Chris Flynn comes from a good family, consisting of a hard-working father who owns his own business and tries to do right by his son, and a loving mother. Yet he still strays from the straight and narrow and gets involved in petty crimes as a teenager - larceny, drugs, some minor violence. He ends up in a young offenders' camp where he makes friendships and is taught life lessons.
A few years down the line we pick up his story. He's gone straight and works for his father's carpet-laying firm alongside a friend he made inside the camp. One day, whilst on a job, they discover a large sum of hidden money underneath the floorboards of a property. Although they resist temptation to take it, the find nevertheless sets events in motion that will have far-reaching effects on their lives.
The author once again provides a touching portrait of a father and son, unable at times to articulate their feelings for one another. He asks age-old questions, such as does incarceration work? Are those from a poor background who drift into crime totally beyond salvation? Pelecanos seems to say `no' - he believes in redemption, of people overcoming obstacles in their lives, and in the intrinsic goodness of the human spirit.
What more can I say? His dialogue is equal to, if not better than, any other crime writer you care to name and his characterisation is beyond great. He is a poet of the streets, a champion of the underclass.
`The Way Home' is excellent, but having said that, it's not quite as good as his other recent novels - `The Turnaround' and `The Night Gardener'. However, if you've never read anything by him before this is still as good a place as any to start.
George Pelecanos is criminally under-appreciated in this country. Perhaps it's because he doesn't write crime thrillers per se - you won't find a detective piecing together clues in his books, no rampant serial killers, no red herrings or brilliant twists. Or at least not very often. No, he largely writes crime DRAMAS, wherein he tackles sociological themes, examining cause and effect, brilliantly presenting the inner-city tensions and unease within a big American city - Washington D.C. He's not merely a superb crime writer, he's a brilliant writer, period.
He was an executive producer/writer on the superb American TV show `The Wire' and the publishers draw attention to this on the front cover - in the hope that it will boost sales. The manager of the bookshop where I picked this up lamented to me that he'd bought in a lot of George's back catalogue, but no one was interested in buying them. Pelecanos has many fans among the crime writing fraternity, and critics love him too. So why doesn't he sell in this country when he's easily one of the best writers around? It's a big mystery.