The Widow Clicquot
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Review
"The Widow Clicquot, Tilar J. Mazzeo's sweeping oenobiography of Barbe-Nicole Clicquot Ponsardin, is the story of a woman who was a smashing success long before anyone conceptualized the glass ceiling."--New York Times Book Review
Product Description
Veuve Clicquot champagne epitomizes glamour and style, with tribute paid everywhere from Lord Byron to Casablanca. But who was this young widow - the 'Veuve' - Clicquot, whose champagne sparkled at the courts of France, Britain, and Russia, and how did she rise to celebrity and fortune? Newly widowed, she assumed the reins of the fledgling wine business she and her husband started, steering it through huge political and financial reversals to succeed as a single woman in a man's world. Visitors flocked to see this cultural icon and taste the vintages she imbued with magic.
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79 reviews
47 of 50 people found the following review helpful
A Fascinating Woman in a Turbulent Time
4 Nov 2008
Format:Hardcover|Amazon Vine™ Review
(What's this?)
Tilar Mazzeo's The Widow Cliquot tells the story of one of the most interesting of the early champagne tycoons: a woman who, in the turmoil of the Napoleonic Wars, founded a dynasty. Barbe-Nicole Ponsardin, the daughter of a prosperous Reims merchant, married into the Cliquot family, who sold both cloth and wine. After her husband's death, she chose to continue running the family's wine business, concentrating on the fizzy wine we now call champagne.
The Widow Clicquot faced long odds-indeed, she was a true gambler-because travel was hazardous and much of the export market was closed. Still, she clung to her vision with a remarkable tenacity and was ultimately successful-Veuve Clicquot Ponsardin is still one of the best known champagne houses in the world.
The book has a great deal of interesting information on the history and production of champagne-this gives the Widow's life some context. Mazzeo's finest moment is her taut telling of the delivery of the 1811 vintage under the specter of war in 1813. Mazzeo clearly sets the scene and lets the reader know just how high the stakes are. We really get a sense of the menace-and triumph-of the Widow's life.
Much of what happens after that drama, which falls about in the middle of the book, is unfortunately anti-climax. Mazzeo's problem is that there simply aren't any sources to guide her: since the Widow left scanty records of her personal life, we just don't know what was going on there. It's no coincidence that a well-documented episode from the Widow's business career is the best part of the book: clearly, there were solid sources to ground the story here.
There also seems to be a great deal of telling, rather than showing in the narrative. Time and again, the reader is told that Barbe-Nicole was an exceptional woman, and that she couldn't have been successful had she started her career a few years earlier or a few years later. We are also reminded frequently that Barbe-Nicole was middle class-but she came from one of the wealthiest families in Reims and ultimately ran a multi-billion dollar (in today's terms) business empire. True, she was not a titled noble, but today's audiences might not consider a woman born to her privilege and riches "middle class."
Much of the problem is apparent in the title-it's just too wordy for its own good. Why not "The Widow Cliquot: The Woman Who Ruled a Champagne Empire?" The book suffers similarly-though it's less than 200 pages, it still feels repetitious and over-long at points.
It's too bad, because Mazzeo has an great story to tell, and where she's got the benefit of solid sources, she's does a fine job. Perhaps this story would have worked better as one chapter in a book devoted to similar pioneers? It's certainly a good read, and a story that more people should know about.
The Widow Clicquot faced long odds-indeed, she was a true gambler-because travel was hazardous and much of the export market was closed. Still, she clung to her vision with a remarkable tenacity and was ultimately successful-Veuve Clicquot Ponsardin is still one of the best known champagne houses in the world.
The book has a great deal of interesting information on the history and production of champagne-this gives the Widow's life some context. Mazzeo's finest moment is her taut telling of the delivery of the 1811 vintage under the specter of war in 1813. Mazzeo clearly sets the scene and lets the reader know just how high the stakes are. We really get a sense of the menace-and triumph-of the Widow's life.
