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The White Peacock
 
 
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The White Peacock [Paperback]

D.H., Lawrence
4.0 out of 5 stars  See all reviews (3 customer reviews)
Price: £12.99 & this item Delivered FREE in the UK with Super Saver Delivery. See details and conditions
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Product details

  • Paperback: 368 pages
  • Publisher: Read Books (1 Jan 2007)
  • Language English
  • ISBN-10: 1406790222
  • ISBN-13: 978-1406790221
  • Product Dimensions: 21.6 x 14 x 2.1 cm
  • Average Customer Review: 4.0 out of 5 stars  See all reviews (3 customer reviews)
  • Amazon Bestsellers Rank: 1,312,443 in Books (See Top 100 in Books)

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Product Description

Product Description

Many of the earliest books, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. Pomona Press are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.

Book Description

The Cambridge edition of Lawrence's first novel The White Peacock uses the final manuscript to faithfully recover Lawrence's words and punctuation from the layers of publishers' house-styling and their errors. Andrew Robertson's introduction sets out the history of Lawrence's writing and revision, and the novel's generally favourable reception. --This text refers to an alternate Paperback edition.

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I stood watching the shadowy fish slide through the gloom of the mill-pond. Read the first page
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Most Helpful Customer Reviews
1 of 1 people found the following review helpful
Full of His Own Youth 30 April 1999
By A Customer
Format:Paperback
A lovely book full of youthfulness and vivid, sensuous, brilliant descriptions of the English countryside. This is Lawrence's first novel, written when he was in his early twenties and, he claims, full of his own youth. It fills me with a desire to read of all of his work once again and perhaps thereby to come to a much fuller understanding of Lawrence than I have had before. Perhaps I can even contribute something to our common understanding of his work, his character, his thinking, and his dense symbolism. This is not a novel of plot but of characterization, with each chapter a self-contained short story but adding more information to what has gone before. Each chapters is like a little film taken at a specific time in the ten-year sweep of the novel. It's told in the first person by a very acute, quiet and modest narrator, whose name is Cyril but whose friends sometimes refer to as Sybil - and indeed there are numerous suggestions that the author was going through a period of same-sex attraction in the period before Frieda. The narrator goes everywhere and quietly witnesses everything about a small group of people growing up in the rural area of Nottingham, the Eastwood of Lawrence's birth. In form, this is very much like Women in Love and the other novels of that trilogy, but it gives one a stronger appreciation of Lawrence in some way. It is a coming of age novel, but one in which the narrator participates very modestly, merely as a spectator, and one who sprinkles a special atmosphere on everything that happens. The only fault in this novel is a slight but persistent sense of over-reaching on the part of the author. It leaves me feeling however that Lawrence, as great as he is deemed, is still underrated.
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Format:Paperback
I thoroughly enjoyed The White Peacock. I am probably biased as I am DH Lawrence's cousin. My mother is a Beardsall. I found the book to be very descriptive and it was easy to visualise the settings and the characters. It is much softer than his later work and a great introduction to his writing. I highly recommend it, especially for first time readers of this author.
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1 of 2 people found the following review helpful
By A Customer
Format:Paperback
This was Lawrence's first published novel in the UK, and represents the writer's early experiment in the quest for an established style.

Far too much descriptive detail, and too little narrative, to be considered an enjoyable read. It is however interesting to note the early appearance of themes that were to dominate later Lawrence works. In particular, the nature-civilisation dichotomy, which became a Lawrence trademark, is apparent here in the relationship between the cultured, educated narrator and his best friend, the raw-boned but affable farmer, George.

Readers wishing to introduce themselves to Lawrence would be better advised to start with the book published two years later, and that marked the beginning of his literary reputation: "Sons and Lovers"

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