Winner of the Palme D'or in 2006 at Cannes, "Barley" is Ken Loach's biggest box office success so far. As far as I know, this is the first Irish film winning the award. When it comes to filmmaking, Loach has a keen sense of realism, naturalism and social awareness. All these elements mix with his strong instinct for time and place, and the result: subtle and intense pictures letting the volatility, misery and pain arise naturally from the harrowing and overwhelming situations.
"Barley" is a beautiful film, an epitome of sharp & powerful docu-drama providing valuable background information especially for those who do not any snippet of idea about the happenings in early 1920s Ireland - Irish people's struggle for independence and origins of the IRA.
Some viewers claim that Loach, due to his radical political stance, distorts historical facts and shows British "Black and Tans" as a stereotypical, bloodthirsty thugs. I don't want to participate in the polemics of whether the film portrays the incidents truly or not - atrocities committed by British forces against civilians, fellow revolutionary's division into factions before Anglo-Irish Treaty and their ideological disputes giving rise to bloody Irish Civil War. This is historian's job.
The truth is that Loach's melodramatic attempt of using two Irish brothers who are at odds with one another to stir up drama proves to be a good formula here. This greatly adds to the watchability of movie. It shows the dark side of war, people's ordeal and how clash of political principles as well as rupture of human values and bonds pit brother against brother.
Lastly, visually the movie is a feast to eyes - from idyllic backdrops of Irish countryside to gloomy dankness of a prison cell, every scene is shot beautifully. For those who like docu-dramas and Ken Loach type of social realism, "Barley" is a must-see.