Much of what happens after that drama, which falls about in the middle of the book, is unfortunately anti-climax. Mazzeo's problem is that there simply aren't any sources to guide her: since the Widow left scanty records of her personal life, we just don't know what was going on there. It's no coincidence that a well-documented episode from the Widow's business career is the best part of the book: clearly, there were solid sources to ground the story here.
There also seems to be a great deal of telling, rather than showing in the narrative. Time and again, the reader is told that Barbe-Nicole was an exceptional woman, and that she couldn't have been successful had she started her career a few years earlier or a few years later. We are also reminded frequently that Barbe-Nicole was middle class-but she came from one of the wealthiest families in Reims and ultimately ran a multi-billion dollar (in today's terms) business empire. True, she was not a titled noble, but today's audiences might not consider a woman born to her privilege and riches "middle class."
Much of the problem is apparent in the title-it's just too wordy for its own good. Why not "The Widow Cliquot: The Woman Who Ruled a Champagne Empire?" The book suffers similarly-though it's less than 200 pages, it still feels repetitious and over-long at points.
It's too bad, because Mazzeo has an great story to tell, and where she's got the benefit of solid sources, she's does a fine job. Perhaps this story would have worked better as one chapter in a book devoted to similar pioneers? It's certainly a good read, and a story that more people should know about.
29 of 32 people found the following review helpful
The Audacity of Widow Clicquot
21 Oct 2008
Format:Hardcover|Amazon Vine™ Review
(What's this?)
To her last surviving great-grandchild Madame Clicquot writes, "I am going to tell you a secret... You more than anyone resemble me, you who have such audacity. It is a precious quality that has been very useful to me in the course of my long life... to dare things before others... I am called today the Grand Lady of Champagne!"
Coming from a genteel class, it was unusual in that day to run a business, these women instead, were expected to sit leisurely around drawing rooms in idle chatter but when only twenty-seven years old, Barbe-Nicole Clicquot became a widow. The hurdles of making wine and champagne: unreliable bottle quality, turmoil of war preventing export, unusually wet or hot weather, all became Widow Clicquot's worry.
Wines that sparkled were wines that had gone bad. And beginning in the Middle Ages in the Champagne region of France, it was happening more and more. To turn this seeming catastrophe into a success put Champagne on the map. Second fermentation, a disaster for wine, was coaxed into happening in a bottle of champagne.
The Widow Clicquot became, in the nineteenth century, a premier name in Champagne. This book puts a face on that label.
This book is not only the very interesting story of Barbe-Nicole Clicquot but it is also full of very fascinating details about making wine, making champagne, labeling varietals, labeling quality. Second fermentation, the use of sulfur and wine remaining on the lees all makes sense to me now. If you love wine you will really enjoy the history of this fascinating woman and the process of making wine.
The one detriment to this book is Tilar Mazzeo's overuse of the word "perhaps." It leaves the reader wondering just how much of the biographical information is accurate.
Coming from a genteel class, it was unusual in that day to run a business, these women instead, were expected to sit leisurely around drawing rooms in idle chatter but when only twenty-seven years old, Barbe-Nicole Clicquot became a widow. The hurdles of making wine and champagne: unreliable bottle quality, turmoil of war preventing export, unusually wet or hot weather, all became Widow Clicquot's worry.
Wines that sparkled were wines that had gone bad. And beginning in the Middle Ages in the Champagne region of France, it was happening more and more. To turn this seeming catastrophe into a success put Champagne on the map. Second fermentation, a disaster for wine, was coaxed into happening in a bottle of champagne.
The Widow Clicquot became, in the nineteenth century, a premier name in Champagne. This book puts a face on that label.
This book is not only the very interesting story of Barbe-Nicole Clicquot but it is also full of very fascinating details about making wine, making champagne, labeling varietals, labeling quality. Second fermentation, the use of sulfur and wine remaining on the lees all makes sense to me now. If you love wine you will really enjoy the history of this fascinating woman and the process of making wine.
The one detriment to this book is Tilar Mazzeo's overuse of the word "perhaps." It leaves the reader wondering just how much of the biographical information is accurate.
