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Kestrel and Bowman Hath are twins, and we first meet them on the day their baby sister is about to take her first test. She fails, but the family is disgraced further when Kestrel is labelled as a "wild child" and is sent to Special Teaching--a place from which she may never escape--and her father is banished to the Residential Study Course. But Kestrel has met the Emperor, and he told her the history of the Wind Singer--the monument that overlooks the city but no longer has a voice.
What follows is an intense adventure following the children as they embark on a dangerous journey beneath the city and through the Underlake--a stinking lake of decomposing matter that is bigger than Aramath itself and is inhabited by the real, and sometimes extremely dangerous, underclasses--as they search for the Wind Singer's voice. The journey leads them to the very heart of the evil that has taken control of the city, and with their new friend, Mumpo, in tow, they endeavour to wade through the darkness in their extraordinary search for truth.
The Wind Singer is a truly imaginative, fantastical and distinctive adventure story that grips from the very beginning and absolutely refuses to let go, even at the very end of the book. Cinematic in his approach (the descriptions of the people and places are indeed so large and vivid that you can almost smell them as well as imagine them), William Nicholson taps into the nerve centre of the reader, introducing characters that invoke passion--and compassion--and putting them in situations that are at times so intense that it is almost possible to imagine you are there with them as they wade through the dangerous underbelly of their world in the hunt for light.
As challenging as it is entertaining, The Wind Singer is a book that will surely make its mark on the memory of the reader, and will appeal as much to adults who enjoy fantasy writing as it will to younger readers. Age 11 and over. --Susan Harrison --This text refers to an out of print or unavailable edition of this title.
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This book is, in a word, amazing. A review on the back compares it to Star Wars, and it is correct. The scope of this book is astonishing, and what is equally astonishing is how warm-hearted and human it manages to remain despite its epic qualities.
Having read several reviews here on Amazon that complain about unanswered questions in the book, I should like to point out that it is the FIRST in a TRILOGY. If all the questions were answered then why would you go back and read it's sequels? Of course some of the deeper and more profound themes are not neatly tied in a bow - though I can assure you that they are eventually. What is important is that the individual story-lines and character conflicts within each individual volume are satisfactorially resolved by the end of each book.
I would also like to say that while I enjoyed the 'His Dark Materials' trilogy from Phillip Pullman, I don't consider them superior to this series of books in any way, mostly because I found Pullman's grasp of children's development under pressure to be a little superficial. He does not convey, as Nicholson does, the way that people, regardless of age, can be transformed into something base, glorious or dangerous depending on circumstance, while still remaining themselves.
In closing, I would advise any parent to buy these books for their children - but don't let them get their hands on them until you've read 'The Wind on Fire' first.
Kestrel Hath was a likeable character and the story was full of suspense. Although I knew how the story would end, I didn't know how events would unfold.
I can't wait to read Slaves of the Mastery.
This book surrounds Kestrel and Bowman Hath (oh and Mumpo). Read more
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