are non-existent, and plot points and character and emotional arcs often turn on a single conversation from several episodes earlier. You need to pay attention here. Luckily, that's made easy by the tight writing, the ingenious methods the criminals go to avoid being caught and the even more intelligent methods the police need to use to investigate them, and the acting. It'd be almost impossible to single out any of the actors for praise. British actor Dominic West has the closest thing to a central role as McNulty, and handles the character very well, but Lance Reddick (more recently seen as the enigmatic Abbadon in Lost) holds every scene he's in as the formidable Lt. Daniels. Clarke Peters develops his character of Lester Freamon from almost a background role to that of the most intelligent and confident officer on the team in a natural and impressive manner. John Doman's constantly-infuriated performance as McNulty's commanding officer and eternal nemesis Major Rawls has to be mentioned as well.

On the criminal side of things, British actor Idris Elba (formerly seen as Vaughn in the excellent Ultraviolet) impresses as Stringer Bell, Avon Barksdale's trusted number-two man, and Larry Gilliard Jr. provides the main criminal POV as 'D' Barksdale, as he tries to claw his way back up the organisation amidst growing concerns about how the family does business. For most people - including Barak Obama - the stand-out performances in the show belong to two of the more morally ambiguous characters, namely Michael K. Williams as the dangerously unpredictable Omar and Andre Royo as 'Bubs', a street informant struggling with his own drug addiction. Royo's performance was so convincing that whilst filming he was offered a heroin fix by a passer-by who thought he badly needed it, and later referred to this as his 'street Oscar'.

The cast is uniformally brilliant, the writing is fantastic and the show is, surprisingly, very funny. Whether it's the stories of some mind-bogglingly stupid criminals, or the ridiculous difficulties the team faces at getting a desk into their basement office, or Bubs' methods of identifying suspects for the police observers, the show has a jet-black vein of comedy which gives several laughs per episode. This is necessary because the show can be quite bleak, showing as it does wasted young lives amidst the crumbling tenements of a poor city, and a lot of the characters die in rather unpleasant ways over the course of the investigation. The investigation also ends messily, and the fates of many of the characters is left wide open for the second season.

The Wire: Season 1 (*****) takes a couple of episodes to build up a head of steam and get you into its headspace, but once that's done it never lets go.