21 of 24 people found the following review helpful
Little History, Lots of Mystery - just a Docudrama
14 Dec 2008
Format:Hardcover|Amazon Vine™ Review
(What's this?)
As a lover of history, a career woman who takes pride in other women's achievements in the business world, and an oenophile (whose favorite champagne is Clicquot), I could hardly wait to read this book. In fact, the summary of the book seemed to be written just for me! What I found when I read this book, however, was very different from what I expected.
I feel as if I read a "docudrama" or some similar fictional account based loosely upon a few historical facts. The Widow Clicquot should have been a 50 page thesis for a history grad student (assuming the author was first able to unearth sufficient historical facts). Instead, the author stretched this book to 194 pages in the advance review copy - at least 100 pages past the book's historical-accuracy-breaking-point. The author did her readers a great disservice by attempting to write a biography about Madame Clicquot when the author herself repeatedly admits in the book that she could find almost no recorded history about the lady. Was this book pursued purely for commercial reasons, without regard to the lack of substantive content? Was the author too wrapped up in her intellectual love affair with the concept of Madame Clicquot to recognize that "The Story of a Champagne Empire and the Woman Who Ruled It" fails to tell us much of anything about how Madame created her Champagne Empire, or how she ruled it?
My greatest complaint is that Ms. Mazzeo trys to create historical fact out of thin air throughout The Widow Clicquot. I could provide innumerable examples of the author leaping to conclusions about what Clicquot felt or saw, what Clicquot did and why she did it - all without any sort of reference material to back up her conclusions. For example, the way Ms. Mazzeo writes should provide you with an idea of my problems with this book: "Barbe-Nicole probably also learned..." "Barbe-Nicole certainly learned..." "Barbe-Nicole surely did not miss..." (pages 42-43 of the ARC). Time and again throughout the book, Ms. Mazzeo make leaps of logic regarding what Madame Clicquot knew, did, loved, liked, disliked and how she felt. I understand that some assumptions must be made about a historical figure about whom so little appears to be known, but the casual way the author has managed to spin a tale that is nearly empty of hard fact while being full of gossip, innuendo and guess - well, it didn't sit well with me, and if you are a student of history, I doubt it will sit well with you, either.
I feel as if I read a "docudrama" or some similar fictional account based loosely upon a few historical facts. The Widow Clicquot should have been a 50 page thesis for a history grad student (assuming the author was first able to unearth sufficient historical facts). Instead, the author stretched this book to 194 pages in the advance review copy - at least 100 pages past the book's historical-accuracy-breaking-point. The author did her readers a great disservice by attempting to write a biography about Madame Clicquot when the author herself repeatedly admits in the book that she could find almost no recorded history about the lady. Was this book pursued purely for commercial reasons, without regard to the lack of substantive content? Was the author too wrapped up in her intellectual love affair with the concept of Madame Clicquot to recognize that "The Story of a Champagne Empire and the Woman Who Ruled It" fails to tell us much of anything about how Madame created her Champagne Empire, or how she ruled it?
My greatest complaint is that Ms. Mazzeo trys to create historical fact out of thin air throughout The Widow Clicquot. I could provide innumerable examples of the author leaping to conclusions about what Clicquot felt or saw, what Clicquot did and why she did it - all without any sort of reference material to back up her conclusions. For example, the way Ms. Mazzeo writes should provide you with an idea of my problems with this book: "Barbe-Nicole probably also learned..." "Barbe-Nicole certainly learned..." "Barbe-Nicole surely did not miss..." (pages 42-43 of the ARC). Time and again throughout the book, Ms. Mazzeo make leaps of logic regarding what Madame Clicquot knew, did, loved, liked, disliked and how she felt. I understand that some assumptions must be made about a historical figure about whom so little appears to be known, but the casual way the author has managed to spin a tale that is nearly empty of hard fact while being full of gossip, innuendo and guess - well, it didn't sit well with me, and if you are a student of history, I doubt it will sit well with you, either.
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