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Donat turns in a superb performance as the debonair lawyer - the scene in which Morton confronts young Ronnie Winslow is simply heart stopping - and the viewer is drawn into the struggle between the Winslow family in their fight against the system.
The film works on many levels, not least the way this traditional British family is torn apart by the emotional and financial pressure of fighting a seemingly impossible case but also revealing the courage in the pursuit of truth and honour.
Comparisons will naturally be made with the recent remake. (1999 directed by David Mamet). But the original is a far more satisfying experience, capturing the period more accurately and having the huge advantage of Mr Donat performing at his brilliant best. A must-see.
The family retains the services of the well respected barrister, Sir Robert Morton, cooly played with dash by the ever wonderful Robert Donat, who agrees to represent the boy. The case becomes a cause celebre all over England, and Sir Morton's client becomes known as that Winslow boy, a notoriety that shakes the boy's very proper family to its core. While the case wends its way through the British legal system, tension between the boy's intelligent, bluestocking sister and his barrister bubbles to the surface, and the sparks begin to fly.
The old time English courtroom scenes that follow will satisfy all legal beagles and lovers of courtroom drama. The resolution of the suit is somewhat predictable, but enhanced by the delicious wit of the dialogue and the wonderful performances by the entire cast. The movie ends on a note of romantic hope, as it does not lament what might have been between the barrister and the boy's sister, but, instead, augers what is surely to come.
All in all, this is a terrific movie with a stellar cast.
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