In the UK, Sargent is chiefly known for his society portraits; only in the USA are his watercolours widely admired. His contemporary, Henry James, wrote "The naturalness of the compostion, the loveliness of complete effect, the light,free security of the execution, the sense it gives of assimilated secrets and of instinct and knowledge playing together - all this makes the picture . . . astonishing". One couldn't put it better; these are amongst the best paintings in the medium ever created.
A few faint strokes of pencil, visible through the brilliant washes, show how little Sargent relied on under-drawing and how much was done freehand with the brush. His sureness of touch, the freshness of the colour and the way loose broad strokes as if by magic convey a wealth of structure and detail show how totally he had mastered the medium. The subjects are wonderfully varied; landscapes, architectural subjects, groups of people, running water, all are conjured up out of wisps of pure colour. Everything sparkles, glows and flares with light.
The book starts with a brief professional biography, with an impressive follow-up of footnotes. Thereafter we are off into large pages of reproductions, set with quotes about the work from a variety of sources, and interspersed with paragraphs setting them in chronological context. A section of paintings date from Sargent's time as a war artist in Europe during the last part of the First World War. The book is indexed for the paintings and there are references for the quotations.
Anyone who paints in watercolour should own this book, although it may make them weep and grind their teeth at their own inadequacy. But it is utter joy even to a reader relatively uninterested in painting, for its sheer beauty.